Album Review – Sithter “Chaotic Fiend”

Chaotic Fiend_Album Cover

Sithter

Chaotic Fiend

Bonten Records – December 9th, 2016

Sludge/Doom/Hardcore Metal – Vinyl / CD / Digital

  

Has any one country ever supported hard rock and heavy metal like Japan? I certainly don’t think so. Since Sabbath crawled out from the primordial ooze, they’ve been there, generation after generation. This would make one think they should be much bigger players in the genre(s) considering their love for it, but that has not really been the case. What they have brought to the table though, has been excellent and underrated. From early hard-hitters such as Blues Creation and Shinki, Speed and Glue, on through to Loudness and E-Z-O, right to today’s rippers like Eternal Elysium and Church Of Misery, they’ve proven they have the goods. That now brings us to Sithter, the latest entry I’ve heard from the Land Of The Rising Sun. Does it measure up to its pedigree?

The answer is, by and large, yes. Rather than taking the more direct, Sabbathized path of C.O.M., “Chaotic Fiend” hops on the road straight to Louisiana and the NOLA sound. Throughout the nine tracks present, there is some serious EyeHateGod (and to a lesser degree, Down) worshiping taking place, and I do stress serious. Snarling, surly vocals, punishing riffs and a slow, grinding pace. The band has it all down quite solidly.

 

Chaotic Fiend_Music Set

 

For better of worse, this all means that the band’s strengths are simultaneously their weaknesses. The record is just too close to E.H.G. more often than it really should be. I have to admit the vocals are a bit of a challenge for me as well; a little more diversity and mood from them would really elevate matters.

Wrapping things up, Sithter has delivered a solid effort with “Chaotic Fiend”, no doubt. I think time will address some of the issues brought up here, but until then, this is a good album you should check out. 

Sithter:
Hyö Kagawa – Guitar
Wahei Gotoh – Bass
Takefumi Matsuda – Drums
Hiroyuki Takano – Vocals, Guitar

Words by David “The Lovely” LaMay

 

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