Murder Love God “The Negative” Album Review + Video + Stream…

MURDER LOVE GOD

The Negative EP – Digital Download

Self Released – July 11, 2017

Reviewed by Ric “Suisyko” Dorr

 

Formed 2007

Location –  Milwaukee, Wisconsin USA

Line-Up
Medavon DeRaj’e – vocals, music, production and creation (Murder Love God / LOCKJAW)
Jeremy Gardipee – modular synth and keys (Insekt)

Previous Releases 

2007 “Sell Me Your soul”

2011 “Killing Time V2.0”

2013  “Alter of Evolution”

 

Review:

The first time I heard Murder Love God, was a few months after we had gone to see Milwaukee’s own LOCKJAW for the fourth or fifth time and Medavon had shared an advance with my wife of an album he was working on. While listening, the first thing we noticed was that the feel was even darker and deeper as Medavon was perfecting the blue print for the style known as “Hell Rock”, a mixture of all parts industrial/rock/electronica with a twist of trip-hop thrown in. When recently asked to describe the ethos behind Murder Love God, Medavon replied,

“Undefined and unexplained pieces of rotting parts floating down the sewer to a destination unknown. Excessive thoughts and complaints portrayed through music from a sometimes twisted perspective. These fragments are broken and often bitter but hopefully a few will find them comforting or entertaining.” Each previous release, including the remix’s have been pretty incredible in their own right and hinted at ‘something more’ looming in the shadows, and with this EP, that ‘more’ is finally revealed for the masses. Five tracks, 22+ minutes and this one was released as ‘parts’ over the course of the beginning of this year, coming together as an EP released on 7-4-17.

Live Band Pic

Opener ‘Bipolar’ comes right out of the gate with that familiar staggered tempo that grabs your attention and refuses to let go as the stark-dark twists around you immediately as you grasp onto the consuming keys that seem to linger just out of reach and still, right there as Medavon’s ethereal vocals seem to come at you from all directions as you grab every letter of every word that flows forth and as the body falls into disarray as the song itself, and everything else winds to… nothing.

‘Can’t Look Away’ opens with a slightly faster tempo and Medavon busts right into a rapid-fire vocal that to my ears is a new twist that rides the cascades of ghostly guitar tones delivered with a  surgical precision that gives the body of this track the added feature of ‘plush’ that has never entered the MLG camp in such a manner and even the harmonics mixed with the pick-slides are an indulgence that fills the air to an even higher level of ‘completeness’ to make this one of the most concise songs to come from Medavon’s hand yet.

And then comes ‘Fire Walker’, the longest song contained on this offering and is the pick for the video teaser. This is the exact song to give a complete smattering of the flavors contained here in and shows the growth and purity that musically demonstrates a confidence earned and a maturity in the arrangements and running order that were there before, but not quite to the level that this release is burning with. ‘Cannibal’ is even more of the progressions that while natural, seem second nature here flavored expertly with the seasonings of the life-blood of…

Band Pic 2

Standout track on this one for ME, is the closer ‘Devil’s Favorite’. Shortest offering included, it has everything I look for and devour greedily from a Medavon composition; a relentless beat, full bodied and driving and that special lyrical twist given as only he can do with flair and rage all given with the roar of the master-purveyor of Hell-Rock, delivering with “To taste it, don’t waste it, just touch the sky and shake it…” and the tone is one of need as you have to run along to savor each drop of this glass of absinthe-stained tears to the very last.  If it doesn’t hit you between the eyes once you have traversed from first note to last, Medavon has a response for that as well…

“That is acceptable….my comfort is failed and my soul has been sacrificed by desire. Please enjoy my testimony.” Listen once, drink deep from his veins as he has poured them once more into his art and feel it flow through you… “A musical acid trip on the industrial tip.” he said.

If this is your first sample of, then by all means GET IT ALL like, YESTERDAY!! If you are already one of the ‘aware’, add this to your library and share it with ALL in your personal realm. Support them live if you are given the chance, and keep it LOUD!!

Links:
http://www.facebook.com/darkdrugrecords

http://www.facebook.com/mlgmusic

http://www.soundcloud.com/murderlovegod

http://www.reverbnation.com/murderlovegod


Frozen Planet…1969 – Featured Video Teaser + 1st Single – New Album…

Frozen Planet…1969

From The Centre of a Parallel Universe – Limited Vinyl // CD // DD

Headspin Records // Pepper Shaker Records – August 30th, 2017

 

From the Centre of a Parallel Universe_Album Cover

 

Frozen Planet…1969 have a new album being released on The 30th of August. “From The Centre Of A Parallel Universe” will be available on 12 inch vinyl through Headspin Records.  Available in Black and Orange Splatter Vinyl and black vinyl at Shiny Beast Music Mail-Order in Europe. The digital, compact disc and vinyl will also be available through the band’s own Pepper Shaker Records Bandcamp Page.

Frozen Planet…1969 has returned from their Space travels of an unknown universe somewhere between Saturn and Mars.  They have returned and reported back their findings through their new release “From The Centre of a Parallel Universe.  Their findings are nothing less than than stellar.   Enjoy the first of their Chronicles……

 


Sound of Origin “Seeds of the Past” Album Review + Stream…

Sound of Origin

Seeds of the Past – CD // DD

Self Released – July 8, 2017

Reviewed by Terry “The Ancient One” Cuyler

 

Track Listing:
1. Warfarin 07:39
2. Driven to Distraction 05:14
3. Left For Dead 05:38
4. Seeds of the Past 06:17
5. Asphalt 08:57

 

Hey tasters this is The Ancient One. On the musical menu today are 4 heavy fuzzy psychedelic rockers from Huddersfield, UK. When I first listened to their EP  Seeds of the Past I really didn’t know what to make of them. When their 1st track ‘Warfarin’ started out sounding like it was recorded on a old fashioned tape recorder in a garage. Still they had the courage to put music on Bandcamp and ask others to listen so I listened on.

 

Pro Band Pic Color

 

As I sat listening the sound quickly improved and I realized it was an audio effect. What the music reminded of was the Misfits who fearlessly self produced albums on the cheap that they then sold at bargain basement prices. And at other times I was reminded of Faith No More. With vocal powerhouse John Bussey, the rafters rattling drum beats of Chris ‘Foz’ Foster along with  Jax Townend’s floor shaking bass and Joe ‘Zeph’ Wilczynski fuzzed out psychedelic riffs, Sound of Origin is not a band to be overlooked.

 

 

Some of my favorites on “Seeds of the Past” are ‘Driven to Distraction’ with it’s heavy drum and bass laid down by Foz and Jax.  In  ‘Left For Dead’  John Bussey’s vocal ability shines through with  Zeph’s fuzzy psychedelic guitar. I’m going to keep my eyes open for any future releases by Sound of Origin. If you like this EP you can get it at “NYP” on their Bandcamp page (above) and if you choose to pay nothing show them some love by following them on Bandcamp and giving them a like on Facebook. And while your at it come on over to Taste Nation and give us a like.

Band Logo

 


Doom Side Of The Moon “Self Titled” Album Review + Music Video…

DOOM SIDE OF THE MOON

Released – August 4th, 2017

Limited Vinyl // CD // DD // Tons of Merchandise

Reviewed by Ric “Suisyko” Dorr

 

When The Boss said he had this one needing a review, I HAD to jump on it. Being a fan of The Pink Floyd from waaaaaaaay-back, I still have the tour poster from the first time I saw them when I was a little-little for “Atom Heart Mother”, I auto-salivate when someone does an ‘update’ of anything from Pink Floyd and this was no exception. I dug around for any press about it and was overjoyed when I came across this:
“To celebrate 50 years of Pink Floyd releasing music that changed the world, guitarist Kyle Shutt (The Sword) has produced a heavy metal cover of PF‘s seminal album, ‘The Dark Side of the Moon’. Having recruited vocalist Alex Marrero (Brownout/Brown Sabbath), saxophonist Jason Frey (Black Joe Lewis/Hard Proof), and keyboardist Joe Cornetti (Croy and The Boys), Shutt tapped his bandmates from The Sword, Bryan Richie and Santiago Vela III, to record his vision. Engineered and Mixed by Stuart Sikes (White Stripes, Rocket From The Crypt), the resulting band and album have been dubbed “Doom Side of the Moon“.

Live from Austin, Texas (Picture by Sandy Carson)Live Band Pic

 

My jaw dropped as I recognized names and could not wait to hear what could very well be the quintessential interpretation for THIS century of an essential album that was a large portion of the LAST century.

To call this a ‘cover album’ is in no way an accurate descriptor as in this represents more of a re-interpretation and update… and remember, this is DOOM Side… darker than dark and with an undertone that could be even more ‘sinister’. Most of the ‘noises’ are replaced by sounds that can only be described as out of the shadows and not so easily defined. It is complete with the perfectly rolling synth’s during ‘On The Run’, to the transition into ‘Time’ that instead of the Chiming clocks and bells that we all know to be the opening of, Shutt instead went with what to ME sounded like the opening notes of PF‘s ‘Astronomy Domine’ as the rollover into and it is absolute genius, a perfect fit!!

 

 

The keyboard intro to ‘Great Gig…’ is chilling and when the sax enters for the vocal line, it is the ultimate salute to the original track and not a desecration as there is no denying the notes are all there with as much heart and fervor as Clare Torry herself put into it.

No coin sounds for ‘Money’ but straight into the progression and then it gets LOUD and ugly in the perfect sneer that greets us with the opening lyric hitting right between your eyes, never ending relevance intact, all the way to “…that do-goody-good bullshit” until the speed kicks in and you are rolling right alongside, screaming guitars and all. Sonic rendering of without a flinch and is right on time as even the end section rips and tears.  It is almost divine in fuzzed out splendor fading off into ‘Us & Them’ that is ghost-like in presentation and shines as bright as, beginning to end as does the rest of the tracks offered here.

It has also been reported that there is a tour in the works to support this amazing output. Purportedly, because Shutt likes to think big, he couldn’t just stop after recording the album. Doom Side of the Moon will be playing their album in its entirety along with other PF favorites set to a spectacular laser-light visual experience performed by The Mustachio Light Show (Levitation/Desert Daze/NRMAL) as scheduling allows. Reverend Guitars, with whom Shutt recently released a signature guitar, will be sponsoring the live show.

Get this IMMEDIATELY into your library and by all means go and witness this spectacle live, taking every person you can and keep it LOUD!! Re-arrange me til I’m sane…

Links:
https://www.indiemerch.com/doomsideofthemoon/
https://www.facebook.com/DoomSideoftheMoon/

Vinyl of Album


Bloodnut “St. Ranga” Album Review + Stream…

Bloodnut

St. Ranga – CD // DD

Self Released – Released August 1, 2017

Reviewed by Aaron “Red Beard” Wall

 

Bloodnut…the burly, bearded, ballistic, berserkers of fiery red have returned to pillage and destroy. St. Ranga, is the sophomore follow up to their acclaimed debut, Blues for the Red Sons.  This slab of concrete has progressed the Bloodnut accoutrement immensely. While some of the tongue in cheek humor remains, the ginger heavyweights have upped the seriousness factor. St. Ranga is still fun, but its definitely not funny. Heavy stoner, massive sludge, and raw punk rebellion. Normally a three piece, Bloodnut recorded the album as a four piece. Adding a second guitar to the fold, which lends extra girth and goodness. Doug McFarlane-Bass/Vox, Nick Smith-guitar, Kyle Wetton-guitar, and Ty Boniface-drums are here to viscerally eviscerate.

Opening salvo, ‘The Space Orangutan’ builds a force of fuzz. Slowly creeping, raising the cackles. Down tempo and enveloping distortion, as Doug raises his vocal game tremendously.  Oddly, but very intriguingly sounds like the Doors in mood…albeit much heavier. The drums pause to let the main riff show its head. The redheaded beasts then explode in full on stoner glory. The chugs begin as the groove runs full steam ahead. The vocals are gravel, but with soul you can feel. No doubt Bloodnut bring the heavy, but also have an excellent underlying melodious factor that grips. The second half ups the tempo and the dirt. The brood throws in a shredding solo, then beats you into submission until ‘The Space Orangutan’ has destroyed you.

Full Band Pic_8-6-2017

‘Mark of the Outcast’ is four minutes of straight up beast mode. Huge High of Fire-esque intro, into a mid-tempo sludge toe tapper. Tunes like this are the reason I am completely on board with the boys in Bloodnut. Heavy as gigantic balls, while always retaining a soulfulness that is undeniably felt throughout.

Next up is ‘That Fire Inside’  This song is straight up raw punk filth. Quick bass intro and cymbal grabs, prime the ears for a fury of fiery flames.  Gruff vocals, raw guitars, pounding drums of perfection. This jam is a sharp, powerful, quick punch to the gut. You will be doubled over, in glorious pain.

‘Burning Bush’ brings back the cheeky lyrics, but there is absolutely no joking going on instrumentally. Bringing some of the thickest riffs on St. Ranga, and multiple tempo changes keep the listener blissfully on their toes. The song is executed masterfully. The riffs are sweet, the rhythms are tasty and the vocals outshine anything previously in the Bloodnut catalog.

‘Red Dead Riders’ is a sing along song. Dirty and rough musically with huge choruses. This track is a journey across the desert, looking for blood, on the back of a mammoth steed. Kicking up dust and spit, only in death do we quit. Standout song on a stand alone album.

Closing St. Ranga is ‘Song of Fire and Ice.’ No explanation needed on this song. Best song on the record in my humble opinion.

Bloodnut have composed an album more crushing and weighty than an avalanche of boulders. The fire headed gang of badasses continually bruise and batter eardrums. St. Ranga is an escape into landscapes of flame. Visions of battle and triumph. A plethora of genres in relation to all things heavy. No pigeonholing Bloodnut. New Zealand has something to be extremely proud of in this band of gingered berserkers.  These redheads have definitively smashed the sophomore slump with a battle axe. A record filled with passion and soul, drums that roll, and riffs that are raw while still being in full control. Take a pilgrimage in St. Ranga, and prepare to shed blood. It is worth it.

Band Logo 2


Tau Cross “Pillars of Fire” Album Review + Stream…

Tau Cross

Pillars of Fire – Vinyl // CD // DD

Relapse Records – released July 21, 2017 

Reviewed by Terry “The Ancient One” Cuyler

 

 

Band Line-up:
Andy Lefton-Guitar (War // Plague)
Jon Misery-Guitar (Misery)
Tom Radio-Bass (Frustration)
James Adams- keyboards
Michel (Away) Langevin-Drums (Voivod)
Rob (The Baron) Miller-Bass and vocals (Amebix)

Hometowns:
Montreal
Isle of Skye
Minneapolis
Seattle

Review:

Having grown up with MTV from it’s inception, I find that if a band really wants me to buy their album, the spectacle of a good music video is sure to catch my attention. About 2 weeks ago while watching music videos on YouTube, I stumbled across the Video “Lazarus” from their 2015 self titled debut album “Tau Cross”. Impressed by the music and the Cinematography I quickly followed the links to their Relapse Record’s Bandcamp. It was there I discovered they had a new album called “Pillars of Fire” due out in a few days. In the mean time I purchased their first album and made a note in my head to return and buy “Pillars of Fire” especially after being blown away by the debut release.

I could probably write volumes about the members of Tau Cross but will refrain as it would turn into a novel. Vocalist & Bassist “Rob (The Baron) Miller (Amebix)”, drummer “Michel-Away- Langevin (Voivod)”, “Jon Misery (Misery)”, “Andy Lefton (War//Plague)” on guitars, and “Tom Radio (Frustration) ” also on bass bring a great deal of talent and creative energy from the punk and various metal sub genres they offer up. Which is why I suspect they refuse to box themselves into a specific genre. But fear not as the unspecified genres are for my punk and metalhead friends.  Tau Cross brings a musical Smörgåsbord.

Pro Band Pic

“Pillar Of Fire” is an album that shows Tau Cross has a second act. While listening I found myself engrossed by the songs. While Tau Cross do not sound like Black Sabbath, Iron Maiden or Dio, the lyrics, vocals and instrumentation created the same musical spectacle that drew me to them as a teen. Some may try to compare Vocalist // Bassist Rob (The Baron) Miller for his raspy voice to Lemmy Kilminster of Motörhead. While he can sing with a harsh rasp, I discovered Rob has a vocal range that at times had me asking who’s the other guy singing. These are a few of my favorites from “Pillar of Fire” – ‘Raising Golem’ a song the Golem from Jewish folklore, ‘Bread And Circuses’ which speaks of the savagery Rome descended into. Then comes the tale of the horror of being lost at sea done like a good old fashioned sea shanty ‘On The Water.’ I could go on but I am including a link to the album on Bandcamp so you can listen and buy for yourself and “The Short Stories” the band masterfully forged through the lyrics the band kindly offers up (also on their BC Page). The end result is nothing short of Amazing.  This should be in your music library yesterday!!  Must Buy!!

 


Contest Time!! 8 Winners – Like, Subscribe & Enter to Win…

Contest Time!!

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The Ultra Electric Mega Galactic “Through The Dark Matter” Album Review + Stream…

In Case You Missed It Series – Episode 6

THE ULTRA ELECTRIC MEGA GALACTIC 

Through The Dark Matter – CD // DD

Orbit Unlimited Records – released April 21, 2014

Reviewed by Ric “Suisyko” Dorr

 

FormedJanuary 1, 2006

LocationLos Angeles, California USA

Line up:
ED MUNDELL / Guitar (MONSTER MAGNET / THE ATOMIC BITCHWAX)
COLLYN MCCOY / Bass (TRASH TITAN / OTEP)
RICK FERRANTE /Drums (SASQUATCH)

 

Band Pic

 

Previous Releases:

“UEMG-s/t” (2013)

Pending release 2017

To call this a super group is to over-simplify. When Ed’s main focus with Monster Magnet went on hiatus, he needed something to do and in their own words, created and morphed into “a no nonsense, psychedelic, space rock orgy built on riffs and classic 70’s guitar rock. Not having to cater to the masses and with absolute disregard to mainstream commercial music industry dictate, The Ultra Electric Mega Galactic came forth like an acid-trip super nova.” And having tripped out, jangly guitar heroes like Tomy Bolin listed with the likes of Captain Beyond and the trippiness of Hawkwind referenced, the end result is even MORE than you could have expected.

 

Five tracks clocking at just over 25 minutes, from the first notes of ‘Small Magnetic cloud’ all the way to the ending of ‘Large Magnetic Cloud’, each possible facet and cloud has been explored, from the headiness of title track ‘Through The Dark Matter’ to the expanses of ‘Day Of The Comet’, the enormity of each player here is in full-force. It shines in the purity of expression the freedom allotted has given them the power to wield in all it’s mushroom tinged might and the suns and moons change trajectory to glimpse a piece of this vortex that swirls effortlessly. Even with the one song to have lyrics ‘Spoonful’ as the intro drumline delivers with the panache of a legend as easily as casting a glance.

If you haven’t bought this one yet, do yourself the favor and get them both if you can. Then share it out to anybody you think would appreciate it.  “Through The Dark Matter,” hell both Albums, are perfect for headphones turned to 11 to capture each note you may have missed from the last listen. There is talk directly on their website of a 2017 release and I know I will be keeping my eyes peeled for that as I recommend should you, support these guys in a live format if the come to your area and keep it LOUD!!

‘Rockets Aren’t Cheap Enough’ Live at Desert Fest in 2014 off their “S/T” Debut Album


The Judge “Tell It To The Judge” Album Review + More…

The Judge

Tell it to the Judge – Limited Vinyl // CD // DD 

Ripple Music – Tuesday, August 8th, 2017

Reviewed by Terry “The Ancient One” Cuyler

 

 
The Judge:
Kevin Jones – Bass
Dylan Jarrett – Guitar,
Evan Anderson – Drums,
Tyler Swope – Vocals

 

Gather round everyone Terry “The Ancient One” has a tale to tell about 4 young rock ‘n rollers from a place called Granite City, Illinois named: Kevin Jones, Dylan Jarrett, Evan Anderson, and Tyler Swope. Known as The Judge. Founded in 2006 by Dylan Jarrett, and Evan Anderson with mutual friend Zack Revelle the bands first incarnation was known as Unfallen which lasted less than a month. But that  did not stop Dylan and Evan who had dreams of one day taking the stage and rocking the house down. Determined to make things happen . Dylan started The Jude as a side project with his friend Evan while playing for Ripper(named after the Judas Priest song) started by Andrew Pashea, cousin of Zack Revelle, and drummer Darren Williams.

With some material written and promo videos recorded using home studio software when Ripper split Dylan and Evans dream began taking shape when Evan found the drums they needed to begin rehearsing in Dylan’s home. With Bassist Kevin Jones complimenting Evan Anderson’s hard hitting drum style. The Judge found the heavy sound they were seeking to mix with Dylan Jarrett’s progressive guitar style and soon after Tyler Swope adding his vocal versatility that allowed him to hit the highs of musicians like Robert Plant and lows of Jim Morrison to complete the mix.

 

 

After recording their Demo which would later be called The Judge EP released on October 30th 2014 as a free download on Bandcamp The Judge began working in earnest to get its name out by doing more gigs. Compared by fans to Led Zeppelin, Deep Purple, and Black Sabbath at some point The Judge gained the attention of Ripple Record.  They signed with the label and put out a “Self Titled” debut album that combined 4 tracks from their EP and 5 new tracks. Which is about the time I became aware of The Judge.

 

Live Band Shot

 

Like their first EP and debut LP, The Judge puts their all into their latest album “Tell it to the Judge.” Some compare them to the above aforementioned because The Judge has a hard rockin’ blue collar feel but I could hear other influences in their music. Though it took me several sessions of listening to Tell it to The Judge and the bands other albums to pin it down before I realized I was hearing elements of The Doors, Cream , and The Guess Who in the bands music.

Some of the best songs on this album are ‘Changing World,’ ‘Islands’, ‘High Flyin’ and ‘Parade of Sin.’ If you like hard rockin blues music with a psychedelic feel give Tell it to the Judge a listen. If you like what you hear, don’t forget to share this with your friends also be sure to give us a like on Facebook and subscribe to our YouTube channel.


The Midnight Ghost Train “Cypress Ave.” Album Review + Tracks Stream + Video…

THE MIDNIGHT GHOST TRAIN 

Cypress Ave. – Limited Vinyl // CD // DD

Napalm Records – released July 28, 2017

Reviewed by Ric “Suisyko” Dorr

 

FormedAugust 1, 2007

LocationTopeka, KS USA

Band Members
Steve Moss – Guitar / Vocals
Brandon Burghart – Drums
Mike Boyne – Bass

Previous Releases
“The Johnny Boy” EP (2008)

“TMGT-S/T” (2009)

“Buffalo” (2012)

“Live At Roadburn” (2013)

“Cold Was The Ground” (2015)

 

Review:

Almost ten years in the making. Steve enters the arena with long-time friend and drummer (and one time bass player of TMGT) Brandon alongside and featuring a solidified line-up, now anchored by Mike who now shows a tenure of over 4 years on bass (not an easy feat for this band). Some of the BEST yet from this powerhouse three piece is what this record, the fourth full-length release from The Midnight Ghost Train, represents. 10 songs that clock in at just under 45 mins and this time out, The Midnight Ghost Train has decided to run the complete gamut of musical styles, not limiting themselves to anything in particular. Usually thought of for their blues-heavy/stoner/doom groove they established more and more with each previous release, with this album we have it all and then some as you may not have expected.

Opener and lead-off single ‘Tonight’ is a great example of the focus being used with it’s soft guitar opening before the power chords hit you right at 30 seconds and we hear Steve’s voice with “I got some time to kill, and you’ve got someone to bring my head down, ’cause I’ve been spinnin’ round'” and we’re off on what could very well be the most cohesive and coherent offering to come from this unit. The frenetic bass line that starts off “Red-Eyed Junkie Queen” belies the pace that this tale sets off on and the staccato bends are the perfect backdrop for this romp-fest of hammering drums, pummeling bass and enough distortion to scrap your knuckle son as this tale of rolls on, where ‘Glenn’s Promise’ hits with a muted tempo that lures you in with equally muted chords until at 26 seconds in, the fullness returns, thick enough to knock you down as Steve’s gruff vocals tell of ‘Promises, promises, you’re taking….” and the galloping drumline grabs you by the arm and guides you along the way and the fury keeps building with the pace and by the time the solo section hits, you are already in full-force headbanging mode and there is no escape wanted. The sheer structure of on the foundation TMGT has built with their previous outings is solidified and as each brick is placed with each note, the resulting structure is stronger than before.

‘Bury Me Deep’, opening with a lone guitar progression, further exemplifies that these songs seem more rooted in a depth that while not missing before, has now been brought to the forefront to let us see that these three are beyond ready to take their place in the lexicon of pure ROCK-N-ROLL bands that refuse to be pigeon-holed into any one genre, preferring to show their muscle tackling many song-styles with the strongest songwriting to come from this camp yet.  ‘The Watcher’s Nest’ has one of the softest, almost soothing intro’s and the tempo is awash with ride cymbals before we get told that ‘We’re going down, down into the light’ and you are moving again and then another quick pause… and back to the slow even shuffle before another blast of the chorus that lead to an astral wah’d solo burst that adds even more to what is already so manner layers of flavors that each permeate through yet meld together in the most cohesive amalgam possible.

The next thing you know, it is a complete 180 to what is almost a LEON REDBONE meets TOM WAITS salute with a love song that is pure TMGT is essence and delivery and you can’t help but smile as this tale of passion unfolds. ‘Lemon Trees’ is a more familiar flow with a seemingly softer jangly approach that is equal parts hart and soul that moves you through, following this tale of pressure that holds attention tight, following each word to get the whole picture.

Pro Band Pic

The final four tracks each lend themselves to show even more virtuosity and flexibility in flavors they can pull off seamlessly at whim. ‘The Boogie Down (featuring Sonny)’ is almost CAKE meets The BOSSTONES and the result is upbeat, where ‘Black Wave’ opens in pure spaced-out stoner bliss complete with a bass line that is soft as a feather pillow and massive in presence at the same time with this introspective analysis that is as enveloping as any other track on here. ‘The Echo’ is almost a cowboy-western song with the galloping pace of the drumline, the perfect progression that make up the body in a KARMA TO BURN structure that punches hard to the chest before the pace shifts back in a hypnotic use of sustain and lingering chords that wrap all the way around your brain stem and no restraint given.

As the fuzzed out bass fades, it is perfection indeed before we hear what can only be an almost ED GEIN voicing in this dark closer that stands out for ME as pure brilliance.  It showcases just how maniacal in tone and darkness of delivery as you can almost see his smile asking these sardonic questions pushing you to the edge of your seat, waiting for the next as this collection of three spirits shows that they have reached a new depth in composition and arrangement. They are tighter than ever before and with the newest production values that have been used in abundance, it is clear that the rest of the world needs to catch up and jump onboard with the pinnacle to this point that these guys show they are at.

Buy it YESTERDAY, play it for every pair of ears you encounter, support them LIVE if they come anywhere close and keep it LOUD!!