Crowdfunding Campaign for Ethereal Riffian’s 3rd LP
One of our favorite bands here at Taste Nation, Spiritualized rockers from Ukraine, Ethereal Riffian are launching a crowdfunding campaign via Indiegogo to support their 3rd full-length album which they plan to release next year and we couldn’t be happier!!
With all Ethereal Riffian’s previous releases their intention was to make people realize their true potential via different spiritual traditions, but with the third album we want to bring the wisdom from the Himalayan Caves to the streets of big cities and radio stations. Eight years since the inception of the band, we have refined our musical language to be able to produce the songs which talk directly to the Spirit and now we’re finally ready to record the album which will shake you to the core.
We’ve been creating psychedelic rock music with a message since 2010 and are now ready to record our 3rd full-length album. We have started working on the new album in the beginning of 2016 and it took us a little more than two and a half years to write 10 new songs full of energy and purpose.
“Since 2010, we have produced 6 releases and never before in our history we have asked our fans to contribute,” comments Val Kornev, frontman of the band. “This situation is very different, because we have many ambitious plans for this album and we’re looking forward to your contribution. Musically it’s a much more straightforward work compared to our previous efforts and ideologically, it can be described as bold as Rage Against the Machine meets the Dalai Lama.”
You can follow the process of album’s recording via Ethereal Riffian’s YouTube channel.
Tracklist: Rise Of Beesus 07:31
6ft Under Box 03:55
Sonic Doom/Stoner Youth 06:21
Mata La Vergüenza 04:41
Beesus In Dope 07:40
Earlier this year the band made a Pledge Music page to promote and raise money for there second album. It is now closed (of course) and, luckily, reached 101% of its goal. It had some interesting options like, a cover song of your choice, a in your house performance, and an executive producer credit. Sadly the website doesn’t tell you how much of each option was bought so I can’t tell you what got bought the most. But anyway to the review…
Beesus’ second album has more of a venom and late 80s grunge, noise rock feel. The production and playing on this album has tightened up. There is also a more punk feel and the fuzz is still present but is toned down.
For a couple of songs the band have introduced a vocoder. It makes it’s entrance in “I Don’t Wanna Be” and it’s exit is “Beaux”.
The “Intro” and “Outro” are a strange mix of keys and maybe a garage door opening.
“El Dude” starts with a lot of noise and a solid bass riff. It also sounds like it could be the first part to a later track (I Don’t Wanna Be).
“Dubblegum Boom Metla” has four movements the first part which is medium passed and has a repeating riff and speeds up as it gets to the the second which is faster and then it speeds up and suddenly slows to the background screaming and slow churning fuzzy guitars. It then speeds up again, back to the second pace, but only briefly and then it fades out.
“Nuña y Freña” is somewhat of a throwback to their first album kind of like “Kusa”.
“Reichl” is the roughest and noisiest of the main tracks. “Take the cure, my man” is repeated many times throughout the song. Sonic Youth will definitely approve!
“I Don’t Wanna” be is a mix of stoner, punk, and a few moments of rapid, almost rapped vocals. This is the first track with the vocoder. It is in the background emphasizing some of the vocals.
“Junk Around” has the most affects added to it. Strangely enough it is also the most punk of the tracks. There is “You’ll succumb to me.” and “On your knees” are the phrases for this song.
In “Beaux”, the vocoder returns. It is more prominent. This song is also the slowest, and longest, on the album. Has a well executed sludgy feel to it.
“Sgt. Beesus and the lonely ass Gangbang!” is definitely an improvement on their first album and I am excited to hear some of those cover songs if anyone bought that perk.
The Music Factory, Battle Creek, Michigan – February 17th, 2018
Review by Eric Layhe
Photos by Eric Layhe & Terry “The Ancient One” Cuyler
Review: Speaking as a fan of Progressive Metal, this show was basically a dream come true.
On a chilly February night in Battle Creek, Michigan, a seemingly endless crowd of people representing nearly every age demographic (albeit almost entirely male) crammed themselves into a fairly small music venue for the opportunity to see a group of veritable giants of the music industry play- but more on that later. The night consisted of three musical groups, each of a different distinct sort of progressive metal. As we entered the venue, the stage was packed with instruments, including two normal-sized drum sets and Mike Portnoy’s drum kit, which is so ridiculously large it should have its own zip code and no fewer than five keyboards including a full-sized Wurlitzer Organ.
This jam-packed stage presented something of a challenge for the first act, Dark Trilogy. Dark Trilogy are an instrumental, progressive metal band from South Bend, Indiana with (rather fittingly) three members. Nevertheless, they seemed a bit cramped on the already jam-packed stage setup. That said, I have to say that they made the most of it, delivering a short but well-crafted setlist consisting mostly of shredding prog that gave each member more than enough opportunity to showcase their considerable talents, the peak of which was an excellent drum solo featuring entertaining theatrics and an impressive display with LED drumsticks!!
After a relatively quick reprieve between bands and the removal of one drum set, second act Sifting took the stage. Sifting are a Progressive Metal band from Los Angeles, California. Sifting, the touring opener, has a very radio-friendly but still proggy sound, as if Avenged Sevenfold took some songwriting lessons from Claudio Sanchez of Coheed & Cambria. From the first note, it was immediately apparent why Sons of Apollo chose Sifting to tour with them; While they are indeed a young band, they have immense talent, expertly blending complex guitar work with classically-influenced songwriting and well-executed vocal harmonies.
After the clearing of one more drum set, finally leaving enough room for a band to perform, Sons of Apollo took the stage, and they did not disappoint. For the uninitiated, Sons of Apollo is a Supergroup, comprising of former Dream Theater drummer Mike Portnoy, former Dream Theater keyboardist Derek Sherinian, Mr. Big Bassist Billy Sheehan, Former Guns N’ Roses Guitarist Ron “Bumblefoot” Thal, and Trans-Siberian Orchestra and former Journey vocalist Jeff Scott Soto. This virtuoso pedigree made itself apparent right out of the gates with their album’s opener, “God of the Sun.” The band transformed and contorted with incredible aptitude to fit each and every song from their epic album “Psychotic Symphony”, including several covers (see below). In Sons of Apollo’s case, each member (debatably barring Portnoy) had an entire song peppered throughout the setlist to showcase their world-class talents.
Sheehan and Sherinian each had an original (and possibly improvised) solo section for each of the two, while Thal had a beefed-up cover of Henry Mancini’s famous theme to “The Pink Panther” and Soto had given himself the previously-thought-to-be-impossible feat of covering Queen. He began by mimicking the now-famous call and response schtick popularized by Freddy Mercury and then transitioned into a downright exquisite cover of Queen’s deep track “Save Me”, tastefully backed by Thal on guitar.
The aspect of the show that was most impressive was just how comfortable Sons of Apollo felt with each other on their very first tour. The entire group, even the famously stoic Derek Sherinian, were smiling like goofballs through the entire set, and were playfully joking with each other throughout the show, with special mention going to the mesmerizingly energetic Jeff Scott Soto. Most important, they were clearly having the times of their lives, and if you want to as well, do not miss Sons of Apollo on their continuing tour.
German Riffonauts BLACK SPACE RIDERS will release new EP Amoretum Vol. 1 on January 26, 2018.The LP can be pre-ordered on all digital platforms, including Bandcamp, as well as at www.blackspaceriders.com/shop
The album flows from song to song as if from a single cast. The listener wonders after 45 minutes whether everything is really already over, and wants to go back to the beginning again immediately.
But of course everything is not over after 45 minutes in the world of BLACK SPACE RIDERS. The band also announces a second chapter for 2018 … Amoretum Vol. 2 is waiting for us, while we are looking forward to Amoretum Vol 1.
Track List: Lovely Lovelie
Another Sort of Homecoming
Soul Shelter (Inside of Me)
Come and Follow
Friends Are Falling
Fire! Fire! (Death of a Giant)
BLACK SPACE RIDERS are:
JE: Lead Vocals, Guitars, Organ, Piano, Electronics
SEB: Lead vocals, Keyboards, Electronics
C.RIP: Drums, Percussion, Didgeridoo
SAQ: Bass Guitar
MEI: Bass Guitar
From The Centre of a Parallel Universe – Limited Vinyl // CD // DD
Headspin Records // Pepper Shaker Records – August 30th, 2017
Frozen Planet…1969 have a new album being released on The 30th of August. “From The Centre Of A Parallel Universe” will be available on 12 inch vinyl through Headspin Records. Available in Black and Orange Splatter Vinyl and black vinyl at Shiny Beast Music Mail-Order in Europe. The digital, compact disc and vinyl will also be available through the band’s own Pepper Shaker Records Bandcamp Page.
Frozen Planet…1969 has returned from their Space travels of an unknown universe somewhere between Saturn and Mars. They have returned and reported back their findings through their new release “From The Centre of a Parallel Universe. Their findings are nothing less than than stellar. Enjoy the first of their Chronicles……
We here at Taste Nation LLC love the band Electric Age so much we decided to revisit and showcase them once again. This time in the form of a featured video ‘Robes of Grey.’ This is one of the many killer tracks from the band’s stellar debut concept album “Sleep Of The Silent King” on Argonauta Records.”
In case you missed our review back in February of this year, here is a blurb from our writer Ric “Suiyko” Dorr:
“From the deep South, southern Louisiana to be exact, the birthplace of sludge-metal, comes this hybrid of all things resonating traditional metal, elements of folk / blues / stoner / doom / progressive, and a pure rock dynamic to morph it all into this, the debut offering from this three piece named ELECTRIC AGE. While this is the first release from this line-up as a unit, I was informed directly that these seasoned players have decided to forgo sharing their collective pedigree to let this album stand on its own merits in the here and now. After taking it in, I believe they have created something amazing that can indeed stand tall as an accomplishment of songwriting, musicianship and something that has been so lacking as of late in American metal; the art of storytelling. Dripping with the archetypal concepts of good, evil and the divine throughout this sojourn, the band states that this is “A conceptual and mythological journey through the threshold of time and consciousness, into the heart of darkness and divinity, through death and redemption, and finally into the inexorable void.” So, not just another “Wankfest” but actually thinking-man’s metal?? The pulse quickens…”
TAU CROSS, the multinational punk/heavy metal collective featuring Amebix bassist/frontman Rob “The Baron” Miller, Voivod drummer Michel “Away” Langevin, and members of cult crust outfits Misery and War // Plague, has announced their second full-length album, Pillar Of Fire, due out July 21st on CD, Double LP, and digital formats via Relapse Records.
Comments TAU CROSS on the new album: “Pillar Of Fire is the continuation of some of the ideas that were explored on our first album. This time we have managed to share the songwriting more equally and introduce some other textures to the songs. This should help to establish TAU CROSS as less of a one-off phenomenon and more of an ongoing musical collective producing our own distinctive sonic environment.”
Pillar Of Fire was recorded across three different countries and co-produced by “The Baron” in the same manner as their eponymous debut. The drums were tracked in Montreal, guitars in Minneapolis, bass in Seattle and Minneapolis, and vocals on the Isle Of Skye in Scotland.
Physical preorders and exclusive bundles are currently available via Relapse.com at THIS LOCATION. Digital preorders are available via Bandcamp HERE.
Pillar Of Fire further expands the group’s unique musical approach ranging from dark folk witchery to industrial punk metal brutalism; a moody melting pot of Killing Joke’s metallic post-punk and Motörhead’s anthemic, hard rock with flourishes of traditional instrumentation and an infusion of 16th century English mysticism. Pillar Of Fire is a musical unearthing of TAU CROSS‘ philosophical preoccupations: mythological motifs, ultra-terrestrial hypotheses, surreal, social political landscapes, and the endless search for meaning in a controlled universe.
TAU CROSS: Rob “The Baron” Miller – bass/vocals
Andy Lefton – guitar
Jon Misery – guitar
Michel “Away” Langevin – drums
Tom Radlo – bass
James Adams – keyboards
Finnish alternative metal quintet SKEIN released a first single ‘BOUND’ from their upcoming second album named ‘DEADWEIGHT’
Assembled with the invaluable help of producer Tuomas Kokko (Ghost Brigade, Swallow the Sun etc.), the album moves dynamically across different soundscapes, reaching from crushingly heavy guitar riffs to more ethereal , atmospheric parts.
Unlike their debut album ‘Of Wings Unfolding’, which was a concept album with a strong narrative and a story-line (strengthened by a novel published alongside the physical copy) the songs on ‘Deadweight’ stand on their own. Delivered with both screaming and clean vocals, the songs explore issues from misuse of power and societal responsibility to basic human characteristics, with very personal experiences. Due the rawness and personal approach, the album is the strongest emotional outburst of Skein’s career.
The new album seems more genre bending, melding slower Post Rock elements to faster tempo Heavy Emotional Hardcore done with beautiful dexterity. Pre-order links are below along with links to the SKEIN’s various outlets as well. This is a band to keep an eye on as their future is very bright!!
Sami Silvennoinen – vocals
Jarno Ojala – guitar
Hiski Marstio – guitar
Kari Ruissalo – drums
Juha Höyssä – bass
Music video by Mikko Henrik Huotari
Actress: Merja Koski-Sipilä
Music by Skein
Lyrics by Juha Höyssä
Produced by Tuomas Kokko
Recorded and mixed at Electric Fox Studios by Tuomas Kokko
Background vocals by Iina Kyttänen and Iina Souru
Mastered by Svante Forsbäck at Chartmakers
Atlanta’s swaggering smooth alternative rockers The Buzzards Of Fuzz are preparing to release a new single “You Never Bring Me Any Flowers” b/w “How Could You?” on July 15th. The band’s laid back, heady demeanor is a real blues-infused treat for rock fans as evidenced by the Soundcloud embedded streams of the songs below. They serve as the The Buzzards Of Fuzz first new material since their critically acclaimed debut EP Buzzard Custard was released.
In related news, The Buzzards Of Fuzz were recently named as one of the many bands that will perform at Asheville, North Carolina’s “Only Real Rock N Roll Music Festival”: the 828 Festival 2! The latest round of this event sees it growing to encompass three stages at The Boilerroom, Scandals and Club Eleven. It all happens in AVL on Sunday September 17th, 2017 from 2pm-2am. Find more info and details here.