LCD Soundsystem “American Dream” Album Review + Music Videos…

LCD Soundsystem

American Dream – Cassette // CD // DD // Vinyl

Colombia // DFA Records – released September 1, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
James Murphy – Vocals & almost everything except…
Pat Mahoney – drums (tracks 5, 9), vocals (track 9)
Nancy Whang – vocals (track 2)
Tyler Pope – bass guitar (track 4)

Al Doyle – piano (tracks 3, 9, 10), Korg PS-3100 (tracks 3, 9), guitar (tracks 6, 7), vocals (tracks 7, 8), Yamaha CS01 (track 3), snake guitar (track 4), cello (track 5), bowed mandolin (track 5), congas (track 5), Synare (track 6), vocoder controller (track 6), Roland SH-5 (track 6), Korg Delta (track 7), Oberheim OB-3 (track 8),
Gavin Rayna Russom – arpeggiated Roland Jupiter-4 (track 5), Korg MS-20 (track 9), Oberheim SEM (track 9), vocals (track 9)
Matt Thornley
Korey Richey – vocals (tracks 2, 7–9), snaps (track 8)
Matt Shaw – Yamaha CS-60 (track 1)
Riley MacIntyre – snaps (track 8)

Tracklist:
“Oh Baby” 5:49
“Other Voices” 6:43
“I Used To” 5:32
“Change Yr Mind” 4:57
“How Do You Sleep?” 9:12
“Tonite” 5:47
“Call the Police” 6:58
“American Dream” 6:06
“Emotional Haircut” 5:29
“Black Screen” 12:05
Japanese edition and digital re-release bonus track
“Pulse (v.1)” 13:42

History:
“American Dream” is LCD’s first studio album in seven years. (The last was 2010’s This is Happening.) This is also a reunion album after the split in April of 2011 after their farewell concert at Madison Square Garden.

LCD Soundsystem Live at Madison Square Garden, NYC in 2011

American Dream is the second longest studio album by the band. It is also the most polished sounding of the band’s releases. “The album’s lyrics deal with depression, social issues, fear, and ending of friendship and love.” The sound is also is a mix of Dance, Disco, New Wave, Punk, Synthpop, and Rock. (Like a mix of their past albums with a refinement of the sound mixture that James has since made his own)

Track-by-track:

“Oh Baby” – Starts off with a constant metallic clang and layers are slowly added in, like drums and a bass synth, after a minute we get the first words. “Oh Baby” despite up tempo beats the song becomes melancholy. He asked to be awakened by his lover.

“Other Voices” – This track is very Talking Heads-y; the bass line is very funky. “Your still a pushover for passionate people” is one of the phrases that is repeated throughout the track

“I Used To” – Is another Talking heads sounding song.

“Change Yr Mind” – A strange mix of some industrial sounding beats a dance bass, the bellowing of an out-of-tune guitar tones and post-punk vocal delivery.

“How Do You Sleep?” – A drum pattern and arpeggiated synth make this song a dreamscape with the vocals a little more drawn out with an almost loud howling from the distance.  This track has a different vocal cadence and that is varied from James Murphy’s normal flow.  As the track progresses so do the layers build to another dance freak-out.

“Tonite” (My favorite song) – Now for the Grammy winning song… We get an 80s bass synth. The song has a very Giorgio Moroder sound.

“Call the Police” – This has a dream pop feel to it and it was also the first single.

“American Dream” – This also has a dream pop feel to it.

“Emotional Haircut” – Has a post-punk feel to it.

“Black Screen” – Is a mostly ambient track with vocoded vocals.

“Pulse (v.1)” – Is an instrumental that wouldn’t sound out of place on 45:33

Live Band Pic

Final Thoughts:

This album is my favorite from the band. It is a mixture of everything James has done in past albums and polished it to what I feel is the perfect example of what LCD Soundsystem is… Everything is here, the rhythms, the hits, the experimentation, heartfelt lyrics. So if this is your first exposure to the band this album is a great place to start.

Links:

https://en.wikipedia.org/wiki/American_Dream_(LCD_Soundsystem_album)
https://www.facebook.com/lcdsoundsystem/


Earthless “Black Heaven” Album Review + Music Video + Links…

Earthless

Black Heaven – Vinyl // CD // DD // Bundle Packages

Nuclear Blast Records – Released March 16th, 2018

Terry “The Ancient One” Cuyler

A Journey into Black Heaven

Line Up:
Mario Rubalcaba (drums)
Isaiah Mitchell (guitars & VOX)
Mike Eginton (bass)

Review:
Greetings music heads this is that old sonic wave rider The Ancient One and I want to tell all of you about  San Diego’s heavy psyche rock trio Earthless and their upcoming album Black Heaven. Originally signed to the independent record labels  Gravity Records  and then Tee Pee Records, Earthless has been Blowing minds since 2001 with their own brand of almost entirely instrumental heavy-psych rock that many of other great musicians/bands credit as inspiration in their own music. To date they have released a slew of split albums with the likes of Witch, Danava, Lecherous Gaze, Premonitions 13, Radio Moscow, and Harsh Toke. This is accompanied by 2 live albums and 3 studio albums with their 4th “Black Heaven”, the subject of this review.

Band Pic

Released on March 16th, 2018 on the Nuclear Blast record label with songs that have more vocals than all their previous releases combined, Black Heaven is a leaner meaner Earthless album . Though I cannot be certain because I don’t have any contacts in Nuclear Blast Records or Earthless  I suspect the band’s association with the Rock Giant is why the bands latest album have significantly shorter songs.  Is this a bad thing, absolutely not!!  Isaiah has a fantastic bluesy voice that is also on display with his other band Golden Void.

 

While the 40 minute album is broken into six tracks, to me it all seem to blend together into two parts with interlude track “Voit Rush” acting as sort of a road sign telling me were I am at in the journey. What catches my attention most about Black Heaven is that more than half of the songs have guitarist Isaiah Mitchell also taking up the microphone as vocalist. Which I think he does a bang up job at. Yet for all that has changed Earthless has remained true to their original mind-bending blend of krautrock and Japanese heavy-blues rock with still some of the freshest and finest Riffs, meanest basslines and Cosmic Drumming on this great Universe!!

Link to buy Album, Bundles and more…

http://shop.nuclearblast.com/en/products/sound/cd/cd-digi-ts-xxl/earthless-black-heaven-baseball-shirt-cd-digi-poster.html

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Black Space Riders “Amoretum Vol. 1” Album Review + Stream + Videos + Lyrics

BLACK SPACE RIDERS

AMORETUM Vol.1 – Vinyl // CD // DD

Self Released – January 26, 2018

Reviewed By Terry “The Ancient One” Cuyler

***The Riders Mount Up Again***

 

Line Up:
JE (VOX, Guitars)
SLI (Guitars)
MEI (Bass)
C.RIP (Drums)
SEB (VOX)

Previous Releases:
2010 – S/T Black Space Riders,
2012 – Lights In the New Black,
2014 – D:REI,
2015 – Refugeeum
2016 – Beyond Refugeem

Musical Influences:
Black Sabbath, Motörhead, Deep Purple, Pink Floyd, Thin Lizzy, The Chameleons, David Bowie, Bauhaus, Tom Waits, Slayer, Motorpsycho

Hello once again friends, this is The Ancient One and today I’d like to tell you about some out of this world music by a Quintet of space rockers from Münster, Germany called the Black Space Riders. In 2008 founding members JE, SLI, SAQ and C.RIP sought to give the music world music that could truly be called PSYCHEDELIC SPACE ROCK and created what they call a “NEW WAVE of HEAVY PSYCHEDELIC SPACE ROCK”. After listening to their current Album AMORETUM Vol. 1 released January 26th, 2018 and  with their past releases I gotta say the band and their style of rock are aptly named.

What I enjoy most about the music is the detached far away sound. To create their take on the psychedelic space rock sound Black Space Riders seems to have combined desert rock, electronic music, a bit of 80’s new wave and some Post Punk with powerful vocals with anthem-like lyrics on the 2 most recent albums. If I were to compare them to anyone I’d say that I’m often reminded of Pink Floyd, and David Bowie with a harder edge.

Live Band Pic

When I first gave AMORETUM Vol. 1 a spin I was really not impressed with the first song however what followed changed my mind as I quickly realized Lovely Lovelie was a cornerstone for the rest of the album to be built on to give the listener a good starting point. It’s also a play on words.  Lovely Lovelie – Lovely Love Lie get it. I didn’t because maybe I am a Doofus. Also its not a single song in a collection of songs that are put together simply because the sound fits with the occasional filler song to make the album longer. Rather its part of an album with a theme created by Black Space Riders. Although theme albums are nothing new to me, Black Space Riders may quite possibly have delivered a Magnum Opus with this one!

Refusing to be swallowed by the darkness AMORETUM  Vol. 1 is the  follow up to their July 2015 album “REFUGEEUM” that came out when it seemed the world had gone mad with fear and hate in Europe. Continuing to rage against that darkness  with in us all Black Space Riders have mounted up and released AMORETUM  Vol. 1 which is about conflict and seeks to inspire us to overcome our dark side. Specifically the conflicts between fear, hate, and rejection, darkness on the one hand, and love, empathy, and care light on the other. This album and band seem to be very relevant with acute razor-like lyrics that seek for positivity and rejecting hate…universally!!  The superb musicianship by these veteran rockers shine with each new release and is again evident with Amoretum Vol. 1

Rather than bore you all to death with a track by track description of all the songs I am going to provide you links to my favorites on YouTube and  Bandcamp and let you decide for yourselves.

 

Track Listing with Lyrics

 

LOVELY LOVELIE

Get back to your beds, hide in your hole

You lovers collapse while facing your fall

A paradise will no longer exist,

peace and love can no longer resist

Erupting fear breaking the wall

Lovely lovelie

Our garden, destroyed, taken by storm

We‘re bringing the harm, the hideous swarm

A love so deep, now determined to die,

wrapped and muffled by hate

Get back to your beds, here comes the storm

Lovely lovelie

Get back to your beds, hide in your hole

A love so deep, now determined to fall

Get back to your beds, facing your fall

Erupting fear tearing down every wall

Get back to your beds, hide in your …

Lovely lovelie

Lovely, lovely lie …

Another Sort of Homecoming

The times were terrifying

and coldness wrapped me up

I‘d been sent to see, to seek, to save

A long way to the top

How they turned their lives

into a mellow mass:

how they shed their feelings and their souls

forgot about the past

So, day by day

I denied my moaning heart

and repelled temptation, brave and strong,

to join and fall apart

Now it‘s time to change

My longing growing strong

Leave this place and coming home again

is what I really want

GO! Time to return to my ground

GO! I have to leave these souls I found

GO! Time to rest under the shield

GO! Energy!

Another sort of coming home

 

Live Band Pic 2

SOUL SHELTER (Inside Of Me)

Bringing back the sunshine

Remembering the light

A place attacked from outside

I keep this place inside

Inside of me, inside of me

Garden of completeness

A warm and tender light

A place attacked by darkness

Don‘t hide this place inside

Soul Shelter – Inside of me, inside of me

Soul Shelter – Inside of me, inside of you

Silent is the inside

All quiet now and clear

Knocking from the outside:

denial, hate and fear

Soul Shelter – Inside of me, inside of me

Soul Shelter – Inside of me, inside of you

 

MOVEMENTS

Just a glimpse of something lost,

flickering in my mind

Like a memory from the past, echoing

Ground control, lost control, no control

In a place where I belonged:

echoes from the past

In a time I called my home, wandering

Ground control, lost control, no control

How I missed the ones I loved,

moments passing by

Still I‘m waiting for the call, remembering

Ground control, lost control, no control

Movements

Comes a time, comes a time of reunion

Comes a place, comes a place of communion

Comes a time, comes a time of affection

Comes a place, comes a place of attraction

Comes a time, comes a time when we meet again

Comes a place, comes a place where we meet again

Comes a time, comes a time when we love again

Comes a place, comes a place where we live again

Stop and rest – consider and remember

Stop the quest – rethink and now remember

Rest, remain – and realize amazing

grace, retain – the echoes of your living

Go and see – now realize the beauty

Go and turn – now realize the grace

Go, return – get hold of all the beauty

Go and feel – compassion to embrace

Movements

Comes a time, comes a time when we meet again

Comes a time of reunion

Comes a place, comes a place where we meet again

Comes a place of communion

Comes a time, comes a time when we love again

Comes a time of affection

Comes a place, comes a place where we live again

Comes a place of attraction

Realize the grace

Realize the beauty now

Echoes from the past

Passion to embrace

Movements

 

COME AND FOLLOW

Follow me, take my hand

Don‘t look back, just trust my way

Follow me, leave this place

I will take you far away

Watch my shades: familiar shape

with sweetest taste of the unknown

Bite into tender doom

Worship and adore my throne

Beautiful but treacherous

Rotten to the bone

Serpentine but sensual

A queen of hearts dethroned

Now you love, now you know:

adoration brings the light

Idolize, now you‘re lost

I take you to the other side

Beautiful but treacherous

Rotten to the bone

Serpentine but sensual

A queen of hearts dethroned

Come on follow me into the darkness

Come and follow me, follow my love

Come on follow me, beauty is transforming

Come on follow me into the dark

 

FRIENDS ARE FALLING 

Open your arms after closing your thinking for ages

Missing the trust that you lost on your way to the stars

Fighting the hating has taught you to hate for ages

Remind you your mission was based on a vision of love

Open your mind to the memory of love and affection

Missing your friends who vanished while you‘ve been

away

Yearning for turning to someone so close and familiar

Remind you your mission was based on a vision of faith

Falling, friends are falling

Falling and lost in a vision of trust

Falling but lost in my vision of trust

Open your heart to some gratitude,

kindness and friendship

Empathy melting the ice that‘s enclosing your soul

Yearning for turning to someone so close and devoted

Remind you your mission was based on a vision of trust

Falling, friends are falling

Falling and lost in a vision of trust

A vision of love and a vision of trust

Open your heart after closing your spirit for ages

Missing the feelings you lost on your way to the stars

Fighting the hating has taught you to hate for ages

Remind you your mission was based on a vision of love

Falling, friends are falling

Falling but lost in a vision of trust

My vision of faith and my vision of trust

Falling but lost in my vision of trust

Falling for ages, falling from the stars

 

FIRE! FIRE! (Death Of A Giant)

Facing the past, deeply crooked for ages

Annual rings of a life, witnessing hope

Murder and death, lovers and birth, closely entwined

The battle of darkness and light, observer of life

Here on the hill, bound in hostile surroundings

Cracks in the bleeding wood: scars and remains

Here all alone, shelter and symbol of freedom:

a giant, so massive and old: gentle but strong

Tearing down to the ground

Burning heat, smoking coal

Fire! Fire!

Burning down to the ground

Timber heart, holy wood

Fire! Fire!

Facing the day, changing the soul of perception

Father of life, father of fire and death

Cold is the night , warm is the shine of the torch

Now and forever: deep is the heart of the flame

Tearing down to the ground

Burning heat, smoking coal

Fire! Fire!

Burning down to the ground

Timber heart, holy wood

Fire! Fire!

 

FELLOW PEACEMAKERS

 Will she find, will she find, will she find?

Withered blossoms falling down to earth

All she left alone

Nothing else than footprints of the years

before they reached her home

Will she find, will she find, will she find?

Looking back: she missed her final choice

Mandatory hate

Where’s the place? Now listening to her heart

Hope it‘s not too late

Start a new world, so far up above

Waiting to return

Gathering the troops of heart and soul

Sowing seeds of love

And she will find her way!

Will she find, will she find, will she find?

Will she find, will she find, will she find:

fellow peacemakers?

She will find, she will find, she will find:

fellow peacemakers!

We will find, we will find, we will find:

fellow peacemakers!

Black Space Riders Live

Live Band Pic 3


Ward XVI “The Art of Manipulation” Album Review + Stream…

WARD XVI

The Art Of Manipulation – CD // DD

Self Released: July 1, 2017

Reviewed by Ric “Suisyko” Dorr

 

 

Formed:
Summer 2013 in Preston, England

Alleged Psychopaths:
Vocals – Psychoberrie

Bass / Vocals – Beardy McStumble

Accordion/Keys – Min

Guitar – Dr. Von Stottenstein

Guitar / Vocals – Lex Whittingham

Drums – Jake Lawrenson (on the album)

              Chris Manslaughter (as of Dec. 2017)

 

Further Releases:
Ward XVI EP  – Jan 2015

“Crystal Ball” single – June 2017

“Cry Of The Siren” single – Feb 2018

 

 

Review:
In a world filled with an overload of bands out of nowhere, most as forgettable as their music, it is always amazing to me when a gathering of forces manages to coalesce into a force to be reckoned with and have the means combined to put their vision forth with a barrage of what has been described by this band themselves as “a genre defying mix of hard-hitting metal riffs, off-beat ska rhythms, melancholic piano, accordion, catchy female vocals, with a hint of electro” enquote. They further describe their influences as ranging all the way from Alice Cooper to Alter Bridge, from Diablo Swing Orchestra to Living Colour and even as far as Jason Becker to Lordi. Quite the range of sources to pull inspiration from and with this first full length release, they have it all and THEN SOME in the mix. Quite the build-up before I heard note one and as I was researching Ward XVI, I came across this descriptor of what I was just getting ready to devour. And it read…

The gates of Whittingham Asylum have been struck open and for the first time in history the high security Ward XVI invites members of the public to meet face to face with the UK’s most violent serial killers. The ward’s longest-standing resident Psychoberrie, listed as the UK’S most dangerous criminal, will give an insight into her life prior to her incarceration. With assistance from medical staff Lex Whittingham and Dr. Von Stottenstein and fellow inmates Min and Jake she will tell the story of the reckless life led by herself and former partner Beardy McStumble and the narcotic induced murders that took place prior to his own decapitation. This is a sordid tale of deceit and manipulation…”

Logo Image

Needless to say, I was intrigued beyond description by this point and I pushed play and cranked it up, ready for what the next 63 minutes held in store and 16 tracks later…

Complete with interludes interspersed between to give further info into the tales spun as Psychoberrie regales us with a clear carry that is her weapon of vocal delivery, each song is the chapter of another as we follow Psychoberry on her road of darkness, told as only she could tell it. Opening with the sound of an old cassette recorder loaded, tape rewound, and it starts with a discussion where in we find out she has been in ‘treatment’ for two years states clearly, she is not insane with a laugh and the story begins with a progression sounding dreamlike as she tells us to ‘take her hand’ as she reminds you that she is more than you can dream along this medium tempo walk and then exactly 1 minute 10 seconds in, pace doubles as the twin guitars punch in over a twisting bass line and key flow that melts perfectly into the hyper-speed drumline as Psychoberrie bids us ‘Welcome to the show!!’ As a fast fade leads right into an almost spacey sound with cymbal washes and that ever present bass rumble gives the body underneath as the keys come up during this build-up before the pick-slide brings in the might behind ‘The Art Of Manipulation” that is an even quicker tempo than the previous and gives the perfect example of what is to be expected from this gathering of six that has created something beyond merely ‘spectacular’ here. “The Flight” is a fast-track that took me immediately to Lords Of Acid with the key-line between verses and this is done in such a manner that Praga Khan himself would be smiling ear-to-ear as Psychoberrie describes being ‘So high, so high’.

“Crystal Ball” carries an almost circus feel with the accordion progression that flows in unity with the tale that seems to be a warning from a fortuneteller, letting us know of Psychoberrie’s tactics that will take you down if you don’t pay attention. Another hyper-speed time shift just past halfway and it is seamless in execution, where ‘Hold Me’ open with a melancholy straight piano jag that let’s the soaring guitar notes and cymbal taps draw you even deeper within to catch her every word as she will ‘suffocate your soul’ and asks to hold her, because she can’t hold herself and the last minute and a half is where the rest of the band get to shine bright with the complexity and intricate weaving in and out and back and forth of each solidifies the way they fit exactly together as a band, even as the song fades out. “Blackened Heart”, “Run For Your Lives” and “Adrenochromania” further showcase the virtuosity of each band member and utilize even further their penchant of mixing as many musical ingredients together to deliver the utmost with each track, and even ‘Inner Demon’ that starts off with sole bass notes quickly coalesces into another instant classic that can stand alone apart from the story of the album, much like each track can and DOES!!

WARD-XVI

Stand-out tracks for me from this opus would have to be “Toy Box” with the accordion intro and carnival-feel and when the bridge of the songs hits with keys, guitar and vocal harmonizing, it gave me chills of the best kind. “Cry Of The Siren” is another with a touch of electro that is thick and brutal in progressions and time shift and is easily the MOST intricate composition here. And then there is the final track, seemingly the descriptor of where the name of this powerhouse configuration of souls came from and is as haunting as anything I have heard and is the absolute book-end to wrap what is a prelude of what is yet to come. Remember, this is the tale that brought us to the point of ‘two years later when Psychoberry began this diatribe. Whittingham has corroded remember??

From the gauge of this record, there is nothing but amazing things ahead for WARD XVI and I demand you help get the word out, play it for ALL around you and support them if you are granted the chance to witness this live…. Another one of those rare moments when I get to use the ‘I-X’ scale and this is one that blows off the chart with a……what else, XVI!!

As always, keep it LOUD!!

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Seven That Spells “The Death and Resurrection of Krautrock: Omega” Album Review + Stream…

SEVEN THAT SPELLS

The Death and Resurrection of Krautrock: Omega  – LP // CD // DD

Sulatron Records – Released: Jan 18th, 2018 on DD // CD & LP Feb. 23, 2018

Reviewed by Mike Hackenschmidt

 

Line Up:
Blake Fleming – drums
Jeremy White – bass, vox
Gordan Tomić – guitar, vox
Niko Potočnjak – guitar, synth


Review:
Why are we here? Mankind has been asking this question for a very long time, with some interesting replies. But have you ever drilled the question down a little deeper? Why am I here here? Like why am I here writing this on a Sunday morning? Why are you here reading it? WTF does this have to do with Seven That Spells? I promise, there is a point.

And as if a gift from the gods, here’s how Seven That Spells describe their answer on their Facebook page:

Beyond. We are the dogs of western Jazz society looking for dope.
Modern, aggressive psychedelic wall of sound incorporating poly-metrics and occasional Viking funeral rites; hailing from the 23rd century where rock is dead, Seven That Spells returned in time where its still possible to change the tragic course of the boring history
.

LOL. I swear I didn’t know they had that up before I posed the question in the first paragraph. In fact, that wasn’t even the point I was going to make – but isn’t it just a little creepy since they claim to be from the future? Like they read this and responded. Perhaps what I was going to say was too boring?

Well now that the course of history is changed, let’s dive into the album. First and foremost, Omega is part 3 of a 3 part series. It started with “AUM” then “IO” and finally “Omega”. I mean, I assume it ends here.

Interestingly, each album follows the same structure. It begins with a track called “In”, which is numbered to identify which part it is in the series. It’s followed up by the title track, which pushes close to 20 mins in each case. That’s followed by 2 more tracks and each album closes with “Out” (simply “Out”, Out II, Out III). Despite only having 5 tracks, these are all full length albums. Though this review is meant to only focus on “Omega”, it’s hard to ignore the previous 2.

Seven That Spells Mastermind, Niko, with his Sword and Sonic Boom!!

Niko in front of Speakers

Stylistically speaking this is Krautrock. If you’re like me and never even heard the word, I’m not going to explain what it is. Someone has already done this on Wikipedia so I’m just going to hyperlink. And despite STS’s best efforts to railroad me in another direction, I’m going to share why I’m here here. See, I’m into metal – not necessarily mainstream but let’s say the better known genres like black, symphonic, death etc. And here on Taste Nation LLC, we tend to dig a little deeper. Matt Thomas keeps throwing me these strange, lessen known acts from sub-genres I’ve never heard of that stretch my knowledge and more importantly, my comfort zone. I’m forced to think: not outside the box; there is no box. The answer of why am I here here is essentially Seven That Spells. This is my theory on what it’s all about… and I could be wrong, there’s always that possibility too. But here goes…

Traditional music is meant to take you out of your head. The idea is the catchy beat and rhythm take over your brain waves connecting neurons associated with emotion making you feel happy, sad, angry etc. Once overcome with emotion, thought is no longer prevalent. We dance and sing or jump and mosh and just have a crazy good time without really thinking too too much about our troubles at home or work… frustrations with the significant other… kids struggling in school… fuck I think I need to get the brakes done… my boss wants me to do all the work while Dave jerks off in the corner… etc. Music is supposed to wipe all that away. If it’s any good, that’s what it does. But this Krautrock (at least I believe) is intended to do something different.

Band Pic

Instead of taking us out of our heads, it’s my belief that The Death and Resurrection of Krautrock trilogy intends to instead drive us back in. We’re not supposed to dance and sing (not yet). Hell, when there are lyrics it’s hard to decipher what’s being said. But we’re not supposed to dwell on our troubles either. To me, this is a guided tour of the vastness of our insides. We get brought “In”. The music takes us on a tour with a spacey, psychedelic vibe. Where it takes you, exactly, I believe is personal. I end up in space marveling at the wonders of gravity, light and time awed by the immensity of what we don’t know. It’s easy to get dragged in and not realize how much time has passed. Track 4 – “Future Lords” breaks things up a bit with a catchy little beat. If you’re deep enough in, as you should be by now – the urge to dance in your new found plane may overcome you. The mood shift is grounding but the atmosphere is still spacey; we’re still on the inside.

Finally, we’re guided “Out”. It’s a nice smooth journey, nothing too jerking or jarring, just a gentle guide from the inner recesses of our minds back to the land of the living, the plane of the physical where we can perhaps spend a prolonged period of time out of our heads, worry and care free.

Additional Links:
https://seventhatspells.bandcamp.com/
https://www.facebook.com/STS777/
https://www.sulatron.com/xoshop/lng/en/seven-that-spells-the-death-and-resurrection-of-krautrock-omega-lp.html


Arcadian Child “Afterglow” Album Review + Stream…

Arcadian Child

Afterglow – CD // DD

Self-Released – October 29, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Vocals, Guitar – Panayiotis Georgiou
Backing Vocals – Mikaela Tsangari
Bass, Backing Vocals – Andreas Kerveros
Drums, Percussion – Christos Dimou
Lead Guitar – Stathis Hadjicharalambous

Tracklist:
She’s On My Mind 02:56
Little Late For Love 04:16
Rabbit Hole 03:54
Electric Red 02:51
Irresistible 03:15
Run 04:54
Afterglow 03:39
Used 03:47

 

 

Review:

Arcadian Child are a rock band from Limassol, Cyprus, Greece and this album is the debut release by the band.

This album is a great blend of Classic Rock influences, Modern Rock, and little sprinkles of psychedelia. Musically they remind me of Wolfmother and those other “modern classic” rock bands like The White Stripes, Queens of the Stone Age, (1990s) Divinyls and many others that continued writing and performing music as if it were still the late 70s.

That “modern classic” style started in the early 90s and continued into the new millennium. (With some bands still carrying the torch, like Arcadian Child. Even the track-listing is set up for a vinyl release (if the right people get a hold of the rights. Which they totally should…)

Band Pic

Track-by-Track:

She’s On My Mind 02:56 – This is a great track to start the album with, and in my case, it is a track that will stick in your head for days afterwards. If it weren’t for the effects used on the tracks this track could be from the 70s. The music video is a trip as well.

Little Late For Love 04:16 – This track works great as a cool down from the first high energy track. It is more chill but it still is an experience though, there are spots were they compress and pan the music during instrumental parts. This track also has more of a groove than the first.

Rabbit Hole 03:54 (Favorite track) – Here they bring their psychedelic influences in a little more. They take their time to set up the world of the song with slow strumming of the guitar and after a few seconds they introduce the drums and vocals. The lyrics are especially in that vein; “How deep can you go? Can you trick your mind? Are you deep in the zone? Can you deceive your soul? Would you walk bare footed at the edge of the unknown?”

Electric Red 02:51 – In this song we go back to a harder rocking track, reminding me a little of King Crimson’s Red. I feel like this track is miss titled and should have been called Don’t Ask Me Why.

Irresistible 03:15 – This is a much darker track, lyrically, than the first four. With lyrics like; “Down the broken road, You will find us all, Don’t caress their hopes, Love our absent soul” and “Solemnly abide, To all that make you smile, All things in between, Burn in melting ice” Musically it is similar to Rabbit Hole.

Run 04:54 – This song has a very 90s alternative feel and I cannot quite place why. It might be the simple repeated riffs or the affects used of the vocals as flange-y sounding guitars.

Afterglow 03:39 – Back to a hard rocker but still holding on to that 90’s feel. Maybe because of how the lyrics are set up; “You make me feel like the only man alive, Loved and caressed by your controlling lies, Addicted and free, I’m certainly involved, You make me feel like an empty broken soul”

Used 03:47 – We are left on a slow burn of a song that rounds out the album well. It sounds like they mix together a good chunk of the aforementioned influences. There is Rock, psychedelic, modern rock and a good solo.

Live Band Pic

Final Thoughts:
For some reason it sounds like there are tracks missing or maybe it is just that I want more… I’ll be keeping my eye on this band. Hopefully they continue this trend on their next release.  If you are in the mood for some modern rock with that classic and psychedelic feel you should definitely pick this album up!

Stream and download from HERE

Links:
https://arcadianchildband.bandcamp.com/releases

https://www.discogs.com/Arcadian-Child-Afterglow/release/11445794


The Quartet of Woah “Self Titled” Album Review + Stream…

The Quartet of Woah

The Quartet of Woah! – Double Vinyl // CD // DD

Raging Planet – released November 25, 2017

Reviewed by Eric Layhe

 

Tracklist:
As In Life (13:26)
Forth By Light (10:46)
A Flock Of Leaves (17:18)
Days Of Wrath (13:30)

 

 

Review:

True uniqueness in music is hard to come by, especially in this day and age. It almost feels as though everything’s already been done and nothing is truly original anymore. Once in a blue moon, though, a band like The Quartet of Woah comes along and re-instills something of a sense of wonder – perhaps we haven’t reached the bottom of the barrel just yet.

The Quartet of Woah are a Heavy Progressive Rock band from Portugal; in case the song titles and lengths didn’t already give that away. Their individual songs, though, reach everywhere from Prog to Psychedelia to Folk to Blues and everywhere in between. Every song is crafted with artisan skill and precision and every note is crisp, clear, and audible. Each song brings a sense of energy and soul that is never wasted – it’s almost like a perpetual motion machine, never slowing down, never ceasing until its message is conveyed.

Live band pic

This album is not without its left turns into oddity land, though. Opener “As In Life” contains a drum solo and a flute outro and personal favorite “Forth By Light” veers off into some positively bizarre chromatic riffing and noodley organs that work far better than one would expect. What does remain constant, though, is the groove. The Quartet of Woah are experts in the art of groove and are ready and willing to show it off. It’s not exactly dancey, but don’t be surprised if you end up bobbing your head several times.

The Quartet of Woah are a band that set out to do what no one else had, to chart uncharted territory, and have done exactly that with their stellar debut. If you love heavy music with progressive tendencies and lack an aversion to really, really long and strange compositions, then do yourself a favor and listen and support this wonderful indie release and a band with a very bright future!


Dead Quiet “Grand Rites” Album Review + Stream…

Dead Quiet

Grand Rites – CD // DD // Vinyl

Artoffact Records – released November 3, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Aaron “Boon” Gustafson: Bass (Anciients, ex-3 Inches of Blood (live), ex-SprëadEagle)
Jason Dana: Drums (ex-Karen Foster, ex-SprëadEagle)
Brock MacInnes: Guitars (AnciientsTobeatic, ex-Venomous Tusk, Percheron, Rotting Hills, The Blood River Band, ex-Hammer of Hades)
Kevin Keegan: Guitars, Vocals (ex-Barn Burner, Klandestīn)
Justin Hagberg: Keyboards ( WorseBlack Wizard (live), Allfather, ex-3 Inches of Blood, Klandestīn, Ritual Dictates, ex-Roadrunner United, ex-The Villain Avian Symphony)

Previous Releases:
2014 – Demo
2015 – “Self Titled”

Tracklist:
Moon Curser 08:26
Blood Lovers 06:37
Corpse Revival 08:26
Disgraced 05:41
Fucking Oath 06:12
Dear Demon 08:10
Old Hopeless 06:37
Spiritual Abuse 05:02
Grand Rites 08:48

 

 

Review:

On bandcamp the band describe their sound as, “…influences ranging from doom metal to classic rock, Dead Quiet seeks to meld melody with catastrophe as they weave through a dissonant landscape of crushing metallic riffs and somber choral musings.” Dead Quiet masterfully delivers this is high fashion with “Grand Rites”.  If you recognize some of the members’ names above that is because Dead Quiet are the closest thing to a modern day “Supergroup”.

As a follow up to their first album it fits in well.  They have improved sonically and sound as if they are maximizing the talents of each member while making it a cohesive and flawlessly executed throughout the 64+ minutes and 9 tracks that comprises “Grand Rites”.  With their roster set, there truly isn’t a dud in this second album. Like I said before this album is an improvement over the first, they went from a good first album to a great second and sadly, more times than not, bands do the opposite due to a myriad of reasons; time constraints, label demands and just the overall pressure of the “Follow Up” from the “Big Debut”.

Keegan’s vocal delivery is certainly worth noting.  The songs are packed with acid laced lyrics ranging from Politics to Religion to The Thrill of the 1st kill in closer “Grand Rites” that name a few subject matters.   Keegan preaches to the listener; the concert goer. He draws the listener in to pay closer attention as it is impactful, powerful, meaningful, genuine and most important…..it fits perfectly with the band’s overall sound – a melting pot of Rock, Sludge and Metal.  We are only at the beginning of 2018 and we may already have a top 3 contender!!


Links:
https://www.metal-archives.com/bands/Dead_Quiet/3540399775

https://deadquiet.bandcamp.com/

https://deadquiet.bandcamp.com/album/grand-rites

 

Dead Quiet Live!! Photo cred to @holtproductions Live Band Pic


The Atomic Bitchwax “Force Field” Album Review + Stream…

THE ATOMIC BITCHWAX

Force Field – Vinyl // CD // DD // Merch

TeePee Records: released December 7, 2017

Reviewed by Ric “Suisyko” Dorr

Formed:  1993

Current Members:
Chris Kosnik bass, vocals (currently of Monster Magnet, formerly of Godspeed and Black NASA)
Bob Pantella drums, percussion (formerly of Raging Slab, currently of Monster Magnet, Riotgod, Cycle of Pain)
Finn Ryan guitar, vocals (formerly of Core)

Previous Releases:
The Atomic Bitchwax (1999)
TAB-2 (2000)
Spit Blood EP (2002)
TAB-3 (2005)
Boxriff EP (2006)
TAB-4 (2007)
The Local Fuzz ‘single’ (2011)
Gravitron (2015)

 

 

Review:
Veterans all, referring to the members of this long-running unit, that all started as a side-project in the summer of 1999 and has since evolved into this raging storm comprised of three forces that meld seamlessly into the animal that stands before us, represented by the band’s seventh offering, “Force Field”.

Twelve songs and thirty-four minutes make up this release and is by far the strongest release yet from The Atomic Bitchwax aka TAB, bringing all of the honing, sharpening and precision born of endless touring here in the States and internationally over the last 18 years together to blast you out of your seat as never before. Having been previously described as a band that ‘specializes in high-octane, 70’s based hard rock, space rock and psychedelia’, TAB has taken that base formula from the edge of the century and brought it to the front in ALL of it’s sonic glory.

From the drum intro of “Hippie Speedball” through the histrionics of “Humble Brag“, there is no lack of bravado tinged with sheer brilliance of power chords, psycho-quick time shifts, hyper-rumbling bass lines and all of the lyrical twists and turns we have come to love and expect from TAB and tracks such as “Tits And Bones” fill that order with ease. Closer “Liv A Little” let’s those 70’s root fly high with the keyboard fills and an over-modulated vocal line that brings you to the sound and feel of what is must have been like at a T-Rex crowd with the energy that is necessary for the listeners of this century.

Band Pic

 

Two stand outs to me from this instant classic and MUST-HAVE for the long-time fans and the ones just discovering this trio are “Super Highway” with it’s phase-shifted drum intro into a high-speed jaunt with lyrics to match is one of those songs that begs to be played at full-volume and gets your heart racing alongside, trying to keep pace and would be a great track to feature as the lead off, in MY opinion.  The second is “Fried, Dyed and Laying To The Side“, an instrumental romp that allows each guy to shine in their own mastery of their individual ‘weapon’ which only brightens the genius of this release.

If you were expecting something closer to a Monster Magnet record, hope you weren’t too disappointed. While the interweaving and endless touring with each band has not stopped and will more than likely not change anytime soon, The Atomic Bitchwax have proven time and again that they are their OWN entity and their finest-hour to date is upon them with “Force Field”. See ’em if they come anywhere close and convert the ‘unknowing’ in your circle.

Let it roll endlessly and keep it LOUD!!


Wolf Parade “Cry, Cry, Cry” Album Review + Stream…

Wolf Parade

Cry, Cry, Cry – Vinyl // CD // Cassette Tape // DD

Sub Pop Records – released October 6, 2017

Reviewed by Zachary “+Norway+” Turner

Lineup:
Arlen Thompson – Drums
Dante DeCaro – Bass
Dan Boeckner – Guitar, Vocals
Spencer Krug – Keyboard, vocals

 

Previous Releases:
(2003) Self-released:  4 Song EP
(2004) Self-released: 6 Song EP
(2005) Sub Pop Records: Self Titled EP
(2005) Sup Pop: Apologies to the Queen Mary
(2008) Sup Pop: At Mount Zoomer 
(2010) Sub Pop:  Expo 86
(2016) Sub Pop: Apologies To the Queen Mary – Reissue // Deluxe Edition

 

Tracklist:
Lazarus Online 03:25
You’re Dreaming 03:39
Valley Boy 03:38
Incantation 04:22
Flies on the Sun 03:42
Baby Blue 06:00
Weaponized 06:39
Who Are Ya 03:43
Am I an Alien Here 03:36
Artificial Life 03:48
King of Piss and Paper 04:47

 

 

A Little History and Review:

Wolf Parade are an Indie Rock band from Montreal, Quebec, Canada. They formed in April of 2003 by Spencer Krug and original was a two piece with Dan Boeckner and a drum machine. Later Arlen Thompson joined and “the newly formed trio rehearsed as a full band only the day before their first show. During the tour, Wolf Parade recorded and released their self-titled debut EP.” In September, Hadji Bakara joined as the keyboardist. A year later “the band traveled to Portland, Oregon to record with Modest Mouse’s Isaac Brock. Brock had recently signed the band to Sub Pop when he was an A&R man for the label at the time.”  There is surprise that Wolf Parade’s early work is heavily influenced by Isaac and the crew over at Modest Mouse.  The similarities still exist with “Cry, Cry, Cry” to a lesser extent as each band stands firmly on their own footing well enough!!

_ _ _ _ _ _ _ _ _ _ _ _

This is Wolf Parade’s first release in seven years. In 2011 the band announced they were going into an indefinite hiatus, but in early 2016 they were back together and expecting to record another album. (More info on the Bandcamp page for the album)

At moments it sounds like Spencer sounds like Singer/Songwriter Pete Yorn. The music itself is very 90’s Indie Rock with 80’s influenced synth parts. Kind of like the early era of The Flaming Lips and the aforementioned Modest Mouse.

The sound is warm when the synths are present otherwise it sounds like garage rock with an indie flavor. The instrumentation varies as the songs progress, there are elements of many sub-genres like post punk, garage rock, indie rock, some pop and others. That is why there are such a strange mix of influences/sounds kind of like… There are also influences R.E.M. or even The Violent Femmes. At moments they sound kind of like Ours or even a more poppy Muse. The album almost sounds like it belongs in a 90s coming of age film (calling Molly Ringwald!)

Track-by-Track:

Lazarus Online – As an opening track it introduction to what part of the album has in store. The vocal style is introduced and he doesn’t stray too far from it throughout the album. There are some synths and keyboard parts but they do not dominate much. It is mostly a new Radio Rock track.

You’re Dreaming – This track introduces the other part of what you will hear, upbeat repetitive synth parts and almost Pop sounding tracks. The music is very patterned; there are some vocals then the synth comes back and then vocals again. The way the vocals are processed makes it seem very dream like. It isn’t a bad thing, it just makes the song seem like it does come from a different place.

Valley Boy – This is a track that has a wall of sound with the vocals almost inaudible when the other’s instruments are playing. But there are parts where there is no music and brief moments of only vocals which is helpful. Going back to that “sounds like it’s from a movie” thing, this sounds like it would go after a scene of a friend moving away and then coming back and talking to someone they left behind.

Incantation – This song’s style goes back to what the first song set up. It has a sing along feel, not like a kid’s song, but one you sing to in the car when it comes on the radio. It is a night driving song. (Mainly because it has a distant feel and keeps focus but also distracts a little bit.)

Flies on the Sun – This song almost sounds like a Fuel song. It is a slow, get your lighters out type of song. It sounds like a song that would play after an emotional fight in this imaginary film that happened in my head while I listened to the album.

Baby Blue – After the almost Foreplay (an intro by Boston) sounding intro we go back to the Pete Yorn and Fuel sounding song that is the majority of the album. This track also adds a faster paced back end that is almost like Incantation.

Weaponized – This track is the closest to the first track. It also has an almost dance beat to the drumming until halfway through when it turns to just voice and piano. Then it slowly builds back up to the dancing beat.

Who Are Ya – Who Are Ya is a strange song compared to the rest of this album. It has a very familiar sound that I can’t place for the life of me… At the end it has almost Emerson Lake and Palmer feeling keyboard parts at the end.

Am I an Alien Here – This song sounds like the sequel to Valley Boy and You’re Dreaming in the nonexistent movie for this in my head. It sounds like an almost triumphant song but has a blueness to it that keeps it from feeling happy. Much like the I in the song itself I guess.

Artificial Life – Is the most Post-Punk sounding song on this album. There are synths and repeating rhythms. The vocals are delivered in faster motion, than most of the other’s songs. It also sounds like the first track of the album.

King of Piss and Paper – This song feels like it is a continuation, or a part two, of Am I an Alien Here. They both have a similar sonic feel. This song is slightly darker in the lyrics but lighter in the instruments.

Band Live

Final Thoughts:
Reading over the review makes it seem like I did not like the album, but I did I really enjoy how they combine classic rock sounds with newer more modern rock. This is a good and solid album you should definitely take a listen if the comparisons I made interest you, definitely pick this one up or take a listen HERE.

Additional Links:
https://www.facebook.com/pg/WolfParadeMusic/about/?ref=page_internal

http://www.wolfparade.com/

https://wolfparade.bandcamp.com/album/cry-cry-cry

https://en.wikipedia.org/wiki/Wolf_Parade