Boris “Dear” Album Review + Video + Stream…

Boris

Dear – Vinyl // CD // DD

Sargent House Records – released July 14, 2017

Reviewed by Santiago “Chags” Gutierrez 

 

It’s been twenty-five years since Boris was formed, taking their name from a Melvins song, they have since released a multifarious catalog of music. From the onset, they have run the gamut of ambient, drone, doom, noise, psych, punk, sludge, and shoegaze along with everything else in between, and no one has been able to pull that off as effortlessly as Boris has. They weave their multi-genre magic seamlessly and to great effect on every release. Takeshi Ohtani, Wata, and Atsuo Mizuno have been together since the formation of the band and the chemistry they have still bonds well to this day.

Opener ‘D.O.W.N. – Domination of Waiting Noise’ sets the pace with a powerful and impactful intro of controlled noise with enchanting vocals. ‘Deadsong’ continues along the same path with an electronic drone number that showcases whispered vocals among haunting screams and howls. ‘Absolutego’ may be considered the most accessible song on the record, as it follows a more traditional song structure. You can find the official video for ‘Absolutego’ on YouTube as well.

‘Beyond’ is a highlight of the record as it takes the listener on a roller-coaster tempo ride while vocally, they hit every mark perfectly. ‘Beyond’ segues into ‘Kagero’ where Boris showcases their noise/experimental/dreampop skills with efficacy. Shoegaze-like vocals are featured on ‘Biotope’ with dreamwave and noise components.

Boris brings the doom with ‘The Power’ and ‘Memento Mori.’ Both tracks would irrefutably fit perfectly on any respectable doom record. ‘The Power’ is an instrumental piece that recalls elements of Electric Wizard and Trouble. The vocal tone on ‘Memento Mori’ is damn near perfect to go along with the funeral doom musical melee going on behind it. Certain elements of the song reminiscent of the gloriously classic Italian doom era.

Pro Band Pic

This brings us to ‘Dystopia Vanishing Point.’ To say this has song of the year potential is an understatement. Clocking in at almost twelve minutes, this one will be hard to beat. The song intro is reminiscent of a great soundtrack record. Chino Moreno-like vocals kick in to go along with the slowed down shoegaze vibe followed by an amazing guitar solo that runs the final five-minute leg of the song. The album bookends nicely with “Dear” which hearkens back to the slowed down drone feedback style we heard on ‘D.O.W.N. Domination of Waiting Noise.’

Boris are still going strong after all these years, continually looking for ways to challenge themselves with experimentation. Dear, like most of their albums, is about motion and magnitude. It is without a doubt a spiritual journey and despite the variety of genres explored, it’s still dexterous in its delivery. Thankfully Boris never seems comfortable staying fixated on one single style or genre. They continue to change and explore the dimensions of sound. I think by now it goes without saying that this will undoubtedly make my end of the year top ten list.


Nekromant “Snakes And Liars” Album Review + Stream…

NEKROMANT

Snakes And Liars – Limited Vinyl // CD // DD

Transubstans Records – released June 16, 2017

Reviewed by Ric “Suisyko” Dorr

 

Established – 2011

Location – Vänersborg, Sweden

Band Members:
Adam Lundqvist– Guitars
Mattias Ottosson – Bass/Vocals
Joakim Olsson – Drums

 

Previous Releases:

As SERPENT – ‘Master Of Ceremony’ single (Oct 2015)

“Nekromant” (Dec 2015)

As NEKROMANT – ‘Stoned To Death, Doomed To Die single (May 2017)

‘Ashes & Rain’ single (June 2017)

 

Review:

Quote – “Fans of Black Sabbath, Pentagram, och and so on will not be disappointed!” Enquote. The first words I saw used to describe this three piece from the land of the often refereed ‘NWOSHM’ movement of the last several years, with bands rising to the forefront that are letting the rest know that they are just bloody sick of nu-metal and the glut of ‘pretentious hipsters’ that think they know what good old blues-based HEAVY is about with their auto-tuned machine based garbage and hyper-polished turds being passed off as the best-yet…

Back to basics, balls out and cranked to the top, these guys show that they are here to represent with some of the best progressions and time shifts held high on thick bass runs that hit you in the chest with each note. No splintering of genres here, but higher, CLEAR vocals that are easily understood, unlike so many that permeate anymore and the fit is tighter than a glove with the precision-playing that slices cleaner than the sharpest blade.

Coming together in 2011, Adam and Mattias spent the better part of the next two years consumed in a series of jamming/drinking sessions in the metropolis Mjölby, located in the eastern part of Sweden, playing hard rock, which did result in an EP and an LP.  It was in 2013 that  they joined forces with Jocke, a hard-hitting drummer with roots in both heavy metal and other types of music, that everything coalesced into what is now presented to us as NEKROMANT.

 

Band Pic

 

Thirty-five minutes totaling from 9 tracks that stand out on their own as individuals as well as are the perfect summation as a whole. From the immediately head-banging inducing opener ‘Stoned To Death, Doomed To Die’ with it’s quick-gallop paced tempo and screaming squeals of harmonic bending strings over that soaring vocal, the stage is set and even the seemingly effortless time shift halfway through, you are hooked for what will prove to be exactly what you have been waiting for to show; that true rock-and-fucking-roll still exists. This is proof positive that it is indeed alive, well and flourishing in all the riff-laden, relentlessly paced ecstasy you could ask for. And when ‘Funeral Worship’ hits, slow and rolling low, it is the precise gear-shift needed, fully owning a doom-laden structure with Mattias’ voice ringing clear and true, never wavering in delivery all the way to the sudden-stop ending.

‘Black Velvet’ comes out in full 80’s metal glory, wringing of a sound that made me think of a mixture of Italian masters BULLDOZER meets WITCHFINDER GENERAL in a salute to the essence of that heavy duty blues-rooted guitar onslaught so thick in tone that you almost forget there are only three guys in the room here, where ‘Ashes & Rain’ is from the start all loopy and heavily, dare I say it, ‘progressive’ in structure and pace in the arrangement that transcends any labeling with the various soft-touches scattered throughout this song.  Again, further showing a versatility you may not have expected after the last full length, yet sounds honest and natural here, and in my opinion is what makes for legendary music. It can really be heard if you mean it when you play it.  When it is from the core of your being as these songs each show these three are doing, then they become timeless and relevant as would seem to follow their original statement in intent.

From the soft fade-in wash cymbal of ‘Inside Yourself’ with another crop of time-shifts from hell, perfectly stirred into this brew, to the instrumental indulgence of ‘Mardröm’ through to the even-slower measures of ‘Never Saved’, there is no room for dissapointment here as you have been consumed along the path you have been walking with this album to get to the title track ‘Snakes & Liars’ that gives its ALL with its staccato opening that is close to being the fastest beat on this album and you are pulled right along this almost two minute run through the “Fortune and Fire” described.

Closer ‘Spelmannen’, which translates to English as ‘Player’ is sung in Dutch, has an almost traditional-folk song feel to it before the power chords hit, and even then, still maintains an anthemic feel that made even my black-heart feel a little less dark in the soaring solo sections and chorus alike. Excellent choice to wrap this package together and there is not one song on here I would not want them to play in a live setting!!

Keep this one as an option on your best-of lists for 2017, make SURE it is part of your library, AND your best buddy’s too and catch them live if the chance comes to you… keep it LOUD!!

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Blues Funeral “Awakening” Album Review + Video…

 

Blues Funeral

Awakening – CD // DD

Self Released – August 25th, 2017

Reviewed by Terry “The Ancient One” Cuyler

 

Line-up:
Jan Kimmel (El Janni) – Guitar, Nord, Vocals
Maurice Eggenschwiler – Guitar, Vocals
Cory Cousins – Drums
Gabriel Katz – Bass

Right now I’m sitting here at my laptop struggling put words together to describe what I just heard, and come right to the point rather than lose you in the lines of a long rambling review. Doing so will be difficult but I must try. Not too long ago I got a promo release of the new album “Awakening” by Blues Funeral, the band’s sophomore album.

Live Band Montage

 

As one who feels music rather than just hears it, playing what’s described by Blues Funeral as music influenced by “Early rock, proto-metal, jazz, classical, and things that make your skin crawl”  this is definitely the kind of music that speaks to me. What impressed me most about “Awakening” was the whole package. The harmonious vocals, the lofty guitar leads with earthy rhythms and the drums that gives the music a heart. This music took me back to listening to the late nights listening rebroadcasts of “The King Biscuit Flower Hour” on the local Classic Rock station were I was schooled on rock as a teen.

“Awakening” is what I would call a new AOR (Album Oriented Record) classic.  If you dig bands like “Deep Purple”, “Cream”, Led Zeppelin and The Allman Brothers then you are sure to dig this. The flow of the album renders you to listen to it in its entirety to let the sonic glory shower down and permeate into your being. These are the songs that stood out most for me:

‘Awakening,’ the albums title track sounds like kickass hybrid of a 60’s proto metal and classic 80’s metal song and establishes the band’s sound for the listener. Taking the lead guitarist and vocalist Maurice Eggenschwiler opens playing a soaring guitar lead in and is then followed by a soulful organ lead by electric organist, guitarist, and vocalist Jan Kimmel (El Janni). Throughout the song El Janni and Eggenschwiler play both competing and complimentary sounds that kept me waiting to hear what was next.

Track 4 ‘Firedrake’ blew me away. Featuring the vocals of Ms. Kelly Cousins with Lyrics by: Jan Kimmel.   This song is inspired by “Cormac McCarthy’s ‘The Road” and speaks of hopes and aspirations in a post apocalyptic world. Full of organ, bluesy guitar riffs and leads;  Eggenschwiler,  El Janni, and Ms. Cousins are simply amazing.  Refusing to let up Track 5 “Casimir” grabs the listener with lofty guitar and vocal leads, melodies, harmonies and rhythms.  While Eggenschwiler and El Janni are as amazing in The closing track ‘The Gathering Dust’ drummer Cory Cousins, and bassist Gabriel Katz shine through.  The riffs are sublime and hard hitting.  A perfect way to finish this release in proper form…EXCEPTIONAL!!

Blues Funeral will be playing a CD release show on August 25th at White Oak Music Hall in Houston, Texas alongside DoomstressFiddle Witch and the Demons of Doom.

 


Murder Love God “The Negative” Album Review + Video + Stream…

MURDER LOVE GOD

The Negative EP – Digital Download

Self Released – July 11, 2017

Reviewed by Ric “Suisyko” Dorr

 

Formed 2007

Location –  Milwaukee, Wisconsin USA

Line-Up
Medavon DeRaj’e – vocals, music, production and creation (Murder Love God / LOCKJAW)
Jeremy Gardipee – modular synth and keys (Insekt)

Previous Releases 

2007 “Sell Me Your soul”

2011 “Killing Time V2.0”

2013  “Alter of Evolution”

 

Review:

The first time I heard Murder Love God, was a few months after we had gone to see Milwaukee’s own LOCKJAW for the fourth or fifth time and Medavon had shared an advance with my wife of an album he was working on. While listening, the first thing we noticed was that the feel was even darker and deeper as Medavon was perfecting the blue print for the style known as “Hell Rock”, a mixture of all parts industrial/rock/electronica with a twist of trip-hop thrown in. When recently asked to describe the ethos behind Murder Love God, Medavon replied,

“Undefined and unexplained pieces of rotting parts floating down the sewer to a destination unknown. Excessive thoughts and complaints portrayed through music from a sometimes twisted perspective. These fragments are broken and often bitter but hopefully a few will find them comforting or entertaining.” Each previous release, including the remix’s have been pretty incredible in their own right and hinted at ‘something more’ looming in the shadows, and with this EP, that ‘more’ is finally revealed for the masses. Five tracks, 22+ minutes and this one was released as ‘parts’ over the course of the beginning of this year, coming together as an EP released on 7-4-17.

Live Band Pic

Opener ‘Bipolar’ comes right out of the gate with that familiar staggered tempo that grabs your attention and refuses to let go as the stark-dark twists around you immediately as you grasp onto the consuming keys that seem to linger just out of reach and still, right there as Medavon’s ethereal vocals seem to come at you from all directions as you grab every letter of every word that flows forth and as the body falls into disarray as the song itself, and everything else winds to… nothing.

‘Can’t Look Away’ opens with a slightly faster tempo and Medavon busts right into a rapid-fire vocal that to my ears is a new twist that rides the cascades of ghostly guitar tones delivered with a  surgical precision that gives the body of this track the added feature of ‘plush’ that has never entered the MLG camp in such a manner and even the harmonics mixed with the pick-slides are an indulgence that fills the air to an even higher level of ‘completeness’ to make this one of the most concise songs to come from Medavon’s hand yet.

And then comes ‘Fire Walker’, the longest song contained on this offering and is the pick for the video teaser. This is the exact song to give a complete smattering of the flavors contained here in and shows the growth and purity that musically demonstrates a confidence earned and a maturity in the arrangements and running order that were there before, but not quite to the level that this release is burning with. ‘Cannibal’ is even more of the progressions that while natural, seem second nature here flavored expertly with the seasonings of the life-blood of…

Band Pic 2

Standout track on this one for ME, is the closer ‘Devil’s Favorite’. Shortest offering included, it has everything I look for and devour greedily from a Medavon composition; a relentless beat, full bodied and driving and that special lyrical twist given as only he can do with flair and rage all given with the roar of the master-purveyor of Hell-Rock, delivering with “To taste it, don’t waste it, just touch the sky and shake it…” and the tone is one of need as you have to run along to savor each drop of this glass of absinthe-stained tears to the very last.  If it doesn’t hit you between the eyes once you have traversed from first note to last, Medavon has a response for that as well…

“That is acceptable….my comfort is failed and my soul has been sacrificed by desire. Please enjoy my testimony.” Listen once, drink deep from his veins as he has poured them once more into his art and feel it flow through you… “A musical acid trip on the industrial tip.” he said.

If this is your first sample of, then by all means GET IT ALL like, YESTERDAY!! If you are already one of the ‘aware’, add this to your library and share it with ALL in your personal realm. Support them live if you are given the chance, and keep it LOUD!!

Links:
http://www.facebook.com/darkdrugrecords

http://www.facebook.com/mlgmusic

http://www.soundcloud.com/murderlovegod

http://www.reverbnation.com/murderlovegod


Sound of Origin “Seeds of the Past” Album Review + Stream…

Sound of Origin

Seeds of the Past – CD // DD

Self Released – July 8, 2017

Reviewed by Terry “The Ancient One” Cuyler

 

Track Listing:
1. Warfarin 07:39
2. Driven to Distraction 05:14
3. Left For Dead 05:38
4. Seeds of the Past 06:17
5. Asphalt 08:57

 

Hey tasters this is The Ancient One. On the musical menu today are 4 heavy fuzzy psychedelic rockers from Huddersfield, UK. When I first listened to their EP  Seeds of the Past I really didn’t know what to make of them. When their 1st track ‘Warfarin’ started out sounding like it was recorded on a old fashioned tape recorder in a garage. Still they had the courage to put music on Bandcamp and ask others to listen so I listened on.

 

Pro Band Pic Color

 

As I sat listening the sound quickly improved and I realized it was an audio effect. What the music reminded of was the Misfits who fearlessly self produced albums on the cheap that they then sold at bargain basement prices. And at other times I was reminded of Faith No More. With vocal powerhouse John Bussey, the rafters rattling drum beats of Chris ‘Foz’ Foster along with  Jax Townend’s floor shaking bass and Joe ‘Zeph’ Wilczynski fuzzed out psychedelic riffs, Sound of Origin is not a band to be overlooked.

 

 

Some of my favorites on “Seeds of the Past” are ‘Driven to Distraction’ with it’s heavy drum and bass laid down by Foz and Jax.  In  ‘Left For Dead’  John Bussey’s vocal ability shines through with  Zeph’s fuzzy psychedelic guitar. I’m going to keep my eyes open for any future releases by Sound of Origin. If you like this EP you can get it at “NYP” on their Bandcamp page (above) and if you choose to pay nothing show them some love by following them on Bandcamp and giving them a like on Facebook. And while your at it come on over to Taste Nation and give us a like.

Band Logo

 


Doom Side Of The Moon “Self Titled” Album Review + Music Video…

DOOM SIDE OF THE MOON

Released – August 4th, 2017

Limited Vinyl // CD // DD // Tons of Merchandise

Reviewed by Ric “Suisyko” Dorr

 

When The Boss said he had this one needing a review, I HAD to jump on it. Being a fan of The Pink Floyd from waaaaaaaay-back, I still have the tour poster from the first time I saw them when I was a little-little for “Atom Heart Mother”, I auto-salivate when someone does an ‘update’ of anything from Pink Floyd and this was no exception. I dug around for any press about it and was overjoyed when I came across this:
“To celebrate 50 years of Pink Floyd releasing music that changed the world, guitarist Kyle Shutt (The Sword) has produced a heavy metal cover of PF‘s seminal album, ‘The Dark Side of the Moon’. Having recruited vocalist Alex Marrero (Brownout/Brown Sabbath), saxophonist Jason Frey (Black Joe Lewis/Hard Proof), and keyboardist Joe Cornetti (Croy and The Boys), Shutt tapped his bandmates from The Sword, Bryan Richie and Santiago Vela III, to record his vision. Engineered and Mixed by Stuart Sikes (White Stripes, Rocket From The Crypt), the resulting band and album have been dubbed “Doom Side of the Moon“.

Live from Austin, Texas (Picture by Sandy Carson)Live Band Pic

 

My jaw dropped as I recognized names and could not wait to hear what could very well be the quintessential interpretation for THIS century of an essential album that was a large portion of the LAST century.

To call this a ‘cover album’ is in no way an accurate descriptor as in this represents more of a re-interpretation and update… and remember, this is DOOM Side… darker than dark and with an undertone that could be even more ‘sinister’. Most of the ‘noises’ are replaced by sounds that can only be described as out of the shadows and not so easily defined. It is complete with the perfectly rolling synth’s during ‘On The Run’, to the transition into ‘Time’ that instead of the Chiming clocks and bells that we all know to be the opening of, Shutt instead went with what to ME sounded like the opening notes of PF‘s ‘Astronomy Domine’ as the rollover into and it is absolute genius, a perfect fit!!

 

 

The keyboard intro to ‘Great Gig…’ is chilling and when the sax enters for the vocal line, it is the ultimate salute to the original track and not a desecration as there is no denying the notes are all there with as much heart and fervor as Clare Torry herself put into it.

No coin sounds for ‘Money’ but straight into the progression and then it gets LOUD and ugly in the perfect sneer that greets us with the opening lyric hitting right between your eyes, never ending relevance intact, all the way to “…that do-goody-good bullshit” until the speed kicks in and you are rolling right alongside, screaming guitars and all. Sonic rendering of without a flinch and is right on time as even the end section rips and tears.  It is almost divine in fuzzed out splendor fading off into ‘Us & Them’ that is ghost-like in presentation and shines as bright as, beginning to end as does the rest of the tracks offered here.

It has also been reported that there is a tour in the works to support this amazing output. Purportedly, because Shutt likes to think big, he couldn’t just stop after recording the album. Doom Side of the Moon will be playing their album in its entirety along with other PF favorites set to a spectacular laser-light visual experience performed by The Mustachio Light Show (Levitation/Desert Daze/NRMAL) as scheduling allows. Reverend Guitars, with whom Shutt recently released a signature guitar, will be sponsoring the live show.

Get this IMMEDIATELY into your library and by all means go and witness this spectacle live, taking every person you can and keep it LOUD!! Re-arrange me til I’m sane…

Links:
https://www.indiemerch.com/doomsideofthemoon/
https://www.facebook.com/DoomSideoftheMoon/

Vinyl of Album


Bloodnut “St. Ranga” Album Review + Stream…

Bloodnut

St. Ranga – CD // DD

Self Released – Released August 1, 2017

Reviewed by Aaron “Red Beard” Wall

 

Bloodnut…the burly, bearded, ballistic, berserkers of fiery red have returned to pillage and destroy. St. Ranga, is the sophomore follow up to their acclaimed debut, Blues for the Red Sons.  This slab of concrete has progressed the Bloodnut accoutrement immensely. While some of the tongue in cheek humor remains, the ginger heavyweights have upped the seriousness factor. St. Ranga is still fun, but its definitely not funny. Heavy stoner, massive sludge, and raw punk rebellion. Normally a three piece, Bloodnut recorded the album as a four piece. Adding a second guitar to the fold, which lends extra girth and goodness. Doug McFarlane-Bass/Vox, Nick Smith-guitar, Kyle Wetton-guitar, and Ty Boniface-drums are here to viscerally eviscerate.

Opening salvo, ‘The Space Orangutan’ builds a force of fuzz. Slowly creeping, raising the cackles. Down tempo and enveloping distortion, as Doug raises his vocal game tremendously.  Oddly, but very intriguingly sounds like the Doors in mood…albeit much heavier. The drums pause to let the main riff show its head. The redheaded beasts then explode in full on stoner glory. The chugs begin as the groove runs full steam ahead. The vocals are gravel, but with soul you can feel. No doubt Bloodnut bring the heavy, but also have an excellent underlying melodious factor that grips. The second half ups the tempo and the dirt. The brood throws in a shredding solo, then beats you into submission until ‘The Space Orangutan’ has destroyed you.

Full Band Pic_8-6-2017

‘Mark of the Outcast’ is four minutes of straight up beast mode. Huge High of Fire-esque intro, into a mid-tempo sludge toe tapper. Tunes like this are the reason I am completely on board with the boys in Bloodnut. Heavy as gigantic balls, while always retaining a soulfulness that is undeniably felt throughout.

Next up is ‘That Fire Inside’  This song is straight up raw punk filth. Quick bass intro and cymbal grabs, prime the ears for a fury of fiery flames.  Gruff vocals, raw guitars, pounding drums of perfection. This jam is a sharp, powerful, quick punch to the gut. You will be doubled over, in glorious pain.

‘Burning Bush’ brings back the cheeky lyrics, but there is absolutely no joking going on instrumentally. Bringing some of the thickest riffs on St. Ranga, and multiple tempo changes keep the listener blissfully on their toes. The song is executed masterfully. The riffs are sweet, the rhythms are tasty and the vocals outshine anything previously in the Bloodnut catalog.

‘Red Dead Riders’ is a sing along song. Dirty and rough musically with huge choruses. This track is a journey across the desert, looking for blood, on the back of a mammoth steed. Kicking up dust and spit, only in death do we quit. Standout song on a stand alone album.

Closing St. Ranga is ‘Song of Fire and Ice.’ No explanation needed on this song. Best song on the record in my humble opinion.

Bloodnut have composed an album more crushing and weighty than an avalanche of boulders. The fire headed gang of badasses continually bruise and batter eardrums. St. Ranga is an escape into landscapes of flame. Visions of battle and triumph. A plethora of genres in relation to all things heavy. No pigeonholing Bloodnut. New Zealand has something to be extremely proud of in this band of gingered berserkers.  These redheads have definitively smashed the sophomore slump with a battle axe. A record filled with passion and soul, drums that roll, and riffs that are raw while still being in full control. Take a pilgrimage in St. Ranga, and prepare to shed blood. It is worth it.

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Tau Cross “Pillars of Fire” Album Review + Stream…

Tau Cross

Pillars of Fire – Vinyl // CD // DD

Relapse Records – released July 21, 2017 

Reviewed by Terry “The Ancient One” Cuyler

 

 

Band Line-up:
Andy Lefton-Guitar (War // Plague)
Jon Misery-Guitar (Misery)
Tom Radio-Bass (Frustration)
James Adams- keyboards
Michel (Away) Langevin-Drums (Voivod)
Rob (The Baron) Miller-Bass and vocals (Amebix)

Hometowns:
Montreal
Isle of Skye
Minneapolis
Seattle

Review:

Having grown up with MTV from it’s inception, I find that if a band really wants me to buy their album, the spectacle of a good music video is sure to catch my attention. About 2 weeks ago while watching music videos on YouTube, I stumbled across the Video “Lazarus” from their 2015 self titled debut album “Tau Cross”. Impressed by the music and the Cinematography I quickly followed the links to their Relapse Record’s Bandcamp. It was there I discovered they had a new album called “Pillars of Fire” due out in a few days. In the mean time I purchased their first album and made a note in my head to return and buy “Pillars of Fire” especially after being blown away by the debut release.

I could probably write volumes about the members of Tau Cross but will refrain as it would turn into a novel. Vocalist & Bassist “Rob (The Baron) Miller (Amebix)”, drummer “Michel-Away- Langevin (Voivod)”, “Jon Misery (Misery)”, “Andy Lefton (War//Plague)” on guitars, and “Tom Radio (Frustration) ” also on bass bring a great deal of talent and creative energy from the punk and various metal sub genres they offer up. Which is why I suspect they refuse to box themselves into a specific genre. But fear not as the unspecified genres are for my punk and metalhead friends.  Tau Cross brings a musical Smörgåsbord.

Pro Band Pic

“Pillar Of Fire” is an album that shows Tau Cross has a second act. While listening I found myself engrossed by the songs. While Tau Cross do not sound like Black Sabbath, Iron Maiden or Dio, the lyrics, vocals and instrumentation created the same musical spectacle that drew me to them as a teen. Some may try to compare Vocalist // Bassist Rob (The Baron) Miller for his raspy voice to Lemmy Kilminster of Motörhead. While he can sing with a harsh rasp, I discovered Rob has a vocal range that at times had me asking who’s the other guy singing. These are a few of my favorites from “Pillar of Fire” – ‘Raising Golem’ a song the Golem from Jewish folklore, ‘Bread And Circuses’ which speaks of the savagery Rome descended into. Then comes the tale of the horror of being lost at sea done like a good old fashioned sea shanty ‘On The Water.’ I could go on but I am including a link to the album on Bandcamp so you can listen and buy for yourself and “The Short Stories” the band masterfully forged through the lyrics the band kindly offers up (also on their BC Page). The end result is nothing short of Amazing.  This should be in your music library yesterday!!  Must Buy!!

 


The Ultra Electric Mega Galactic “Through The Dark Matter” Album Review + Stream…

In Case You Missed It Series – Episode 6

THE ULTRA ELECTRIC MEGA GALACTIC 

Through The Dark Matter – CD // DD

Orbit Unlimited Records – released April 21, 2014

Reviewed by Ric “Suisyko” Dorr

 

FormedJanuary 1, 2006

LocationLos Angeles, California USA

Line up:
ED MUNDELL / Guitar (MONSTER MAGNET / THE ATOMIC BITCHWAX)
COLLYN MCCOY / Bass (TRASH TITAN / OTEP)
RICK FERRANTE /Drums (SASQUATCH)

 

Band Pic

 

Previous Releases:

“UEMG-s/t” (2013)

Pending release 2017

To call this a super group is to over-simplify. When Ed’s main focus with Monster Magnet went on hiatus, he needed something to do and in their own words, created and morphed into “a no nonsense, psychedelic, space rock orgy built on riffs and classic 70’s guitar rock. Not having to cater to the masses and with absolute disregard to mainstream commercial music industry dictate, The Ultra Electric Mega Galactic came forth like an acid-trip super nova.” And having tripped out, jangly guitar heroes like Tomy Bolin listed with the likes of Captain Beyond and the trippiness of Hawkwind referenced, the end result is even MORE than you could have expected.

 

Five tracks clocking at just over 25 minutes, from the first notes of ‘Small Magnetic cloud’ all the way to the ending of ‘Large Magnetic Cloud’, each possible facet and cloud has been explored, from the headiness of title track ‘Through The Dark Matter’ to the expanses of ‘Day Of The Comet’, the enormity of each player here is in full-force. It shines in the purity of expression the freedom allotted has given them the power to wield in all it’s mushroom tinged might and the suns and moons change trajectory to glimpse a piece of this vortex that swirls effortlessly. Even with the one song to have lyrics ‘Spoonful’ as the intro drumline delivers with the panache of a legend as easily as casting a glance.

If you haven’t bought this one yet, do yourself the favor and get them both if you can. Then share it out to anybody you think would appreciate it.  “Through The Dark Matter,” hell both Albums, are perfect for headphones turned to 11 to capture each note you may have missed from the last listen. There is talk directly on their website of a 2017 release and I know I will be keeping my eyes peeled for that as I recommend should you, support these guys in a live format if the come to your area and keep it LOUD!!

‘Rockets Aren’t Cheap Enough’ Live at Desert Fest in 2014 off their “S/T” Debut Album


The Judge “Tell It To The Judge” Album Review + More…

The Judge

Tell it to the Judge – Limited Vinyl // CD // DD 

Ripple Music – Tuesday, August 8th, 2017

Reviewed by Terry “The Ancient One” Cuyler

 

 
The Judge:
Kevin Jones – Bass
Dylan Jarrett – Guitar,
Evan Anderson – Drums,
Tyler Swope – Vocals

 

Gather round everyone Terry “The Ancient One” has a tale to tell about 4 young rock ‘n rollers from a place called Granite City, Illinois named: Kevin Jones, Dylan Jarrett, Evan Anderson, and Tyler Swope. Known as The Judge. Founded in 2006 by Dylan Jarrett, and Evan Anderson with mutual friend Zack Revelle the bands first incarnation was known as Unfallen which lasted less than a month. But that  did not stop Dylan and Evan who had dreams of one day taking the stage and rocking the house down. Determined to make things happen . Dylan started The Jude as a side project with his friend Evan while playing for Ripper(named after the Judas Priest song) started by Andrew Pashea, cousin of Zack Revelle, and drummer Darren Williams.

With some material written and promo videos recorded using home studio software when Ripper split Dylan and Evans dream began taking shape when Evan found the drums they needed to begin rehearsing in Dylan’s home. With Bassist Kevin Jones complimenting Evan Anderson’s hard hitting drum style. The Judge found the heavy sound they were seeking to mix with Dylan Jarrett’s progressive guitar style and soon after Tyler Swope adding his vocal versatility that allowed him to hit the highs of musicians like Robert Plant and lows of Jim Morrison to complete the mix.

 

 

After recording their Demo which would later be called The Judge EP released on October 30th 2014 as a free download on Bandcamp The Judge began working in earnest to get its name out by doing more gigs. Compared by fans to Led Zeppelin, Deep Purple, and Black Sabbath at some point The Judge gained the attention of Ripple Record.  They signed with the label and put out a “Self Titled” debut album that combined 4 tracks from their EP and 5 new tracks. Which is about the time I became aware of The Judge.

 

Live Band Shot

 

Like their first EP and debut LP, The Judge puts their all into their latest album “Tell it to the Judge.” Some compare them to the above aforementioned because The Judge has a hard rockin’ blue collar feel but I could hear other influences in their music. Though it took me several sessions of listening to Tell it to The Judge and the bands other albums to pin it down before I realized I was hearing elements of The Doors, Cream , and The Guess Who in the bands music.

Some of the best songs on this album are ‘Changing World,’ ‘Islands’, ‘High Flyin’ and ‘Parade of Sin.’ If you like hard rockin blues music with a psychedelic feel give Tell it to the Judge a listen. If you like what you hear, don’t forget to share this with your friends also be sure to give us a like on Facebook and subscribe to our YouTube channel.