High on Fire “Electric Messiah” Review + Stream…

HIGH ON FIRE

Electric Messiah – Limited Vinyl // CD // DD

eOne Heavy Records – released October 5, 2018

Reviewed by Ric “Suisyko” Dorr

 

Location:
Oakland, CA USA

Members:
Matt Pike – Guitar / Vocals
Des Kensel – Drums
Jeff Matz – Bass Guitar (ex Zeke, member since “Blessed Black Wings” tour)
George RIce – Bass Guitar (ex-Dear Deceased, on :”Art Of Self Defense” / “SUrrounded By Thieves”)
Joe Preston – Bass Guitar (ex Melvins / Thrones, on Blessed Black Wings)

Previous Releases:

“The Art of Self-Defense” 2000

“Surrounded By Thieves” 2002

“Blessed Black Wings” 2005

“Live from the Relapse Contamination Festival” 2005

“Death Is This Communion” 2007

“Snakes For The Divine” 2010

“De Vermis Mysteriis” 2012

“Spitting Fire Live Volume I” 2013

“Spitting Fire Live Volume II” 2013

“Luminiferous” 2015

 

 

Review:

Way back in 1998, Matt Pike was deep in the band SLEEP as guitarist and when the other guitarist quit, Matt began inviting people to come to his garage to jam.  This led to Matt deciding to work in a power-trio again.  Within 6 months, the jams led to the formation of HIGH ON FIRE, allowing Matt to keep his tone similar while his playing style was becoming faster and more aggressive in delivery and structure and taking over vocals and writing the bulk of the new material.

As of 2007, the current and most prolific line-up solidified into the unit that is getting set to take the new release to the world. Having toured endlessly with a wide variety of acts from GOATWHORE to CONVERGE, including a stint on MEGADETH’s “Gigatour”.

Band Pic

With the release of “Electric Messiah” Pike & Co. are not trying to re-invent the wheel; FAR from it. Nine tracks and 59 minutes later, HoF have delivered what can only be described as the quintessential definition of what High on Fire has come to demonstrate;  aggressive precision seasoned perfectly with Matt’s lyrical creations.  This fits seamlessly into his 6-string myriads of hyper-aggro masterpieces. Tracks like ‘Spewn From The Earth’, ‘The Pallad Mask’ and ‘Freebooter’ show that the might is still intact and the longer compositions are still present as ‘Steps Of The Ziggeraut/House Of Enlil’ and ‘Sanctioned Annihilation’ show clocking in at over 9 minutes plus. ALL factors that encompass High on Fire are present and even the title track belies that they are even more cohesive and just flat-out IN YOUR FACE than ever before, using power-chords, bombastic bass tones and drum-attacks that ring in sheer might.

Matt Pike

The standout on this record, for ME, is the closer ‘Drowning Dog’.  I hear the culmination of the best of each previous release, all winding into this diatribe that allows Matt to give it all and offers what can only be HoF at it’s absolute top-notch performances.

If you don’t have it yet, GET IT asap. If there is any in your circle that may not yet be aware of what High on Fire entails, force-feed them until they know, support these guys live if you get the chance and above all else, KEEP IT LOUD!!

High on Fire Tour Dates

Tour Dates


Turtle Skull “Self Titled” Album Review + Stream…

Turtle Skull

Turtle Skull – Digital Download // Band Shirt Bundles

Self Released – releases May 17, 2018

Terry “The Ancient One” Cuyler

Surfing the Psychedelic Sound Waves

 

 

Tracklist:
No News is Bad News – 6:56
Take it or Leave It – 8:27
Eden – 6:08
Empty Ships – 8:23

 

Ah…Spring has sprung. The trees are leafing and flowers blooming and I feel the urge to leave my cave behind and go bike riding. But to do that I need some good riding music and in my collection I have quite a bit to choose that covers a wide spectrum of styles.

Most recently I added a “Self Titled” EP by the self described Flower Doom  rockers from Sydney Australia called Turtle Skull who will be debuting the download of their EP on Bandcamp this May 17th 2018. Available for Pre – order now for $1 US I’d feel like I was ripping them off if I didn’t pay $5. Offering up what sounds to me like surf music infused with psychedelic feel good fuzz I find it easy to not care about trivial things when I listen to it. While I am not going to claim Turtle Skull is the next Earthless I feel pretty safe saying they have a lot of potential and I’d buy a full length album if they produce one.

Live Band Shot

Opening the EP is No News is Bad News a trippy fuzzadelic song about tuning out the talking heads on TV that encourage us to buy into their vision of a plastic paradise that we all to often buy into. What I like most about this are the droning vocals and guitars that feel like they are coming from the deep.

With a steady mid tempo rhythm that keeps things simple Take It Or Leave It has the rolling feel of a classic surf song. Overall, what I enjoyed was its catchy feel.

Nothing like having drums and guitars create a rhythm which Turtle Skull does masterfully.

Moving into a more visceral sound is Eden the 3rd track is my favorite on the EP. What I like most is that naughty guitar played by vocalist guitarist Dean.

Closing “Turtle Skull” is the psychedelic blues song Empty Ships that feels like a midnight swim under the stars. Deans smooth vocals and guitar along with Dan on synth set the mood for the song and proved to me they can do more than just sound more fuzzed. This debut album is an excellent start for this promising band.  I look forward to what they have in store for us in the near future.  Highly Recommend!!

Pro Band Pic


Lockjaw “Predatory Trails Of The Spirit” Album Review + Stream…

LOCKJAW

Predatory Trails Of The Spirit – Digital Download

Dark Drug Records – Released December 23, 2017

Reviewed by Ric “Suisyko” Dorr

 

Headquarters:
Milwaukee, WI

Previous Releases:
Goliath (2015)
Combat Ready (2014)
The Dirt Road To Inspiration (2013)
White Lies Black Heart (2012)
Dopamine Avenue (2011)
The Soundtrack To The End (2009)
11:11 (2007)
Starving For Salvation (2006)
Hell Inside (2005)
Dirty Minds and Smiling Faces (2004)
Looking Like A Devil (1998)

 

 

Review:

For the unknowing, this record is the 12th release from the dark recesses of HELLROCK HQ and is to date, THE best yet!! Eight tracks and 31+ minutes bringing forth further permeation of “Burnt Offerings” that are ever present in all things Lockjaw.

Featuring quite the pedigree of slots, ranging everywhere from stints with the likes of Mudvayne, Type O Negative, Damageplan, Wednesday 13, Hell Yeah, Prong, KMFDM, Powerman 5000 and Mindless Self Indulgence as well as Lords of Acid and Marilyn Manson. Using their self described weapons that include and are not limited to abrasive vocals, dark chord progressions and machine-gun electronics, Lockjaw is indeed stronger than ever in bringing the HELLROCK revolution into the minds of the masses.

The mind-behind, Medavon De Raj’e, is front and center and ready to take this to another level. The result is this collection of what could easily be listened to, in order, as a tale of ‘trails’ as the title suggests, that are crossed individually, one leading to the next. Coincidental or not, the effect of following along with each as they flow into the next ‘trail’.is that you naturally keep listening until the very end… almost like binge-watching an eight part series and it takes less than an hour to experience it all. And then you push play again, almost as if by an unconscious natural reflex, to take it in again…

Opening with “Blood Suckers”, three hits of a drumhead and we’re off with power chording and searing high notes layered over Medavon‘s signature sneer, saturated in that ‘knowing’ telling that allows easy comprehension, delivered with a clarity of enunciation that is missing from so many. ‘Make your move, and they suck your blood.’ Abso-fucking-lutely…

“Paralyzed” enters in a staggered electro tempo as you are reminded that ‘A picture is worth a thousand words’ as the flow starts, Medavon describes ‘Just like a sting, that hits you so hard… right in the back, I can hear it break… wave goodbye to your hopes and dreams, at least for today…  sacrificed, I’m paralyzed…’ and another ‘trail’ is engaged.

Live Band Pic

“The Scavengers” is the big standout on this one for me with the punch-in-the-face jump to full throttle with churning riffs to push you forward and even as ‘The flies think that I’m already dead, inside of this shell, sometimes, I am…’ and you can feel the breath on your flesh as you are enveloped by the tale of another even darker ‘trail’. And even as this one ends, “They Follow” is truly the next bend we have just gone around in this half-point and is filled with an ominous texture that swirls of shadows and mist as you follow closer to keep pace of the direction heading to reach the next turn.

“Burnt Offerings” greets you with an instrumental morsel that is exactly the kind that delivers with a plushness that lets you hear every word that is never spoken. Quick fade power-chord and “Absolution” enters with a slow progression with those synth loops and clear guitar notes, lightly salted with reverb to give that ghostly haunting lilt underneath those machine-gun, electro-tempo segments that only accent the post-punk grin that lives within ‘this psychosis’ described.

“In The Weeds” is another stand-out from this album for me in that I hear a touch of each previous Lockjaw album as these four minutes flow past with a perfect cadence and gave me a feeling of familiarity with each brushstroke of Medavon’s painting that is his mastery of composition, arrangement and mix that he has honed to razor sharp edges.

Pro Band Pic

Closer “Rescue” could seem like a departure from the rest of the record with it’s soft almost spaghetti western guitar line and slower paced tempo, even as the synths float up from underneath. As soon as that voice delivers the diatribe that is this final ‘trail’, it ties itself to each of the previous seven tracks and is the absolute perfect book-end to what could be described in spots as ‘stripped-down’ and in other spots as ‘thicker than ever’, but is FULL-ON Lockjaw in all it’s glory…

Having witnessed them onstage multiple times, as well as having seen the rotating legion of members that deliver it live, from Jose and his solo’s to Baldii and his rhythm lines to Lowviolet‘s bass assault, all I can tell you is you simply MUST see them for the completion of your immersion into the world of HELLROCK, whether this is your first experience or the most recent of many!! Medavon and his compatriots deliver 200%…  EVERY TIME…

Share this album with every set of ears around you, support them live and as always, keep it LOUD!!

Additional Links:
https://store.cdbaby.com/all/medavon
https://www.facebook.com/darkdrugrecords/

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Cosmic Fall “In Search Of Outer Space” Album Review + Stream…

Cosmic Fall

In Search Of Outer Space – Vinyl // CD // DD

Reviewed by Terry ‘The Ancient’ Cuyler

“Cruisin’ Under The Stars…”

 

Tracklist:
Jabberwocky       (11:36)
Narcotic Vortex  (08:00)
Purification         (04:12)
Lumberjam         (06:56)
Spacejam             (07:44)
Icarus                   (04:50)

Lineup:
Drums: Daniel Sax
Bass & Vocals: Klaus Friedrich
Guitar: Marcin Morawski

 

 

Hello all, today I am feeling nice and mellow a feeling I enjoy, though it often evades me. But that’s okay. Good mellows are often fleeting things and should be enjoyed in the moment without worrying about getting back to the grind. For me the moment came on my morning commute to work as I tuned the world around me out with the music on my iPhone and took a 43 minute interstellar jaunt into the cosmos as I road the city bus with all the bleary eyed early morning commuters.

Playing in my headphones was the music of a trio of Heavy Psyche rockers from Berlin, Germany called Cosmic Fall. Some of you may recall me reviewing their split album with  APHODYL called “Starsplit” last year that left me wanting to hear more of their music. Well seems I got my wish for more Cosmic Fall. On March 30th the Cosmic Fall released its 3rd album ‘In Search Of  Outer Space’ that is currently available as a digital download or CD, and soon to follow is The Vinyl which will be released May 30th and available for Preorder April 30th. Whew, now that I got all that out I can tell you you are in for amazing Heavy Psych music with this new release.

Filled with swinging bass grooves, and jazzy drumming done by bassist Klaus Friedrich and drummer Danial Sax Jabberwocky wows the listener as the new Cosmic Fall guitarist Marcin Morawski  begins lay down the space fuzz while Klaus surprises the listeners with some mellow vocals.

Though I ain’t into Narcotics the album’s 2nd track Narcotic Vortex feels like a good replacement for them. The guitar and bass have a real dirty feel that becomes real mellow before Dan begins his drum solo creating a bridge for Klaus and Martin to bring the music to its peak. Track 3 and 4 Purification and Lumberjam seem to be aptly named and are quite possibly my favorites from this album. Dan’s soft taping on the cymbals while Klaus gently noodles his bass and Martin does some soothing pick work that feels like a refreshing rain storm that cleans the city streets. Next is Lumberjam. Dan and Klaus set a rhythm as Martin saws out the leads like a buzz saw. Feeling like a musical version of the Voyager Satellite traveling through deep space, Dan and Klaus set a nice smooth rollin tempo while Martin picks and uses what I believe are effects peddles and the volume knobs to create the spaced out feeling to this song. Closing “In Search Of Outer Space” is Cosmic Fall’s retelling of the Greek tale of Icarus. Klaus really doesn’t have to sing a word. You can feel the tale with its lofty soaring guitar that finally comes crashing down.

“In Search Of Outer Space” is definitely worth owning on vinyl. Full of mind blowing Heavy Psych rock. The album artwork is by Klaus Friedrich  and layout by Daniel Sax.  The album was Mixed and Produced by Marcin Morawski & Co-produced Sax and Friedrich; making this a self produced gem!!  Highly recommend!

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Wolftooth “Wolftooth” Album Review + Stream…

Wolftooth

Wolftooth – Vinyl // CD // DD

Physical CD available on March 5th, 2018 on Blackseed Records

Limited & Standard 180gr Vinyl available April 20th, 2018 through Cursed Tongue Records

Reviewed by Eric Layhe

 

Tracklist:
Blackbirds Call (5:41)
Aegaeon (5:16)
Sword of my Father (3:55)
White Mountain (4:31)
Frost Lord (4:18)
The Huntress (6:06)
Forged in Fire (6:14)
Season of the Witch (6:07)

 

 

Review:
Stoner Metal has a very storied history. Debatably beginning with Black Sabbath and Hawkwind and surviving through Monster Magnet, the bandcamp era has created something of a golden era of Stoner Metal and one of the beneficiaries of this golden age is Indiana’s Wolftooth.

Wolftooth is a classic Stoner Metal band through and through, albeit one with a little extra heft added for good taste. Their self-titled album is chock-full of great riffs and much better vocals than the genre usually calls for and even features a few twists and turns as well – album opener “Blackbirds Call” opens with an atmospheric intro that is almost symphonic in nature. “Sword of my Father” is (fittingly) extremely reminiscent of the Apocryphon-era of The Sword, with Kentucky-fried grooves and lots of southern twang. Through its raw production, Wolftooth’s “Self-titled” album does a great job of emulating a live show. If you close your eyes, you can almost imagine that Wolftooth is right there playing for you.

Band Pic

It’s not a perfect album, though. In terms of the genre of Stoner Metal, Wolftooth doesn’t bring a whole lot of new material to the table. If you’re a member of the fairly sizable group that feels as though Stoner Metal is a tad tired and needs a major mix-up in order to be truly rejuvenated, then you probably won’t find a whole lot to enjoy here. It really is a faithful recreation of the genre and therefore won’t be much of a treat if you’re not a fan of that particular style.

With their self-titled album, Wolftooth has created a very faithful recreation of Stoner Rock with a modern edge. Fans of the genre will love it, whereas those that aren’t simply won’t. While it really is as simple as that, I cannot emphasize how good of a job Wolftooth has done. If you enjoy Stoner Metal, I absolutely recommend you check out this excellent release.

Additional Links:
http://cursedtonguerecords.bigcartel.com/

https://www.facebook.com/wolftoothmetal/?ref=br_rs


Legend Of The Seagullmen “Self Titled” Album Review + Stream…

They Ain’t No Flock Of Seagulls

They are the

Legend of the Seagullmen

“Self Titled” – Vinyl // CD // DD

Dine Along Records – released February 9, 2018

By Terry ‘The Ancient One’ Cuyler

 

Legend of the Seagullmen are
Danny Carey – drums (Tool)
Brent Hinds – guitars (Mastodon)
Jimmy Hayward – guitar (Director – Jonah Hex)
David ‘The Doctor’ Dreyer – vocals
Zappa Meets Zappa’s Peter Griffin – bass
Chris DiGiovanni – synth // keys

 

 

Hello friends this is the Ancient One and recently I found myself having a flashback to some of the crappy music that MTV tried to force feed music fans in the 1980’s. Specifically the music of A Flock of Seagulls.  Yes I hated that band. So when my friend “Matthew Thomas” Messaged me and said “Hey Ancient One you gotta listen to these guys called Legend of the Seagullmen. I had a name association flashback and like a punch drunk boxer that hears a distant bell, I flew off the handle and responded with a stream of profanity in all caps about how I despised that band. Thankfully I kept my cool and looked up their website…

When I eyeballed the Legend of the Seagullmen’s  website I was still a little hesitant but the Ancient One isn’t one to knock any music till he hears it first. While some may automatically look into who a band is before listening I try not to do that so I can keep any personal bias out of my listening experience so I skipped looking up the press release that was used to hype the band to the audience, and instead followed the link I was given by “Matthew” to the album. From the moment I hit play to the end of the album I found myself entertained by the Legend of the Seagullmen’s with some amazing, eclectic rock.

Hooked like a fish, I had to know more about this band that calls themselves Legend of the Seagullmen. In their description on Bandcamp and their band page  Legend of the Seagullmen states “ Legend of the Seagullmen is a genre destroying super-group crafting conceptual rock ‘n’ roll hymns of epic proportions.”  What I managed to learn from their Bandcamp page is the band is made up of   Tool’s Danny Carey on drums, Mastodon’s Brent Hinds on guitar, the director of films such as Jonah Hex  Jimmy Hayward on guitar, Zappa Meets Zappa’s Peter Griffin on bass,  Chris DiGiovanni on synth/keys &  David ‘The Doctor’ Dreyer on vocals. Seeking more info about the front man I searched the web until I came across an article in the  The mighty Rolling Stone Magazine that said “The Seagullmen concept is the brainchild of three brothers, Frank, Chris and David Dreyer, who have put on appropriately theatrical concerts and made movies about the band’s long-running legend in recent years”  Which is as far as I could seem to get with details about him. Well no matter I loved the music.

 

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I could easily heap praise upon Legend of the Seagullmen’s Danny Carey, Brent Hinds, and Peter Griffin because they are the three  most well known musicians but would be unfair to the band as a whole. They also have a guitar playing film director Jimmy Hayward, a keyboard playing Production Manager from Blue Sky Animation Studios Chris DiGiovanni and a mysterious vocalist David ‘The Doctor’ Dreyer are able to take their place on stage and in the studio with them and not embarrass themselves is quite a feat in itself.

If I were to describe the music I’d say it’s a wonderfully cheesy Rock ‘N’ Roll meets, Spaghetti Western meets, Nautical Adventure movie. Some of my favorite tunes on this are…all of them!!  I recommend listening to this gem straight through like being at a Drive-In Movie Theater watching a double feature of kick ass B movie re-runs. This is definitely an album I’d recommend.


Black Space Riders “Amoretum Vol. 1” Album Review + Stream + Videos + Lyrics

BLACK SPACE RIDERS

AMORETUM Vol.1 – Vinyl // CD // DD

Self Released – January 26, 2018

Reviewed By Terry “The Ancient One” Cuyler

***The Riders Mount Up Again***

 

Line Up:
JE (VOX, Guitars)
SLI (Guitars)
MEI (Bass)
C.RIP (Drums)
SEB (VOX)

Previous Releases:
2010 – S/T Black Space Riders,
2012 – Lights In the New Black,
2014 – D:REI,
2015 – Refugeeum
2016 – Beyond Refugeem

Musical Influences:
Black Sabbath, Motörhead, Deep Purple, Pink Floyd, Thin Lizzy, The Chameleons, David Bowie, Bauhaus, Tom Waits, Slayer, Motorpsycho

Hello once again friends, this is The Ancient One and today I’d like to tell you about some out of this world music by a Quintet of space rockers from Münster, Germany called the Black Space Riders. In 2008 founding members JE, SLI, SAQ and C.RIP sought to give the music world music that could truly be called PSYCHEDELIC SPACE ROCK and created what they call a “NEW WAVE of HEAVY PSYCHEDELIC SPACE ROCK”. After listening to their current Album AMORETUM Vol. 1 released January 26th, 2018 and  with their past releases I gotta say the band and their style of rock are aptly named.

What I enjoy most about the music is the detached far away sound. To create their take on the psychedelic space rock sound Black Space Riders seems to have combined desert rock, electronic music, a bit of 80’s new wave and some Post Punk with powerful vocals with anthem-like lyrics on the 2 most recent albums. If I were to compare them to anyone I’d say that I’m often reminded of Pink Floyd, and David Bowie with a harder edge.

Live Band Pic

When I first gave AMORETUM Vol. 1 a spin I was really not impressed with the first song however what followed changed my mind as I quickly realized Lovely Lovelie was a cornerstone for the rest of the album to be built on to give the listener a good starting point. It’s also a play on words.  Lovely Lovelie – Lovely Love Lie get it. I didn’t because maybe I am a Doofus. Also its not a single song in a collection of songs that are put together simply because the sound fits with the occasional filler song to make the album longer. Rather its part of an album with a theme created by Black Space Riders. Although theme albums are nothing new to me, Black Space Riders may quite possibly have delivered a Magnum Opus with this one!

Refusing to be swallowed by the darkness AMORETUM  Vol. 1 is the  follow up to their July 2015 album “REFUGEEUM” that came out when it seemed the world had gone mad with fear and hate in Europe. Continuing to rage against that darkness  with in us all Black Space Riders have mounted up and released AMORETUM  Vol. 1 which is about conflict and seeks to inspire us to overcome our dark side. Specifically the conflicts between fear, hate, and rejection, darkness on the one hand, and love, empathy, and care light on the other. This album and band seem to be very relevant with acute razor-like lyrics that seek for positivity and rejecting hate…universally!!  The superb musicianship by these veteran rockers shine with each new release and is again evident with Amoretum Vol. 1

Rather than bore you all to death with a track by track description of all the songs I am going to provide you links to my favorites on YouTube and  Bandcamp and let you decide for yourselves.

 

Track Listing with Lyrics

 

LOVELY LOVELIE

Get back to your beds, hide in your hole

You lovers collapse while facing your fall

A paradise will no longer exist,

peace and love can no longer resist

Erupting fear breaking the wall

Lovely lovelie

Our garden, destroyed, taken by storm

We‘re bringing the harm, the hideous swarm

A love so deep, now determined to die,

wrapped and muffled by hate

Get back to your beds, here comes the storm

Lovely lovelie

Get back to your beds, hide in your hole

A love so deep, now determined to fall

Get back to your beds, facing your fall

Erupting fear tearing down every wall

Get back to your beds, hide in your …

Lovely lovelie

Lovely, lovely lie …

Another Sort of Homecoming

The times were terrifying

and coldness wrapped me up

I‘d been sent to see, to seek, to save

A long way to the top

How they turned their lives

into a mellow mass:

how they shed their feelings and their souls

forgot about the past

So, day by day

I denied my moaning heart

and repelled temptation, brave and strong,

to join and fall apart

Now it‘s time to change

My longing growing strong

Leave this place and coming home again

is what I really want

GO! Time to return to my ground

GO! I have to leave these souls I found

GO! Time to rest under the shield

GO! Energy!

Another sort of coming home

 

Live Band Pic 2

SOUL SHELTER (Inside Of Me)

Bringing back the sunshine

Remembering the light

A place attacked from outside

I keep this place inside

Inside of me, inside of me

Garden of completeness

A warm and tender light

A place attacked by darkness

Don‘t hide this place inside

Soul Shelter – Inside of me, inside of me

Soul Shelter – Inside of me, inside of you

Silent is the inside

All quiet now and clear

Knocking from the outside:

denial, hate and fear

Soul Shelter – Inside of me, inside of me

Soul Shelter – Inside of me, inside of you

 

MOVEMENTS

Just a glimpse of something lost,

flickering in my mind

Like a memory from the past, echoing

Ground control, lost control, no control

In a place where I belonged:

echoes from the past

In a time I called my home, wandering

Ground control, lost control, no control

How I missed the ones I loved,

moments passing by

Still I‘m waiting for the call, remembering

Ground control, lost control, no control

Movements

Comes a time, comes a time of reunion

Comes a place, comes a place of communion

Comes a time, comes a time of affection

Comes a place, comes a place of attraction

Comes a time, comes a time when we meet again

Comes a place, comes a place where we meet again

Comes a time, comes a time when we love again

Comes a place, comes a place where we live again

Stop and rest – consider and remember

Stop the quest – rethink and now remember

Rest, remain – and realize amazing

grace, retain – the echoes of your living

Go and see – now realize the beauty

Go and turn – now realize the grace

Go, return – get hold of all the beauty

Go and feel – compassion to embrace

Movements

Comes a time, comes a time when we meet again

Comes a time of reunion

Comes a place, comes a place where we meet again

Comes a place of communion

Comes a time, comes a time when we love again

Comes a time of affection

Comes a place, comes a place where we live again

Comes a place of attraction

Realize the grace

Realize the beauty now

Echoes from the past

Passion to embrace

Movements

 

COME AND FOLLOW

Follow me, take my hand

Don‘t look back, just trust my way

Follow me, leave this place

I will take you far away

Watch my shades: familiar shape

with sweetest taste of the unknown

Bite into tender doom

Worship and adore my throne

Beautiful but treacherous

Rotten to the bone

Serpentine but sensual

A queen of hearts dethroned

Now you love, now you know:

adoration brings the light

Idolize, now you‘re lost

I take you to the other side

Beautiful but treacherous

Rotten to the bone

Serpentine but sensual

A queen of hearts dethroned

Come on follow me into the darkness

Come and follow me, follow my love

Come on follow me, beauty is transforming

Come on follow me into the dark

 

FRIENDS ARE FALLING 

Open your arms after closing your thinking for ages

Missing the trust that you lost on your way to the stars

Fighting the hating has taught you to hate for ages

Remind you your mission was based on a vision of love

Open your mind to the memory of love and affection

Missing your friends who vanished while you‘ve been

away

Yearning for turning to someone so close and familiar

Remind you your mission was based on a vision of faith

Falling, friends are falling

Falling and lost in a vision of trust

Falling but lost in my vision of trust

Open your heart to some gratitude,

kindness and friendship

Empathy melting the ice that‘s enclosing your soul

Yearning for turning to someone so close and devoted

Remind you your mission was based on a vision of trust

Falling, friends are falling

Falling and lost in a vision of trust

A vision of love and a vision of trust

Open your heart after closing your spirit for ages

Missing the feelings you lost on your way to the stars

Fighting the hating has taught you to hate for ages

Remind you your mission was based on a vision of love

Falling, friends are falling

Falling but lost in a vision of trust

My vision of faith and my vision of trust

Falling but lost in my vision of trust

Falling for ages, falling from the stars

 

FIRE! FIRE! (Death Of A Giant)

Facing the past, deeply crooked for ages

Annual rings of a life, witnessing hope

Murder and death, lovers and birth, closely entwined

The battle of darkness and light, observer of life

Here on the hill, bound in hostile surroundings

Cracks in the bleeding wood: scars and remains

Here all alone, shelter and symbol of freedom:

a giant, so massive and old: gentle but strong

Tearing down to the ground

Burning heat, smoking coal

Fire! Fire!

Burning down to the ground

Timber heart, holy wood

Fire! Fire!

Facing the day, changing the soul of perception

Father of life, father of fire and death

Cold is the night , warm is the shine of the torch

Now and forever: deep is the heart of the flame

Tearing down to the ground

Burning heat, smoking coal

Fire! Fire!

Burning down to the ground

Timber heart, holy wood

Fire! Fire!

 

FELLOW PEACEMAKERS

 Will she find, will she find, will she find?

Withered blossoms falling down to earth

All she left alone

Nothing else than footprints of the years

before they reached her home

Will she find, will she find, will she find?

Looking back: she missed her final choice

Mandatory hate

Where’s the place? Now listening to her heart

Hope it‘s not too late

Start a new world, so far up above

Waiting to return

Gathering the troops of heart and soul

Sowing seeds of love

And she will find her way!

Will she find, will she find, will she find?

Will she find, will she find, will she find:

fellow peacemakers?

She will find, she will find, she will find:

fellow peacemakers!

We will find, we will find, we will find:

fellow peacemakers!

Black Space Riders Live

Live Band Pic 3


Ward XVI “The Art of Manipulation” Album Review + Stream…

WARD XVI

The Art Of Manipulation – CD // DD

Self Released: July 1, 2017

Reviewed by Ric “Suisyko” Dorr

 

 

Formed:
Summer 2013 in Preston, England

Alleged Psychopaths:
Vocals – Psychoberrie

Bass / Vocals – Beardy McStumble

Accordion/Keys – Min

Guitar – Dr. Von Stottenstein

Guitar / Vocals – Lex Whittingham

Drums – Jake Lawrenson (on the album)

              Chris Manslaughter (as of Dec. 2017)

 

Further Releases:
Ward XVI EP  – Jan 2015

“Crystal Ball” single – June 2017

“Cry Of The Siren” single – Feb 2018

 

 

Review:
In a world filled with an overload of bands out of nowhere, most as forgettable as their music, it is always amazing to me when a gathering of forces manages to coalesce into a force to be reckoned with and have the means combined to put their vision forth with a barrage of what has been described by this band themselves as “a genre defying mix of hard-hitting metal riffs, off-beat ska rhythms, melancholic piano, accordion, catchy female vocals, with a hint of electro” enquote. They further describe their influences as ranging all the way from Alice Cooper to Alter Bridge, from Diablo Swing Orchestra to Living Colour and even as far as Jason Becker to Lordi. Quite the range of sources to pull inspiration from and with this first full length release, they have it all and THEN SOME in the mix. Quite the build-up before I heard note one and as I was researching Ward XVI, I came across this descriptor of what I was just getting ready to devour. And it read…

The gates of Whittingham Asylum have been struck open and for the first time in history the high security Ward XVI invites members of the public to meet face to face with the UK’s most violent serial killers. The ward’s longest-standing resident Psychoberrie, listed as the UK’S most dangerous criminal, will give an insight into her life prior to her incarceration. With assistance from medical staff Lex Whittingham and Dr. Von Stottenstein and fellow inmates Min and Jake she will tell the story of the reckless life led by herself and former partner Beardy McStumble and the narcotic induced murders that took place prior to his own decapitation. This is a sordid tale of deceit and manipulation…”

Logo Image

Needless to say, I was intrigued beyond description by this point and I pushed play and cranked it up, ready for what the next 63 minutes held in store and 16 tracks later…

Complete with interludes interspersed between to give further info into the tales spun as Psychoberrie regales us with a clear carry that is her weapon of vocal delivery, each song is the chapter of another as we follow Psychoberry on her road of darkness, told as only she could tell it. Opening with the sound of an old cassette recorder loaded, tape rewound, and it starts with a discussion where in we find out she has been in ‘treatment’ for two years states clearly, she is not insane with a laugh and the story begins with a progression sounding dreamlike as she tells us to ‘take her hand’ as she reminds you that she is more than you can dream along this medium tempo walk and then exactly 1 minute 10 seconds in, pace doubles as the twin guitars punch in over a twisting bass line and key flow that melts perfectly into the hyper-speed drumline as Psychoberrie bids us ‘Welcome to the show!!’ As a fast fade leads right into an almost spacey sound with cymbal washes and that ever present bass rumble gives the body underneath as the keys come up during this build-up before the pick-slide brings in the might behind ‘The Art Of Manipulation” that is an even quicker tempo than the previous and gives the perfect example of what is to be expected from this gathering of six that has created something beyond merely ‘spectacular’ here. “The Flight” is a fast-track that took me immediately to Lords Of Acid with the key-line between verses and this is done in such a manner that Praga Khan himself would be smiling ear-to-ear as Psychoberrie describes being ‘So high, so high’.

“Crystal Ball” carries an almost circus feel with the accordion progression that flows in unity with the tale that seems to be a warning from a fortuneteller, letting us know of Psychoberrie’s tactics that will take you down if you don’t pay attention. Another hyper-speed time shift just past halfway and it is seamless in execution, where ‘Hold Me’ open with a melancholy straight piano jag that let’s the soaring guitar notes and cymbal taps draw you even deeper within to catch her every word as she will ‘suffocate your soul’ and asks to hold her, because she can’t hold herself and the last minute and a half is where the rest of the band get to shine bright with the complexity and intricate weaving in and out and back and forth of each solidifies the way they fit exactly together as a band, even as the song fades out. “Blackened Heart”, “Run For Your Lives” and “Adrenochromania” further showcase the virtuosity of each band member and utilize even further their penchant of mixing as many musical ingredients together to deliver the utmost with each track, and even ‘Inner Demon’ that starts off with sole bass notes quickly coalesces into another instant classic that can stand alone apart from the story of the album, much like each track can and DOES!!

WARD-XVI

Stand-out tracks for me from this opus would have to be “Toy Box” with the accordion intro and carnival-feel and when the bridge of the songs hits with keys, guitar and vocal harmonizing, it gave me chills of the best kind. “Cry Of The Siren” is another with a touch of electro that is thick and brutal in progressions and time shift and is easily the MOST intricate composition here. And then there is the final track, seemingly the descriptor of where the name of this powerhouse configuration of souls came from and is as haunting as anything I have heard and is the absolute book-end to wrap what is a prelude of what is yet to come. Remember, this is the tale that brought us to the point of ‘two years later when Psychoberry began this diatribe. Whittingham has corroded remember??

From the gauge of this record, there is nothing but amazing things ahead for WARD XVI and I demand you help get the word out, play it for ALL around you and support them if you are granted the chance to witness this live…. Another one of those rare moments when I get to use the ‘I-X’ scale and this is one that blows off the chart with a……what else, XVI!!

As always, keep it LOUD!!

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Seven That Spells “The Death and Resurrection of Krautrock: Omega” Album Review + Stream…

SEVEN THAT SPELLS

The Death and Resurrection of Krautrock: Omega  – LP // CD // DD

Sulatron Records – Released: Jan 18th, 2018 on DD // CD & LP Feb. 23, 2018

Reviewed by Mike Hackenschmidt

 

Line Up:
Blake Fleming – drums
Jeremy White – bass, vox
Gordan Tomić – guitar, vox
Niko Potočnjak – guitar, synth


Review:
Why are we here? Mankind has been asking this question for a very long time, with some interesting replies. But have you ever drilled the question down a little deeper? Why am I here here? Like why am I here writing this on a Sunday morning? Why are you here reading it? WTF does this have to do with Seven That Spells? I promise, there is a point.

And as if a gift from the gods, here’s how Seven That Spells describe their answer on their Facebook page:

Beyond. We are the dogs of western Jazz society looking for dope.
Modern, aggressive psychedelic wall of sound incorporating poly-metrics and occasional Viking funeral rites; hailing from the 23rd century where rock is dead, Seven That Spells returned in time where its still possible to change the tragic course of the boring history
.

LOL. I swear I didn’t know they had that up before I posed the question in the first paragraph. In fact, that wasn’t even the point I was going to make – but isn’t it just a little creepy since they claim to be from the future? Like they read this and responded. Perhaps what I was going to say was too boring?

Well now that the course of history is changed, let’s dive into the album. First and foremost, Omega is part 3 of a 3 part series. It started with “AUM” then “IO” and finally “Omega”. I mean, I assume it ends here.

Interestingly, each album follows the same structure. It begins with a track called “In”, which is numbered to identify which part it is in the series. It’s followed up by the title track, which pushes close to 20 mins in each case. That’s followed by 2 more tracks and each album closes with “Out” (simply “Out”, Out II, Out III). Despite only having 5 tracks, these are all full length albums. Though this review is meant to only focus on “Omega”, it’s hard to ignore the previous 2.

Seven That Spells Mastermind, Niko, with his Sword and Sonic Boom!!

Niko in front of Speakers

Stylistically speaking this is Krautrock. If you’re like me and never even heard the word, I’m not going to explain what it is. Someone has already done this on Wikipedia so I’m just going to hyperlink. And despite STS’s best efforts to railroad me in another direction, I’m going to share why I’m here here. See, I’m into metal – not necessarily mainstream but let’s say the better known genres like black, symphonic, death etc. And here on Taste Nation LLC, we tend to dig a little deeper. Matt Thomas keeps throwing me these strange, lessen known acts from sub-genres I’ve never heard of that stretch my knowledge and more importantly, my comfort zone. I’m forced to think: not outside the box; there is no box. The answer of why am I here here is essentially Seven That Spells. This is my theory on what it’s all about… and I could be wrong, there’s always that possibility too. But here goes…

Traditional music is meant to take you out of your head. The idea is the catchy beat and rhythm take over your brain waves connecting neurons associated with emotion making you feel happy, sad, angry etc. Once overcome with emotion, thought is no longer prevalent. We dance and sing or jump and mosh and just have a crazy good time without really thinking too too much about our troubles at home or work… frustrations with the significant other… kids struggling in school… fuck I think I need to get the brakes done… my boss wants me to do all the work while Dave jerks off in the corner… etc. Music is supposed to wipe all that away. If it’s any good, that’s what it does. But this Krautrock (at least I believe) is intended to do something different.

Band Pic

Instead of taking us out of our heads, it’s my belief that The Death and Resurrection of Krautrock trilogy intends to instead drive us back in. We’re not supposed to dance and sing (not yet). Hell, when there are lyrics it’s hard to decipher what’s being said. But we’re not supposed to dwell on our troubles either. To me, this is a guided tour of the vastness of our insides. We get brought “In”. The music takes us on a tour with a spacey, psychedelic vibe. Where it takes you, exactly, I believe is personal. I end up in space marveling at the wonders of gravity, light and time awed by the immensity of what we don’t know. It’s easy to get dragged in and not realize how much time has passed. Track 4 – “Future Lords” breaks things up a bit with a catchy little beat. If you’re deep enough in, as you should be by now – the urge to dance in your new found plane may overcome you. The mood shift is grounding but the atmosphere is still spacey; we’re still on the inside.

Finally, we’re guided “Out”. It’s a nice smooth journey, nothing too jerking or jarring, just a gentle guide from the inner recesses of our minds back to the land of the living, the plane of the physical where we can perhaps spend a prolonged period of time out of our heads, worry and care free.

Additional Links:
https://seventhatspells.bandcamp.com/
https://www.facebook.com/STS777/
https://www.sulatron.com/xoshop/lng/en/seven-that-spells-the-death-and-resurrection-of-krautrock-omega-lp.html