Matthew James and the Rust Belt Union “Impromptu Musicals for the Skeptic” Review + Album Stream…


Impromptu Musicals For The Skeptic – Vinyl // DD

Sump Pump Records – released September 14, 2017

Reviewed by Ric “Suisyko” Dorr


January 11, 2016

Rust Belt, USA (roughly in a garage, somewhere on the east side of Des Moines, IA)

self-described ‘Midwest Junk Soul’

Band Members:
Wrex – Drums.
Larry – Upright Bass
Nathan – Pedal Steel
Brad – Guitar
Matthew – Acoustic / vocal.

Previous Release:
“Live From The Loft” (2016)



When I hear the term ‘rust-belt’, I am immediately in mind of that region of the country that begins in western New York and traverses west through Pennsylvania, West Virginia, Ohio, Indiana, and the Lower Peninsula of Michigan, ending in northern Illinois, eastern Iowa, and southeastern Wisconsin. Previously known as the industrial heartland of America, Industry has been declining in this region since the mid-20th century, leading to the unofficial labeling as the ‘Rust Belt’.

Including Detroit MI in it’s ‘snare’ that has served as home for Matthew,  a singer songwriter originally hailing from the ‘dirty mitten’, aka Michigan. He has been howling in microphones since 2000 and recording hand made lo-fi junk since 2006 with the formation of The Back Home in Michigan Band. He spent a few years touring with Rickett Pass, rambling around the country before settling in Des Moines Iowa. This album is singer Matthew James’ story of moving to Des Moines from his home of Detroit for a girl and leaving everything behind including music with his nationally touring string bands. The single “Goodbye” was written on that drive as heard in the lyrics. Matthew James & The Rust Belt Union refer to their brand of music as ‘Midwest Junk Soul’ and that description could not be more accurate.

Ten tracks that clock in at around 44 minutes.  Musically, what we are presented with here is a collection of compositions that fly up and down the proverbial scale of ‘type’ where we get everything from the elements of folk, gypsy, jazz, be-bop, country, bluegrass, blues, swing and rock to deliver what can only be described as a hybrid that could be described only as Midwest-junk-soul as they have aptly classified themselves.

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Filled from the get-go, opener ‘Goodbye’ has each element described above in full force from the raspy vocals flavored with battery-acid, jangly acoustic in tow, great swing beat setting the pace as a soulful wail of lap-steel flows in and out of focus giving the body of this, and each track here a flavor typically kept in the background. Much as Primus brought ‘eh bass guitar to a new level having it out from the shadows, MJ&TRBU have brought this obscure-to-rock instrument to the forefront as well and it is amazing!!

‘Little Light In The Big Rust’ opens with a surf-slide tone over that acoustic guitar and slams right into the body of a song that makes you move!  Like it or not as the beat is infectiously hypnotic and keeps you in hold as Matthew sings of a “child crying and a mother trying” on top of a band that is as tight as any and doesn’t drop a note among the slyly-placed time shifts keep you wanting more. ‘Enthusiastic Apathetic’ opens with a slower, bluesy cadence as MJ’s vocal paints his picture over the band behind him and this pace fits this oratory like a glove, where ‘Left Foot Fail’ is country to the core complete with an upbeat ‘two-step’ rhythm line that pulls your boots to tap at the least along in response.

Shifting gears again with ‘Dying Dogs In South Carolina’, we are given another diatribe of wondering ‘why’, and when ‘Holidays’ kicks in with it’s faster upbeat tempo, it is right on time and lifts the mood again, even as Matthew slides forth with what must be an introspective perspective of what I can only guess to be a typical holiday for as he states that he said “We’re all going to Hell”…

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The final four tracks represent what I would hope would a block of songs played in this particular order and could very well be the perfect ‘end-piece’ for their live set. From the soft acoustic opening of ‘600 Miles’ with it’s “Cold-moon sinking” into the ‘So broke” exclamation of ‘Tough’ through the advice of ‘It’s The Kind Of Place’ that could very well be describing a day in the life and by the time closing track ‘And We Went Drinking With Ed Love!’ hits, it is the perfect wrap-up of one HELL of a story an I found myself hitting play again after the frenetic ending section to savor it all again.

If you are looking for something that is meaty and satisfying at the same time, cured with the purity of music for the sake of music and masterful storytelling hidden behind a vocal style that will make you listen harder to catch each word, THIS is the record for you. Support them live if they come to a garage / tavern / library / or any other venue near you, play it to death for everyone you know and keep it LOUD!!

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Wheeler Walker Jr. “Redneck Shit” Album Review + Videos…

Wheeler Walker Jr.

Redneck Shit – Vinyl // CD // DD

Pepper Hill Records – Released: February 12, 2016

Reviewed by: Rhett “Loose Change” Huebschmann

In Case You Missed It – Weekly Series!!


I love outlaw country. Love it! I grew up in Podunk, Kentucky, and the best radio station signal came from a country station about 20 miles away. I’m sure that if my grandparents had a better radio, I could have listened to other stations when I went to visit, but the already 30-plus-year-old radio that played all weekend long was always stuck on that same station…93.3 WKYQ – 24-Karat Country!



They even had a rabbit as a mascot. I got to grow up listening to Willie, Waylon, and the boys. This is back when it was “just country.” Wheeler Walker, Jr’s ‘Redneck Shit’ is a throwback to those old days… and then, a lot more… Be afraid…Be very afraid. You may think you know outlaw country, but you haven’t heard anything like this.

This is some of the most raunchy, dirty, and homoerotic – yep, homoerotic – madness I’ve ever heard. It has all the stereotypes of the South you’ve ever thought of, plus some that even I’ve never heard of. This is sister-fucking, Tranny-fucking, pussy-eating, dick-sucking, zit-popping insanity. I never thought that a country album would require a certain knowledge of who you wanted to share it with.



I’d almost be more comfortable asking someone if the growth on my taint looked infected, and then ask them for detailed commentary, than share this with the guy in the office that likes what passes for country these days. Matthew, you definitely picked the right guy. I laughed my ass off all the way through, and then listened again, so I could hear the stuff I missed while I was laughing, and then laughed some more. If you are faint of heart, liver, butthole, spleen, pituitary, etc, you should refrain from listening to this album. If bad, naughty words make you cringe, and run like a little whiny bitch, you should never consider even thinking about this album. If you have that type of sense of humor that makes all your friends send you the weird shit they find on the internet, then this album is for you.

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My new album “Ol’ Wheeler” is out NOW.

Ol Wheeler Promo Pic