Dead Quiet “Grand Rites” Album Review + Stream…

Dead Quiet

Grand Rites – CD // DD // Vinyl

Artoffact Records – released November 3, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Aaron “Boon” Gustafson: Bass (Anciients, ex-3 Inches of Blood (live), ex-SprëadEagle)
Jason Dana: Drums (ex-Karen Foster, ex-SprëadEagle)
Brock MacInnes: Guitars (AnciientsTobeatic, ex-Venomous Tusk, Percheron, Rotting Hills, The Blood River Band, ex-Hammer of Hades)
Kevin Keegan: Guitars, Vocals (ex-Barn Burner, Klandestīn)
Justin Hagberg: Keyboards ( WorseBlack Wizard (live), Allfather, ex-3 Inches of Blood, Klandestīn, Ritual Dictates, ex-Roadrunner United, ex-The Villain Avian Symphony)

Previous Releases:
2014 – Demo
2015 – “Self Titled”

Tracklist:
Moon Curser 08:26
Blood Lovers 06:37
Corpse Revival 08:26
Disgraced 05:41
Fucking Oath 06:12
Dear Demon 08:10
Old Hopeless 06:37
Spiritual Abuse 05:02
Grand Rites 08:48

 

 

Review:

On bandcamp the band describe their sound as, “…influences ranging from doom metal to classic rock, Dead Quiet seeks to meld melody with catastrophe as they weave through a dissonant landscape of crushing metallic riffs and somber choral musings.” Dead Quiet masterfully delivers this is high fashion with “Grand Rites”.  If you recognize some of the members’ names above that is because Dead Quiet are the closest thing to a modern day “Supergroup”.

As a follow up to their first album it fits in well.  They have improved sonically and sound as if they are maximizing the talents of each member while making it a cohesive and flawlessly executed throughout the 64+ minutes and 9 tracks that comprises “Grand Rites”.  With their roster set, there truly isn’t a dud in this second album. Like I said before this album is an improvement over the first, they went from a good first album to a great second and sadly, more times than not, bands do the opposite due to a myriad of reasons; time constraints, label demands and just the overall pressure of the “Follow Up” from the “Big Debut”.

Keegan’s vocal delivery is certainly worth noting.  The songs are packed with acid laced lyrics ranging from Politics to Religion to The Thrill of the 1st kill in closer “Grand Rites” that name a few subject matters.   Keegan preaches to the listener; the concert goer. He draws the listener in to pay closer attention as it is impactful, powerful, meaningful, genuine and most important…..it fits perfectly with the band’s overall sound – a melting pot of Rock, Sludge and Metal.  We are only at the beginning of 2018 and we may already have a top 3 contender!!


Links:
https://www.metal-archives.com/bands/Dead_Quiet/3540399775

https://deadquiet.bandcamp.com/

https://deadquiet.bandcamp.com/album/grand-rites

 

Dead Quiet Live!! Photo cred to @holtproductions Live Band Pic


Wolf Parade “Cry, Cry, Cry” Album Review + Stream…

Wolf Parade

Cry, Cry, Cry – Vinyl // CD // Cassette Tape // DD

Sub Pop Records – released October 6, 2017

Reviewed by Zachary “+Norway+” Turner

Lineup:
Arlen Thompson – Drums
Dante DeCaro – Bass
Dan Boeckner – Guitar, Vocals
Spencer Krug – Keyboard, vocals

 

Previous Releases:
(2003) Self-released:  4 Song EP
(2004) Self-released: 6 Song EP
(2005) Sub Pop Records: Self Titled EP
(2005) Sup Pop: Apologies to the Queen Mary
(2008) Sup Pop: At Mount Zoomer 
(2010) Sub Pop:  Expo 86
(2016) Sub Pop: Apologies To the Queen Mary – Reissue // Deluxe Edition

 

Tracklist:
Lazarus Online 03:25
You’re Dreaming 03:39
Valley Boy 03:38
Incantation 04:22
Flies on the Sun 03:42
Baby Blue 06:00
Weaponized 06:39
Who Are Ya 03:43
Am I an Alien Here 03:36
Artificial Life 03:48
King of Piss and Paper 04:47

 

 

A Little History and Review:

Wolf Parade are an Indie Rock band from Montreal, Quebec, Canada. They formed in April of 2003 by Spencer Krug and original was a two piece with Dan Boeckner and a drum machine. Later Arlen Thompson joined and “the newly formed trio rehearsed as a full band only the day before their first show. During the tour, Wolf Parade recorded and released their self-titled debut EP.” In September, Hadji Bakara joined as the keyboardist. A year later “the band traveled to Portland, Oregon to record with Modest Mouse’s Isaac Brock. Brock had recently signed the band to Sub Pop when he was an A&R man for the label at the time.”  There is surprise that Wolf Parade’s early work is heavily influenced by Isaac and the crew over at Modest Mouse.  The similarities still exist with “Cry, Cry, Cry” to a lesser extent as each band stands firmly on their own footing well enough!!

_ _ _ _ _ _ _ _ _ _ _ _

This is Wolf Parade’s first release in seven years. In 2011 the band announced they were going into an indefinite hiatus, but in early 2016 they were back together and expecting to record another album. (More info on the Bandcamp page for the album)

At moments it sounds like Spencer sounds like Singer/Songwriter Pete Yorn. The music itself is very 90’s Indie Rock with 80’s influenced synth parts. Kind of like the early era of The Flaming Lips and the aforementioned Modest Mouse.

The sound is warm when the synths are present otherwise it sounds like garage rock with an indie flavor. The instrumentation varies as the songs progress, there are elements of many sub-genres like post punk, garage rock, indie rock, some pop and others. That is why there are such a strange mix of influences/sounds kind of like… There are also influences R.E.M. or even The Violent Femmes. At moments they sound kind of like Ours or even a more poppy Muse. The album almost sounds like it belongs in a 90s coming of age film (calling Molly Ringwald!)

Track-by-Track:

Lazarus Online – As an opening track it introduction to what part of the album has in store. The vocal style is introduced and he doesn’t stray too far from it throughout the album. There are some synths and keyboard parts but they do not dominate much. It is mostly a new Radio Rock track.

You’re Dreaming – This track introduces the other part of what you will hear, upbeat repetitive synth parts and almost Pop sounding tracks. The music is very patterned; there are some vocals then the synth comes back and then vocals again. The way the vocals are processed makes it seem very dream like. It isn’t a bad thing, it just makes the song seem like it does come from a different place.

Valley Boy – This is a track that has a wall of sound with the vocals almost inaudible when the other’s instruments are playing. But there are parts where there is no music and brief moments of only vocals which is helpful. Going back to that “sounds like it’s from a movie” thing, this sounds like it would go after a scene of a friend moving away and then coming back and talking to someone they left behind.

Incantation – This song’s style goes back to what the first song set up. It has a sing along feel, not like a kid’s song, but one you sing to in the car when it comes on the radio. It is a night driving song. (Mainly because it has a distant feel and keeps focus but also distracts a little bit.)

Flies on the Sun – This song almost sounds like a Fuel song. It is a slow, get your lighters out type of song. It sounds like a song that would play after an emotional fight in this imaginary film that happened in my head while I listened to the album.

Baby Blue – After the almost Foreplay (an intro by Boston) sounding intro we go back to the Pete Yorn and Fuel sounding song that is the majority of the album. This track also adds a faster paced back end that is almost like Incantation.

Weaponized – This track is the closest to the first track. It also has an almost dance beat to the drumming until halfway through when it turns to just voice and piano. Then it slowly builds back up to the dancing beat.

Who Are Ya – Who Are Ya is a strange song compared to the rest of this album. It has a very familiar sound that I can’t place for the life of me… At the end it has almost Emerson Lake and Palmer feeling keyboard parts at the end.

Am I an Alien Here – This song sounds like the sequel to Valley Boy and You’re Dreaming in the nonexistent movie for this in my head. It sounds like an almost triumphant song but has a blueness to it that keeps it from feeling happy. Much like the I in the song itself I guess.

Artificial Life – Is the most Post-Punk sounding song on this album. There are synths and repeating rhythms. The vocals are delivered in faster motion, than most of the other’s songs. It also sounds like the first track of the album.

King of Piss and Paper – This song feels like it is a continuation, or a part two, of Am I an Alien Here. They both have a similar sonic feel. This song is slightly darker in the lyrics but lighter in the instruments.

Band Live

Final Thoughts:
Reading over the review makes it seem like I did not like the album, but I did I really enjoy how they combine classic rock sounds with newer more modern rock. This is a good and solid album you should definitely take a listen if the comparisons I made interest you, definitely pick this one up or take a listen HERE.

Additional Links:
https://www.facebook.com/pg/WolfParadeMusic/about/?ref=page_internal

http://www.wolfparade.com/

https://wolfparade.bandcamp.com/album/cry-cry-cry

https://en.wikipedia.org/wiki/Wolf_Parade