Legend Of The Seagullmen “Self Titled” Album Review + Stream…

They Ain’t No Flock Of Seagulls

They are the

Legend of the Seagullmen

“Self Titled” – Vinyl // CD // DD

Dine Along Records – released February 9, 2018

By Terry ‘The Ancient One’ Cuyler

 

Legend of the Seagullmen are
Danny Carey – drums (Tool)
Brent Hinds – guitars (Mastodon)
Jimmy Hayward – guitar (Director – Jonah Hex)
David ‘The Doctor’ Dreyer – vocals
Zappa Meets Zappa’s Peter Griffin – bass
Chris DiGiovanni – synth // keys

 

 

Hello friends this is the Ancient One and recently I found myself having a flashback to some of the crappy music that MTV tried to force feed music fans in the 1980’s. Specifically the music of A Flock of Seagulls.  Yes I hated that band. So when my friend “Matthew Thomas” Messaged me and said “Hey Ancient One you gotta listen to these guys called Legend of the Seagullmen. I had a name association flashback and like a punch drunk boxer that hears a distant bell, I flew off the handle and responded with a stream of profanity in all caps about how I despised that band. Thankfully I kept my cool and looked up their website…

When I eyeballed the Legend of the Seagullmen’s  website I was still a little hesitant but the Ancient One isn’t one to knock any music till he hears it first. While some may automatically look into who a band is before listening I try not to do that so I can keep any personal bias out of my listening experience so I skipped looking up the press release that was used to hype the band to the audience, and instead followed the link I was given by “Matthew” to the album. From the moment I hit play to the end of the album I found myself entertained by the Legend of the Seagullmen’s with some amazing, eclectic rock.

Hooked like a fish, I had to know more about this band that calls themselves Legend of the Seagullmen. In their description on Bandcamp and their band page  Legend of the Seagullmen states “ Legend of the Seagullmen is a genre destroying super-group crafting conceptual rock ‘n’ roll hymns of epic proportions.”  What I managed to learn from their Bandcamp page is the band is made up of   Tool’s Danny Carey on drums, Mastodon’s Brent Hinds on guitar, the director of films such as Jonah Hex  Jimmy Hayward on guitar, Zappa Meets Zappa’s Peter Griffin on bass,  Chris DiGiovanni on synth/keys &  David ‘The Doctor’ Dreyer on vocals. Seeking more info about the front man I searched the web until I came across an article in the  The mighty Rolling Stone Magazine that said “The Seagullmen concept is the brainchild of three brothers, Frank, Chris and David Dreyer, who have put on appropriately theatrical concerts and made movies about the band’s long-running legend in recent years”  Which is as far as I could seem to get with details about him. Well no matter I loved the music.

 

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I could easily heap praise upon Legend of the Seagullmen’s Danny Carey, Brent Hinds, and Peter Griffin because they are the three  most well known musicians but would be unfair to the band as a whole. They also have a guitar playing film director Jimmy Hayward, a keyboard playing Production Manager from Blue Sky Animation Studios Chris DiGiovanni and a mysterious vocalist David ‘The Doctor’ Dreyer are able to take their place on stage and in the studio with them and not embarrass themselves is quite a feat in itself.

If I were to describe the music I’d say it’s a wonderfully cheesy Rock ‘N’ Roll meets, Spaghetti Western meets, Nautical Adventure movie. Some of my favorite tunes on this are…all of them!!  I recommend listening to this gem straight through like being at a Drive-In Movie Theater watching a double feature of kick ass B movie re-runs. This is definitely an album I’d recommend.


Earthless “Black Heaven” Album Review + Music Video + Links…

Earthless

Black Heaven – Vinyl // CD // DD // Bundle Packages

Nuclear Blast Records – Released March 16th, 2018

Terry “The Ancient One” Cuyler

A Journey into Black Heaven

Line Up:
Mario Rubalcaba (drums)
Isaiah Mitchell (guitars & VOX)
Mike Eginton (bass)

Review:
Greetings music heads this is that old sonic wave rider The Ancient One and I want to tell all of you about  San Diego’s heavy psyche rock trio Earthless and their upcoming album Black Heaven. Originally signed to the independent record labels  Gravity Records  and then Tee Pee Records, Earthless has been Blowing minds since 2001 with their own brand of almost entirely instrumental heavy-psych rock that many of other great musicians/bands credit as inspiration in their own music. To date they have released a slew of split albums with the likes of Witch, Danava, Lecherous Gaze, Premonitions 13, Radio Moscow, and Harsh Toke. This is accompanied by 2 live albums and 3 studio albums with their 4th “Black Heaven”, the subject of this review.

Band Pic

Released on March 16th, 2018 on the Nuclear Blast record label with songs that have more vocals than all their previous releases combined, Black Heaven is a leaner meaner Earthless album . Though I cannot be certain because I don’t have any contacts in Nuclear Blast Records or Earthless  I suspect the band’s association with the Rock Giant is why the bands latest album have significantly shorter songs.  Is this a bad thing, absolutely not!!  Isaiah has a fantastic bluesy voice that is also on display with his other band Golden Void.

 

While the 40 minute album is broken into six tracks, to me it all seem to blend together into two parts with interlude track “Voit Rush” acting as sort of a road sign telling me were I am at in the journey. What catches my attention most about Black Heaven is that more than half of the songs have guitarist Isaiah Mitchell also taking up the microphone as vocalist. Which I think he does a bang up job at. Yet for all that has changed Earthless has remained true to their original mind-bending blend of krautrock and Japanese heavy-blues rock with still some of the freshest and finest Riffs, meanest basslines and Cosmic Drumming on this great Universe!!

Link to buy Album, Bundles and more…

http://shop.nuclearblast.com/en/products/sound/cd/cd-digi-ts-xxl/earthless-black-heaven-baseball-shirt-cd-digi-poster.html

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Xanthochroid “Of Erthe and Axen” Album Review + Video…

XANTHOCHROID 

Of Erthe and Axen – Act I (of 2) – CD // DD

Self Released – August 22nd, 2017

Reviewed by Ric “Suisyko” Dorr

 

 

Born:  January 2005

Location:

Lake Forest, California USA

Previous Releases:

“Blessed He With Boils” (2012)

“Incultus” (2014)

Disc I [Act I]
01. Open the Gates, O Forest Keeper
02. To Lost And Ancient Gardens
03. To Higher Climbs Where Few Might Stand
04. To Souls Distant And Dreaming
05. In Deep And Wooded Forests Of My Youth
06. The Sound Of Hunger Rise
07. The Sound Of A Glinting Blade
08. The Sound Which Has No Name

 

Review:
Listing influences from ALIEN ANT FARM to Opeth, Moonsorrow to Wintersun and even DIMMU BORGIR, this three piece has no compunction about letting you know that this is not your average ‘every-man’ style of music but geared more towards the intelligencia among us and have all of the tools in their possession to show you why. They are self-described as ‘an Epic Black-Metal band that strives to produce the most sophisticated and enthralling compositions’, further citing that Xanthochroid is ‘not for the casual listener, but for the true connoisseur who demands more depth, more detail, and more musicality than what is out there presently.’

Pro Band Pic

From the winding recesses of the mind of Sam Meador, the focus of the band came together through combining the desire to create moving stories with a love for pagan mythology into an ever evolving mythos, the music tells a story of a long power struggle between Thanos and Ereptor, two brothers who are heir to a deceased king fighting over the rightful kingship of the land of Septentria. This release and Part II (due Oct 17 2017) are being touted as a prequel to the two previous releases, further filling in the missing from the tales as woven to this point.

Xanthochroid offers up 8 tracks totaling 43 minutes and each is presented in the full cinematic method this trio has established to be their norm. Even the names of the individual tracks invoke a feeling of more than just another song title, from opener ‘Open The Gates O Forest Keeper’ which immediately popped Opeth in my brain, to ‘In Deep and Wooded Forests of My Youth’ that has all of the flourish of any black/folk song out there with the added panache of vocals that come out of the surrounding mists you can smell as the music flows across and underneath you. Operatic at times, multi-layered harmonies and instrumentation executed with bravado in precision-filled performances.

The last three tracks I would presume to be a three-part tome as each has a specific ‘Sound’ reference, ‘The Sound Of Hunger Rises’, ‘The Sound of a Glinting Blade’ and ‘The Sound Which Has No Name’, all strung together. Flowing one to the next and wrapping this with the darkest track musically, almost sounding as if Dany Filth himself had a hand in the writing.

The anticipation for Part II is already building and with this release, the scope widens even further! If you are not a fan yet, get this as a perfect starting point and if are already ‘aware’, continue the voyage adding this release to your library, share those that do not know and witness the spectacle LIVE if you are granted the chance… keep it LOUD!!

Pro Band Pic


Collide “Color of Nothing” Album Review + Stream…

COLLIDE

Color Of Nothing – CD // DD

Self Released + Crowdfunded – released May 25, 2017

Album Reviewed by Ric “Suisyko” Dorr

 

Formed – 1992

LocationLos Angeles, California USA

MemberskaRIN – vox / Statik – sounds

Previous Releases – “Beneath The Skin” (1996), “Distort” remix collection (1998), “Chasing The Ghost (2000), “Some Kind Of Strange” (2003), “Vortex” remix collection (2004), “Like The Hunted” DVD/Live CD (2005), “Two Headed Monster” (2008), “These Eyes Before” (2009), “Counting To Zero” (2011), “Bent And Broken” (2012)

COLLIDE is a duo founded in 1992 incorporating elements of electronica, trip hop and synth-pop combined with a darker edge to create something esoteric in nature and ethereal in execution, delivering a hybrid that is like nothing before. They have worked with artists of the highest esteem during their existence including the likes of Charlie Clouser, Dean Garcia (CURVE) and Danny Carey (TOOL), and they keep pumping out their own flavor of music to the masses.

“Color Of Nothing” is the first offering in almost five years and kaRIN and Statik decided this time out to fund the album publicly, citing this move as a way to gauge if anyone still cared… with this release, the answer is a resounding YES and the result is amazing!!

 

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Eleven tracks clocking in at just over an hour, this collection of songs represents the BEST yet to come from this powerhouse and shows they are in top form and ready to take their place in your library. From the opening track ‘Wake Up’ through to closer ‘Pale Blue’, the edge is right there with all the ‘fixings’ to make this a feast for your auditory senses, including twists and turns to keep you moving all along. Flavorings of bands like KMFDM and MY LIFE WITH THE THRILL KILL KULT are sprinkled throughout with a splash here and there of LORDS OF ACID type progressions all serving kaRIN’s existential voice that cuts through with razor-precision and hits you between the eyes with her haunting delivery. ‘Soul Crush’ is a great example as she reminds us that “We are all human” in her signature siren-song voice.

‘Fix’ shines extra bright for ME, as the standout track from this album. Soft and slow for the first 40 seconds before the drum line hits between your eyes and then kaRIN grabs hold and drags you along, willingly through the guitar lines and floating hypnotic melody of the rest of the body of the song.  Even as drum fills jump out at you here and there, making the flow seamless as you traverse along Statik’s masterful arrangement. I could go on and on about each track here as they are each as strong as every other composition brought together here, but the BEST way for you to understand this record is to go GET IT, share it with every pair of ears you come across.  Support Collide in the live format if you are blessed with the opportunity and most importantly, keep it LOUD!!

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Metal Blade Records: Cirith Ungol “King Of The Dead” Ultimate Edition [Remastered] + Unwrapping Video

CIRITH UNGOL

King Of The Dead (Ultimate Edition) – Vinyl // CD // DD

Metal Blade Records – Re-Mastered // Re-Issued – Out NOW!!!

Album Reviewed by Ric “Suisyko” Dorr

Unwrapping Video and Picture by Matthew Thomas

 

 

Founded –  1972

Band Members –

Tim Baker – vocals (1976-1992, 2015 – current)

Jim Barraza – guitars (1988-1992, 2015 – current)

Robert Garven – drums (1972-1992, 2015 – current)

Greg Lindstrom – guitars (1972-1982, 2015 – current)

Jarvis Leatherby – bass (2015 – current)

Vernon Green – bass (1988-1992)

Michael “Flint” Vujejia – bass (1972-1987)

Jerry Fogle – guitars (1972-1987)

Neal Beattie – vocals (1972-1975)

 

This re-issue is a welcome gift to the fans they have been accumulating since the first incarnation of California based Cirith Ungol in 1972 and have been growing ever since. If you have never experienced all that IS Cirith Ungol, let me give you a quick history lesson. Greg Lindstrom, Robert Garven, Jerry Fogle and Pat Galligan played together in the band Titanic, their first band in junior high school. With a growing desire to play heavier music like that of bands like Mountain and Grand Funk Railroad, the band parted with Galligan and reformed in 1972 as Cirith Ungol. They played original, instrumental songs before adding Neal Beattie on vocals. By 1976, Beattie had departed and Tim Baker took over vocal duties in 1976. The band was signed to Enigma Records in 1980 where they issued their first album “Frost & Fire”, composed of songs in the style they had become known for and complete with fantasy-based lyrics (particularly sword and sorcery). The band pioneered a style of music that has become known by tags as “early epic doom” and “power metal” today. Their second album, “King Of The Dead”, was released in 1984 with eight songs, followed by “One Foot In Hell” (1986) with another eight songs in much the same vein. They disbanded after their fourth album “Paradise Lost” was released in 1991 due to “…frustration with the music business” by their own admittance.

Per the band’s Facebook page, the band took their name from the mountain pass Cirith Ungol in J. R. R. Tolkien’s epic fantasy novel “The Lord Of The Rings”, as the name translates from the Elves’ native tongue as “Pass Of The Spider.” While the place in Tolkien’s book is pronounced “kirith ungol,” the band pronounced it “sirith ungol.” Surviving members of the band came together for the 2015 Frost And Fire music festival in Ventura, California, in their first public appearance as a band since 1991. There they participated in a meet-and-greet, signing items for fans and announcing that they would re-unite for the 2016 Frost And Fire event, playing their first live show since December 13, 1991. Leading us to this amazing package for those of us that have been fans of theirs from some point in the history of this iconic early thrash/doom powerhouse, as well as the new fans that deserve to have their appetite fed with the revitalized original tracks and then feast on the extras!!

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With these remastered tracks, there is a new life from each, from ‘Atom Smasher’ to ‘Black Machine’, through ‘Master Of The Pit’ to the fan-favorite ‘King Of The Dead’ title track.  The rich tone and ripping guitar edge are enough to literally sink your teeth into as Tim’s signature vox rip through your flesh as ‘Death Of The Sun’ and ‘Finger Of Scorn’ raise your pulse even faster. For the digipak version, there is a second version of ‘Tocatta In D’ that is done as ‘…Dm’ and has a feel of a new version. There are also more audible notes than the original, it clocks in longer and sounds like the perfect update, even if only a remix from the masters. That is followed by the theme song for the band that is as heavy now as back then but with an even cleaner sound, the title track from the first ‘Frost & Fire’. This ‘expanded’ version of the release has a remixed version of that title track from ‘Frost & Fire’ that is just incredible. The digi version has 4 live performances from 1983 and an extra “alternate mix” of ‘Death Of The Sun’ that RIPS like razors. “The King Of The Dead – Ultimate Edition” digipak CD features a full re-mastering by Patrick W. Engel at Temple Of Disharmony, the five bonus tracks, expanded packaging and a bonus-DVD! Get it NOW and take the ride again… or for the first time and share it out to any that do not know…


MADLIFE “Precision in the Face of Chaos” Album Review & Music Video…

MADLIFE

Precision In The Face Of Chaos – CD // DD

Bleeding Nose Records – Released May 5th, 2017

Reviewed by Ric “Suisyko” Dorr

 

 

Formed – 2000

Current Lineup Angry Phill -v / Isaiah Stuart -g / Kyle Cunningham -d / DieTrich Thrall -b

Previous Releases “Madlife” EP (2005) / “Music As Harsh As The World We Live In” EP  (2005) / “Angry Sonnets For The Soul” (2007) re-released via Universal /Fontana / RBE (2009) / “21st Century Megalomaniac” (2013)

Quote– “Developed in early 2000, the industrial hard rock band from Los Angeles was contrived between guitarist Isaiah Stuart and Lead Singer Angry Phill. They found common ground in their like and respect for multiple styles of music, largely in hard rock, industrial, electronic and classic pop. During this time, “The expression of emotion,” says Phill, “And the range of musical depth allowed MADLIFE the luxury to explore the human condition.” Enquote.

Pro Band Shot

This is a band that has been touring endlessly, playing festivals all the way from the world-famous Milwaukee Metalfest, the Mayhem Festival and Rock Hard At The Park, to name a few, they have shared the stage with the likes of KORN / SLAYER / PRONG / ALL THAT REMAINS / TRIVIUM and so many more, it is no wonder they have endorsements in place and are ready to unleash a new one on the world and the timing couldn’t be better.

***The band has current endorsements from Ernie Ball, In Tune Guitar Picks, Schecter Guitars, Fryette Amps, Line 6, and Meinl Cymbals.***

Listing their influences as bands ranging from ROB ZOMBIE to COMBICHRIST to MUSHROOMHEAD  to LINKIN PARK, MADLIFE has combined these elements and more into this fifth official release and comes out swinging HARD from the first second to the very end.  This album can very well take this Los Angeles based band to the next level.

Songs with all of the edge and attitude we have come to expect from Phill are in extreme abundance as with ‘Just One Gun’ where we get asked right off “Would you like to sing that angry song with me?” to the pummeling, staggered-beat intro of ‘Nothing Changes’ to straight ahead machine bounce of ‘Pain Of Pleasure’, each taking you in a different direction showing all of the listed influences seasoned with just enough rage-to-taste making it MADLIFE’s blend on your fork even with ‘Love Song’ hammering your ears with that special sauce that we have come to know.

12 songs clocking in at 43 minutes and for me, two standout from the rest, and for completely different reasons. ‘Rockstar’ hits hard with a DOPE meets UNION UNDERGROUND sorta punch and describes all the trappings that drive so many to be in this business and has that MADLIFE sonic-kick intact and full force. Then, there’s ‘All The Angels’ that screams from the first and has that hook that doesn’t let go.

Stellar production values, songs that deliver and leave you wanting more. Sounds like one to get NOW and play until your ears are ringing. Support them live if they come near you and keep it LOUD!!

Thank you to AGAINST PR AGENCY and Bleeding Nose Records for the Promo

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Beastmaker “Inside The Skull” Album Review & Music Video…

Beastmaker

Inside the Skull – Vinyl // CD // DD

Rise Above Records – Release Date: May 19th, 2017

Reviewed by Santiago “Chags” Gutierrez

 

“Do you believe that someone out of the past – someone dead – can enter and take possession of a living being?” This is certainly an intriguing question asked by the character of Gavin in Alfred Hitchcock’s movie, Vertigo. When pertaining to Beastmaker, the answer is a wholehearted YES! Beastmaker seem possessed by early Black Sabbath and other similar vintage doom rock from the past. These Californians have invoked those spirits to produce, what is in my book, a top ten contender for 2017.

Live band Pic

Beastmaker recorded Inside the Skull in three days. Andres Alejandro Saldate (drums) mixed and mastered while Trevor William Church (guitars/vocals) engineered. The band is rounded off by John Tucker (bass). Johanna Sadonis from Lucifer lends her unmistakable voice to “Heaven to Hell” and “Now Howls the Beast”. Knate from Salem’s Pot also makes a guest appearance. His contribution seamless given his track record with Salem’s Pot.

Church relates that the album was inspired by a myriad of topics. The base of the inspiration coming from horror movies such as Tomb of the Blind Dead. Thriller and suspense literature and movies such as the previously mentioned Vertigo by Hitchcock, and a distaste for organized religion were also cited as influences. The simple, yet effective, album cover was rendered by Branca Studios and perfectly conveys the contents therein. All ten tracks purveying a hauntingly doomy background to their style of old vintage metal.

 

 

Opening number “Evil One” initiates the proceedings with a wonderful doomy riff that drives the song along at a brisk pace. Album closer “Sick Sick Demon” bookending the album in much the same way. “Heaven to Hell” is a more varied track that ebbs and flows with its tempos. “Now Howls the Beast” and “Inside the Skull” feature some impressive solos. “Nature of the Damned” and “Psychic Visions” providing a mid-tempo that keeps things varied enough to create a dynamic album.

Beastmaker has created a memorable doom rock album with vintage overtones that does not disappoint. Inside the Skull is due to release on May 19th via Rise Above Records. Yes, Rise Above, so you pretty much know what is in store. It’s the perfect label for this band. They will be touring in May and June with Zakk Sabbath, so catch them live if you can. Now, in the words of the character Madeleine from Vertigo, “there is something I must do.” So, if you’ll excuse me, I think I’ll take another listen (or two) to this one.

Tour Schedule


SKUNK “Doubleblind” – Album Review & Stream…

SKUNK 

Doubleblind – CD // DD

Self Released – April 20, 2017

Reviewed by Terry “The Ancient One” Cuyler

Not long before I went to bed last night the admin at Taste Nation LLC asked me to listen to Oakland, California SKUNK’s new album DOUBLEBLIND and share my thoughts. Problem was it was near midnight and I had to be up at 5AM so I postponed it for my morning commute to work. Man what an eye opener. Usually I’m draggin’ ass when I get out the door in the morning and need a few cups of coffee before I can put on my nice face. This morning was different. When I heard the opening riffs to Forrest Nymph I knew it was gonna be a good day.  Out of the gates you get catchy bluesy riffs and Andrew Stockdale of Wolfmother-like vocals.   The album caught me between the eyes in the opening 4:30 minute offering.  Hooked by the wicked Hooks!!

 

Pro Band Shot

 

Upon further listen, I heard some real hard rockin’ tunes that sounded something like a combination of Bonn Scott Era AC/DCNazareth and Grand Funk Railroad paying homage to tits and weed!  While the music seems relatively simple, that is exactly what I like about SKUNK.  I don’t need a degree in music, English Literature or Art to understand it.  SKUNK seems to have figured out that people want to be able to feel like they are part of the music and they effectively make you part of the music with rock n’ rollin’ riffs, chugging bass grooves big booming drums (with plenty of cow bell) and clear vocals that ain’t mush mouthed.

If Skunk is ever doing a show were you live go because I have the feeling there will be lots of beer, weed, and chicks at the show. Some of my favorites from DOUBLEBLIND were ‘Forest Nymph’, ‘Mountain Child’, ‘Harvest Queens’, ‘Wizard Bong’ and ‘Devil Weed’.  If your looking for some hard rockin’ music for your party or to get you pumped up for work then look no further than SKUNK.  If you like classic hard rock then I am sure you will like SKUNK.

Band Members:

John McKelvy – Vocals
Dmitri Mavra – Guitar
Erik Pearson – Guitar
Matt Knoth – Bass
Jordan Ruyle – Drums

 


Night Demon “Darkness Remains” – Album Review…

Night Demon

Darkness Remains (Deluxe Edition) – Vinyl // CD // DD // Streaming..

Century Media – Street Date: April 21, 2017

Reviewed by David “The Lovely” LaMay

 

Ventura, California’s Night Demon is, with little doubt, becoming a  ferocious, unstoppable monster within the overall underground metal movement. Though their excellent 2012 debut e.p. seemed to sneak under the radar, it had the goods to land them a deal with powerhouse label Century Media. From there, in early 2015, the band released ‘Curse of The Damned’, a future classic of NWOTHM (New Wave Of Traditional Heavy Metal) and has followed it up with seemingly relentless touring and a live delivery that will melt your face off, straight down to the bone. Catch Jarvis Leatherby (bass, vocals), Dusty Squires (drums), and newbie Armand John (guitars) off-stage, and they’re every bit as cool as their music is hot.  How can they possibly make the scenario any more appealing to metal fans? Easy- By releasing ‘Darkness Remains’.

Night-Demon_band

 

Now, if you’re worried that the band has left its roots behind or grown beyond what’s made them so appealing thus far, rest easy. If you’re new to them, well, here is as good as any a place to start.

With a catchy as hell, old-school sound firmly in place, the band has wisely chosen not to attempt reinventing the wheel. Instead, they have fine-tuned the machine so that the 10 regular and 2 bonus cover tracks (including Queen’s ‘We Will Rock You’ in a really fresh, yet recognizable format) pulse and pound with earthy preciseness.   Foreboding hooves gallop furiously through dark terrain like ‘Hallowed Ground’ and ‘Black Widow’, while mid-pacers ‘Stranger In The Room’ and ‘On Your Own’ really hammer home the early 80’s charm. The title track is the biggest surprise, showing the trio being as adept at penning a tranquil, almost Sabbathy psych vibe as anything else they’ve tackled thus far.

Individually, Jarvis’ melodic, “every man” vocals ala Guy Speranza (R.I.P./Riot) or Chris Bradley (Savage) are smoother and more assured, as is Dusty’s drumming. Armand John’s new role in the band is proving to be a great addition; the riffs are still blazing sharp, but his sense of melody is keener than his predecessor’s, tightening the trio’s sound down to the smallest details. Topping it all off is the robust, vibrant production ‘Curse’ could have used, but never got.

Quartz, Iron Maiden, Angel Witch, Jaguar, Cirith Ungol, Slough Feg and the like are nice touchstones to get an idea where Night Demon is coming from.  In the end, they manage to get their own thing going in full force with ‘Darkness Remains’. This record isn’t good, or even great. It’s downright fantastic. I am, once again, blown away by this band to no end. Essential – Ohhhh, hell yes!

March 4, 2017 (Saratoga Springs, NY)- From Left To Right: Armand John, Dave Lampkins, Jarvis, Myself, and Dusty kneeling in front. They tore that joint doooown!
Dave & Night Demon