Tracklist: Rise Of Beesus 07:31
6ft Under Box 03:55
Sonic Doom/Stoner Youth 06:21
Mata La Vergüenza 04:41
Beesus In Dope 07:40
Earlier this year the band made a Pledge Music page to promote and raise money for there second album. It is now closed (of course) and, luckily, reached 101% of its goal. It had some interesting options like, a cover song of your choice, a in your house performance, and an executive producer credit. Sadly the website doesn’t tell you how much of each option was bought so I can’t tell you what got bought the most. But anyway to the review…
Beesus’ second album has more of a venom and late 80s grunge, noise rock feel. The production and playing on this album has tightened up. There is also a more punk feel and the fuzz is still present but is toned down.
For a couple of songs the band have introduced a vocoder. It makes it’s entrance in “I Don’t Wanna Be” and it’s exit is “Beaux”.
The “Intro” and “Outro” are a strange mix of keys and maybe a garage door opening.
“El Dude” starts with a lot of noise and a solid bass riff. It also sounds like it could be the first part to a later track (I Don’t Wanna Be).
“Dubblegum Boom Metla” has four movements the first part which is medium passed and has a repeating riff and speeds up as it gets to the the second which is faster and then it speeds up and suddenly slows to the background screaming and slow churning fuzzy guitars. It then speeds up again, back to the second pace, but only briefly and then it fades out.
“Nuña y Freña” is somewhat of a throwback to their first album kind of like “Kusa”.
“Reichl” is the roughest and noisiest of the main tracks. “Take the cure, my man” is repeated many times throughout the song. Sonic Youth will definitely approve!
“I Don’t Wanna” be is a mix of stoner, punk, and a few moments of rapid, almost rapped vocals. This is the first track with the vocoder. It is in the background emphasizing some of the vocals.
“Junk Around” has the most affects added to it. Strangely enough it is also the most punk of the tracks. There is “You’ll succumb to me.” and “On your knees” are the phrases for this song.
In “Beaux”, the vocoder returns. It is more prominent. This song is also the slowest, and longest, on the album. Has a well executed sludgy feel to it.
“Sgt. Beesus and the lonely ass Gangbang!” is definitely an improvement on their first album and I am excited to hear some of those cover songs if anyone bought that perk.
As In Life (13:26)
Forth By Light (10:46)
A Flock Of Leaves (17:18)
Days Of Wrath (13:30)
True uniqueness in music is hard to come by, especially in this day and age. It almost feels as though everything’s already been done and nothing is truly original anymore. Once in a blue moon, though, a band like The Quartet of Woah comes along and re-instills something of a sense of wonder – perhaps we haven’t reached the bottom of the barrel just yet.
The Quartet of Woah are a Heavy Progressive Rock band from Portugal; in case the song titles and lengths didn’t already give that away. Their individual songs, though, reach everywhere from Prog to Psychedelia to Folk to Blues and everywhere in between. Every song is crafted with artisan skill and precision and every note is crisp, clear, and audible. Each song brings a sense of energy and soul that is never wasted – it’s almost like a perpetual motion machine, never slowing down, never ceasing until its message is conveyed.
This album is not without its left turns into oddity land, though. Opener “As In Life” contains a drum solo and a flute outro and personal favorite “Forth By Light” veers off into some positively bizarre chromatic riffing and noodley organs that work far better than one would expect. What does remain constant, though, is the groove. The Quartet of Woah are experts in the art of groove and are ready and willing to show it off. It’s not exactly dancey, but don’t be surprised if you end up bobbing your head several times.
The Quartet of Woah are a band that set out to do what no one else had, to chart uncharted territory, and have done exactly that with their stellar debut. If you love heavy music with progressive tendencies and lack an aversion to really, really long and strange compositions, then do yourself a favor and listen and support this wonderful indie release and a band with a very bright future!
Tracklist: Whispering of the Ancients (1:39)
Wakan Tanka (12:02)
March of Spiritu (10:55)
Drum of the Deathless (7:29)
Sword of the Deathless (9:29)
Light of Self (7:28)
Ethereal Riffian is:
Val Korniev – guitar/vocal/didgeridoo
Olexander Korniev – bass
Max Yuhimenko – lead guitar
Nikita Shipovskoi – drums
Live albums are a risky endeavor: If a band has not yet achieved worldwide success, then releasing such material is a gamble on its potential success, and essentially risking a good deal of money on the production, recording, and packaging of a single concert with the hopes that enough people will want to experience that singular show. Thankfully, Ethereal Riffian is not a band that seems to care about gambling.
Ethereal Riffian are a Rock band from Kiev, Ukraine. I simply say “Rock” in such a sub genre-obsessed genre because Ethereal Riffian is sort of their own thing- Somewhere between Progressive Rock, Doom Rock, Spiritual Rock, Stoner and Psychedelic Rock. It might paint a clearer picture to call them something along the lines of “Meditative Rock”. Their drum-based composition and vocals reminiscent of Gregorian or Tibetan Chanting are extremely conducive to sitting down on the floor, crossing legs, entering a groove (which there are many), and just listening and enjoying.
“Since 2013 I wanted to have a single release that can give a versatile overview of the band’s creative work – its music, philosophy, approach to limited editions and live potential. And now we have it,” says Val Kornev, the frontman of the band. “With this release we, on one hand, aim to crystallize all our work and ideas since the inception of the band, and on the other hand, we want to show the quintessential component which unites all spiritual paths. For the band this release marks the end of the first chapter in its history and the beginning of the new one.”
It’s important to keep in mind, though, that this is a live album. This was indeed recorded live, and I wouldn’t believe it had it not been accompanied by the occasional applause of the probably all too small audience. Ethereal Riffian does an excellent job of bringing their intricate and lengthy compositions to the stage, to the point of getting the listener to almost smell burning incense and experience visions of what must be the most intense temple experience one could ever feel.
One thing that must be emphasized is that if you can afford their unbelievably extravagant limited edition packages, certainly do. Almost all of Ethereal Riffian’s releases have an absolutely beautiful package that is hand-crafted with a degree of dedication and love for the craft that is practically never seen elsewhere, and naturally, the best way to ensure that these packages to continue to be made is by buying them. The band’s many releases are worth buying for the package alone. For example, their album “Æonian” is packaged with a full-length original hardcover novel.
All in all, “Afterlight” is a fantastic release by a band that obviously has an unparalleled passion for all things artistic and this passion reflects in all aspects of the release- composition, performance, and packaging. If you are not averse to live albums, I would highly recommend you purchase this album. Finally, if you do: please, please get the limited edition version. You won’t regret it.
Poia – Guitars and FX
Urlo – Bass, vocals, FX and synths
Vita – Drummer
Ciccio – Soundlord
Lu – visuals
– Godlike Snake – full length cd/lp – Beard of Stars – 2000
– Snailking – full length cd – The Music Cartel – 2004
– Lucifer Songs – full length cd/dvd lp/dvd – Rocketrecs/Supernatural Cat – 2005
– Idolum – full length cd – 2lp+cd – Supernatutal Cat – 2008
– Snailking – full lenght double vinyl – Supernatural Cat – 2009
– EVE – full lenght cd – LP+cd+dvd – Supernatural Cat – 2010
– ORO – cd – LP+dvd – LP – Neurot Recordings / Supernatural Cat – 2012
– ECATE – full length cd – LP + dvd – Neurot Recordings – Supernatural Cat – 2015
Hey doomsters this is the Ancient One and I’ve just returned from yet another odyssey through the cyberscape traveling the ethereal soundwaves. While traveling I learned through fellow music heads Italian wizards of heavy psych / stoner / doom Ufomammut have released a new album entitled “8”. Wanting to know more I wasted no time in getting a early preview but I unfortunately failed you. While I wanted to let you know about it before its September 22nd release date to give you all time to get your pre-orders in I was unable to because personal issues got in my way.
For those who are unfamiliar with them, Ufomammut (pronounced- ufomam’mut) is a heavy psych / stoner / doom band hailing from Italy. Going strong since 1999 “Ufomammut” was formed by Poia (guitarist, synth, and sound effects), Urlo (bass guitar, synth, sound effects and vocals), and Vito (drums) With 7 albums to date the bands upcoming album was released on the “Neurot Recordings label on September 22nd and is the bands 8th album, thus its title “8”.
As in past albums “Ufomammut” fearlessly experiments with sound and music. But what makes “8” unique is the method in which it was recorded. Seeking to give the listener the experience of listening to them live Ufomammut recorded the instruments in live studio sessions. And this painstaking process that has resulted in an amazing album.
Opening with “BABEL,” stoner doom Wizards Ufomammut begin weaving their auditory spell using a language all can understand. While I’d like to tell you which songs I liked most I really can’t. Every time I took time to look at the title of the song playing it broke my trance. So instead I will tell you what I enjoyed about “8” as a whole.
Unlike some music in which you feel like a spectator watching or listening to the metal gods on high, “8” envelopes you making you feel like you are part of the music. Listening to the fuzzed out guitar, drums, bass, droning chants, and psychedelic sound effects had me feeling like I was part of some strange musical mystery cult. “8” is best listened to in full and if you don’t have a decent stereo I recommend listening with headphones.
Helping them launch their latest album on September 22nd the “Malleus Art Collective” unveiled it’s “A Malleusdelic Art Trip Into Ufomammut exhibition” at the release party held at the Santeria Social Club (Milan, Italy) on September 22nd.
AVAILABLE NOW (Here) https://www.malleusdelic.com/store/index.php… – “The Art of Ufomammut” is a graphic journey by Malleus through 18 years of UFOMAMMUT. We wanted to put together almost all the designs we created during these years for Ufomammut, from the first album covers to the last silkscreen posters, from the Limited Edition vinyls to the t-shirt designs. 96 pages – softcover.
Like many Ufomammut fans,I would have loved to go to the release party or to one of their European dates following it. But since I can’t get to Europe I can console myself with the fact Ufomammut will also be appearing at the Maryland Deathfest in Baltimore, Maryland next year May 24th – 27th, 2018. Highly Recommend!!