Melted on the Inch – CD // DD // Vinyl
Holy Roar Records / Black Bow Records – released April 27, 2018
Reviewed by Zachary “+Norway+” Turner
Paul Swarbrick | Guitar
Alex Hurst | Vocals and Guitar
Ste Arands | Drums and Percussion
Matthew Milne | Keyboards
Liam Pendlebury-Green | Bass
Tarku Shavel 07:14
Boss Keloid are a Progressive/Groove Metal band from Wigan, UK and have been active since 2010. For me this release held a lot of mystery when I first received it. Looking at the cover I was not expecting what I got. I thought the album was going to be either an Art Rock or a Power Pop record. (and boy was I in for a shock when I started listening to the album.)
As with most prog bands, tempo is played with and changes a bunch. The first track is a great example of that. The band likes to play with different genres as well. A good chunk of the album is Metal while hints and parts of other’s types of music are overlaid and played in between parts of the songs.
The titles to these songs are in some fantasy like language and I cannot seem to find a translation or where they came from.
The vocalist has a pretty good range, if I wasn’t paying as much attention I would think there were at least two singers. At a few moments he reminds me of David from Disturbed, but with more range. The band hold their own as a unit; no one seems to be trying to outdo the other.
Three of the tracks are over 7 minutes long and the others are both 5 minutes long, with and while listening I never got bored or tired. The band go all over the musical board and, even though it sometimes gets a little messy (in terms of meshing genres, like in the beginning of Tarku Shavel) it never sounds bad.
Overarching album review:
Here is where I’d break down each track and give a brief synopsis of each. For this album I feel it will get redundant after the second track; so instead I will give a highlights version.
Boss Keloid sound great and, for the most part, blend elements of rock, world, progressive, and metal together really well. The lyrics are interesting and the delivery is executed good as well. The playing by the band never seems to be sloppy. Every song seems to be a part of one bigger song or jam session(s). Alternatively the album sounds like it is one big song. So no song in particular sticks out to me. That is not a bad thing or a dig at the band. This album sounds great and is a solid album.
If you enjoy more soundscape-y albums with progressive music, heavy rock and well written lyrics you should check out Boss Keloid and “Melted on the Inch”! Top Year End Contender!