Psy:Code “MØRKE” Album Review + Stream + 360degree Video…

Psy:Code

MØRKE – Vinyl // Digital Download

Independent – Released – July 29th, 2017

Reviewed by Mike Hackenschmidt

 

Lineup:
Schou/ Vocals
SteiN / Guitar
JezpR / Guitar
Dag / Bass
Gøtsche / Drums

 

 

Review:
Psy:Code is a Danish modern hardcore / deathcore act who recently signed to Pavement Entertainment. Mørke is their 3rd independent release that’s created a stir of interest just before their recent signing. According to their website, it’s been a dream of Psy:Code’s to go to America and play their music and between signing with an American label and the scene’s current fascination with deathcore and grind core, the timing couldn’t be better for Psy:Code to realize their aspirations.

Starting with the cover, I’m not exactly sure what they’re going for with this one. The plant and the head and the skull… no clue. I was hoping translating the album title would shed some light on this. Ironically, Mørke is Danish for darkness. I guess that’s where I’m going to stay on this one for now. Maybe one of my readers can explain it to me? I love symbolism when I’m smart enough to get the reference.

Musically, this album starts with some slow guitars, slightly off-tune guitars for a few seconds before going hard and heavy. Schou growl-screams his way through the album Anselmo-style; though there are some periodical clean backing vocals for effect. How original that is? Well… I’d tend to say not very.

Where I think Psy:Code is going to garner most of their fans is from the technical guitar work from SteiN and/or JezpR. To be honest, there’s not much indication who’s playing the lead here so it could be one or the other or both. While the capitalization seems random the song structure tends to be more technical and progressive. This is an area where my expertise is extremely limited, though I can say that the guitar has six strings… except when it doesn’t.

Pro Band Pic

Interestingly, to write and compose Mørke, Psy:Code recluded themselves to a cabin in the Swedish wilderness. If the story in their Riven video is truth, the plan was to make some awesome metal. Instead, they got drunk. I can’t say how many times this has happened to me. Not the part about the Swedish cabin or the part about making awesome metal… just the getting drunk part. Perhaps you can relate? Anyway, what came out doesn’t appear to be the work of drunken fools so I assume they were just kidding. That or I need to start writing shit down when I have a few beers in me. I can hardly operate a pen sober… so maybe not?

Lyrically speaking, I’m not sure what they’re singing. I scoured the internet for lyrics but the best I could find was a lyric video for Riven. They seem to like this song, as this is 2nd video I could find for it. Riven seems to be about being scarred by a vicious former lover or perhaps an over-bearing parent. I’m a little confused but the recurring line “I can’t receive”. I don’t know how this ties into the rest of the words.

In conclusion, Psy:Code is a hard hitting band and  Mørke is a hard hitting album that’s going to appeal to those who enjoy a more technical sound. I believe some will criticize it for lacking variety, which might be a legitimate concern for those who like me who can’t follow the progression. In this case, I think you either get it or you don’t. Check them out and see what you think.

Additional Links:
http://www.psycode.info/

https://psycode.bandcamp.com/

https://www.facebook.com/psycodedk/

https://www.youtube.com/user/PsycodeDK


Olde “Temple” Album Review + Stream…

OLDE

Temple – Vinyl // Cassette // DD

STB Records – released August 10, 2017

Reviewed by Terry “The Ancient One” Cuyler

Welcome to the Temple of Doom!!

 

Line Up:
Drums – Ryan Aubin (Sons of Otis)
Guitars – Greg Dawson (Sons of Otis)
Guitars – Chris Hughes (Moneen)
Vocals – Doug McLarty (Jaww)
Bass – Cory McCallum (Five Knuckle Chuckle)

Review:
I just finished listening to “Temple” by a band from Canada’s Greater Toronto Area called OLDE.  “Temple” by OLDE is the band’s 3rd  album. With a focus on crushing riffs that has left me with ringing ears and a spinning head, I had to recover a bit before I started writing this review. Formed by guitarist/producer Greg Dawson who was inspired by a recording session with long-time stoner metal stalwarts and bandmate in Sons of Otis as well as friends in Moneen, Jaww and Five Knuckle Chuckle, Dawson (Cunter, Grift, BWC Studios) handpicked and assembled OLDE.

Pro Band Shot

I loved what I heard on “Temple” but I wanted to hear what OLDE’s past work sounded like to get a better feel for the band. So I cued up their 1st 2 albums as well as “Temple,” turned out the lights, put my headphones on and had myself a musical feast. What I liked most about the music in general is how the band focuses on crushing heaviness and the almighty power of the riff with bellicose vocals and sludgy bass and heavy handed riffing .

Yet the music isn’t just a bunch heavy riff and growling vocals.  Just like OLDE’s previous albums – “Shallow Graves” and “I”,  “Temple” has tons of meat to it. Besides the amazing guest solo on ‘Castaway’ done by  Joshua Wilkinson, and the stunt guitar work of  Ryan Aubin on ‘Maelstrom,’ “Temple” is full of intense leads and hooks. Some of my favorites are ‘Subterfuge’ and  ‘Now I See You’ which both have some killer riffs with drums by Ryan Aubin that sound positively tribal. The album’s title track “Temple” is an ominous bass heavy doom masterpiece that highlights the vocals of  Doug McLarty.

This album will leave you feeling like you’ve been in the mosh pit with Sasquatch (The animal) as you listen to OLDE  tell the world “it’s collectively full of shit.”

“Temple” was recorded mixed, mastered, and produced by Sons of Otis, guitarist/producer Greg Dawson at BEC Studio with album art by Joshua Wilkinson. The album also features a guest solo on ‘Castaway’  by Simon Talevski and a stunt solo on ‘Maelstrom’ by Ryan Aubin. “Temple” can be purchased as a Limited Vinyl LP on Bandcamp through STB Records, Limited Edition Cassette via Medusa Crush Recordings and in digital format on OLDE’s Bandcamp page.

Links:
https://www.facebook.com/oldedoom

http://medusacrushrecordings.bandcamp.com/album/temple

http://stbrecords.bandcamp.com/album/olde-temple-2

http://oldedoom.bandcamp.com/album/temple


Dead Ranch “Brumation” Album Review & Stream…

DEAD RANCH

Brumation – Digital Download

Self Released – April 14, 2017

Reviewed by Ric “Suisyko” Dorr

 

Formed – 2011

Hometown – Winnipeg, Manitoba Canada

Band Members – Chad Alsop-Guitar/Vocals,  Andre Cornejo-Guitar/Vocals, Ryley Devine-Drums & Alana Mercer-Bass/Vocals

Previous Releases – “Birds Of Pray” EP (2012) / “Antler Royal” (2013)

Review:   Self described with the tags ‘metal, noise, punk, sludge, hardcore, stoner’, this is the second full-length release from this four piece and has been a while coming. Emerging from what they describe as a place that is “8 hours away from everything, isolated in their winter city” they had already started touring Canada promoting the first release that was garnering play on college stations leading to recording the first full-length in early 2013. Touring steadily, this release signifies their dedication to their craft and commitment to doing what they do best… to be, as they themselves put it, ‘Catchy and Crushing’ all at once.

 

Band Pic

 

Seven tracks totaling 32 minutes, there is little doubt from the first power chord riff of ‘An Awkward Moan’ through to the narration filled ending of ‘Maple Ape’ that this band has paid it’s dues and is ready for more and they come out swinging from the first to the last.

The ripping beginning of ‘Blood Staff’ with all the angst you could possibly imagine to even faster paced ‘Tarred and Feathered’ with that pure fury that had been hinted at on the previous releases and left to shine through on this album. Even as ‘Garrulous’ has a slow fade in that fury-driven pace and raw edge is back in less than 30 seconds into the track and is as unrelenting as any other moment on this disc as ‘False Negative’ shows, brutal as fuck!!

 

 

‘The Skinning’ is equally frenetic in approach and execution and prove that DEAD RANCH are a force to be reckoned with.  ‘Maple Ape’ is the bookend on this album and while filled with as many time shifts and fretboard-flying as the previous tracks, this one stands above the rest with this demonstration of just how musically ‘tight’ they are and let us know this album is well worth the wait we have endured in anticipation. Buy it NOW, share it with EVERY pair of ears you can and support them live if they come anywhere close… and above all else, keep it LOUD!!

Band Logo

 


BLOODCLOT (Past/Present Cro-Mags, QoTSA, Danzig, Etc. Members) Reveal Debut Artwork & Tour

The revival of the band Bloodclot is something I have been extremely excited about since I first learned it was happening awhile back. Not only because the iconic vocalist John Joseph of Cro-Mags fame has reactivated the band but because of who has joined him in this latest incarnation of it. Alongside him in Bloodclot circa 2017 are guitarist Todd Youth (Youth Of Today, Warzone, Murphy’s Law), drummer Joey Castillo (ex-Queens of the Stone Age, Blast!, Sugartooth) and bassist Nick Oliveri (ex-Queens of the Stone Age, Dwarves, Mondo Generator)! The band has announced that their upcoming album, ‘Up In Arms‘, is due to be released on July 14th via Metal Blade Records. A Lyric Video for the album’s title track is streaming below and Joseph recently commented on the band’s mission statement more or less saying:

“In this band we’re doing what each of us have always done: give it our all,” John Joseph states plainly. “We work hard, and we have a lot to say. Look around the planet – people are fed up with the corrupt ruling class. They destroy the planet and kill millions for profit, and the formula for our response is simple: Anger + applied knowledge = results. Don’t just bitch. Change it.”

Bloodclot Up In Arms

To accompany this fantastic news is some other cool news, that Bloodclot will be hitting the road on a touring run with Negative Approach. Here are the scheduled dates so far:

July
14 – Amityville, NY – Revolution Bar and Music Hall
15 – Philadelphia, PA – Underground Arts
16 – Washington DC – DC9
18 – Virginia Beach, VA – Shaka’s
19 – Baltimore, MD – Ottobar
20 – Belmar, NJ – Paul’s Tavern
21 – Brooklyn, NY – Saint Vitus
23 – Buffalo, NY – Studio at the Waiting Room
25 – Pittsburgh, PA – Cattivo
26 – Cleveland, OH – Now That’s Class
27 – Cincinnati, OH – Northside Yacht Club
28 – Detroit, MI – The Magic Stick
29 – Chicago, IL – Cobra Lounge
30 – St. Louis, MO – Blueberry Hill

August
1 – Denver, CO – Marquis Theater
3 – San Francisco, CA – Thee Parkside
4 – Los Angeles, CA – The Echoplex w/ Nails, Final Conflict
5 – Santa Ana, CA – The Constellation Room w/ Nails, Final Conflict
6 – San Diego, CA – Brick by Brick w/ Nails, Final Conflict

– Pat ‘Riot’ Whitaker

 


PERPETUA Deliver ‘The Age Of Collapse’ Official Video

Scottish modern thrash band Perpetua have just unleashed their new single ‘The Age Of Collapse‘ upon the planet. They did so with an Official Video accompanying the viciously aggressive song but the good thing is the band’s ability to change things up. Pummeling metallic ferocity one moment, hardcore breakdowns and gang vocals the next and then before you know it, some melodic elements before you can gain your senses.

To be honest, I don’t know anything about Perpetua other than they have got some scathing intensity going on and that ‘The Age Of Collapse‘ is one bad-ass tune. I definitely want to hear more as soon as possible!

To learn more about Perpetua and what all they’ve got going on, visit their Facebook page here.

– Pat ‘Riot’ Whitaker


Album Review – Gravehuffer “Your Fault”

Gravehuffer

Your Fault – CD / Cassette / DD

Grind/Hardcore/Crossover/British Punk

Swamp Metal Records – Release Date: March 3, 2017

 

When most of us come across the word “retro” used to describe music, we readily think of the 1960’s, 70’s, and 80’s, but rarely do the 90’s enter our minds – Even though the last day of the decade was over 17(!) years ago.  Of course, it surely didn’t/doesn’t help that as the new millennium loomed close, so too began the severe, still-ongoing decline of quality rock reaching the mainstream.  Joplin, Missouri’s Gravehuffer have something to say about this time frame getting thrown in the trash, and they say it convincingly.

 

Live band Pic

 

“Your Fault” exhibits few, if any, signs that it gives a damn about what is hot or happening in 2017. Throughout it’s thirty minute run time, the record never wavers from taking the 80’s D-Beat punk of GBH, Broken Bones, and Discharge and and infusing it with a strong dose of the early Earache catalog, back when they were actually presenting the most extreme music available circa the early 1990’s.  I do believe I also hear elements of Agnostic Front and the mighty Bl’ast in there too.  Add it all up and you have eleven tracks of unrelenting mayhem, smoothly delivered and more than the sum of its parts.

So, hell yeah, Gravehuffer’s latest gets a thumbs up from me. It’s kinda the musical equivalent of flicks like “Henry: Portrait Of A Serial Killer”– It’s not a casual, off-the-cuff experience, but when that right moment arrives, little will work better to scratch that itch.

Words by David “The Lovely” LaMay