Marilyn Manson “Heaven Upside Down” Album Review + Videos…

Marilyn Manson

Heaven Upside Down – CD // DD // Vinyl

Loma Vista/Caroline – released on October 6, 2017

Reviewed by Zachary “+Norway+” Turner

The Unofficial Return of Omēga and the Superstar 

 

Lineup:
Marilyn Manson – vocals
Tyler Bates – instrumentation, engineering, recording, production, mixing
Gil Sharone – drums
Additional musicians:
Dana Dentata – backing vocals (on track 9)
Roger Joseph Manning, Jr. – Clavinet (on track 10)

Album Art:
The cover is similar to his previous album without distortion. It’s a black and white side profile shot with an upside down cross with an extra horizontal line.

Tracklist:

  1. “Revelation #12” 4:42
    2. “Tattooed in Reverse” 4:24
    3.         “WE KNOW WHERE YOU FUCKING LIVE” 4:32
    4.         “SAY10” 4:18
    5.         “KILL4ME” 3:59
    6.         “Saturnalia” 7:59
    7.         “JE$U$ CRI$I$” 3:59
    8.         “Blood Honey” 4:10
    9.         “Heaven Upside Down” 4:49
    10.       “Threats of Romance” 4:37
  2. “Stigmata” (Ministry Cover) 5:29
  3. “Kill4Me” (Mystery Skulls Remix) 3:39

 

 

History:
In late 2016 and early 2017 Manson announced and released a working title for the album named Say10. He also said that the projected release date would be Valentine’s Day 2017, needless to say, it was put off until a further date because he had a couple more ideas for the album and needed time to produce them. These songs being “Revelation #12”, “Saturnalia” and “Heaven Upside Down”. In an interview with Loudwire he stated: “Those three songs take place where, if [the album] were a film, it’s the opening, the middle and the ending. Then there’s the song after ‘Heaven Upside Down’, it’s sort of the end title credits where it’s really surmising the story of the record, which is to be interpreted by the listener.”

This album was produced by film/video game composer Tyler Bates. (He also produced The Pale Emperor) During the time that this album was being made; Manson produced a song for a movie that Bates was working on, Atomic Blonde. The song is a cover of a Ministry song “Stigmata.” (Which I have included here because it fits in this album as a bonus track, (along with the Mystery Skulls remix of “Kill4Me”) The last two tracks are a throwback to the Mechanical Animals period of his career.

Marilyn Manson as a band has gone through many lineup and personnel changes since its inception as Marilyn Manson & the Spooky Kids in 1989. As Marilyn Manson & the Spooky Kids there are seven official releases, they are mostly demo versions of tracks later remade for the Marilyn Manson album “Portrait of an American Family”. As just Marilyn Manson there are ten albums, one live album, three compilation albums, and 37 E.P.s and singles. So, suffice to say he has had a prolific musical career since the 1990s.

Review:
Unlike his previous releases from this decade this album has a more of a “throwback” sound of his heyday of the 90’s. He also keeps some of the changes he has made in the aforementioned albums. There is a meme that describes it perfectly: it has the cover of Born Villain with the words “Who are you” and then it has this albums cover saying “I’m you, but stronger.” This album has more of a dirty sound; in terms of more distortion, not lyric content, it sounds like whoever mixed/mastered the album let the sound go into the max.

The Opening: In “Revelation #12” there is a call back to one of the chants in “Irresponsible Hate Anthem” and “The Reflecting God” (from Antichrist Superstar). It is also a sort of sequel to the soundscape they put out in 1994 on the Get Your Gunn single. (i.e. The repetition and some of the samples in the background.) “Tattooed in Reverse” is closer to his work in the early 2000s, Holy Wood/The High End of Low. The sound itself is more industrial than the music at that period (with the use of samples and drum pattern).

“WE KNOW WHERE YOU FUCKING LIVE” is a mix of “The Beautiful People” and “Mister Superstar” the fast and then the quieter parts being interchanged with the shout/yelling. It ends with him whispering the beginning of the track; which helps introduce us to “SAY10” which is a lot like some of the songs from Holy Wood with the electronic sound of Mechanical Animals. “KILL4ME” sounds like it was a song that could’ve been recorded during the Mechanical Animals session with a hint of “If I Was Your Vampire” style lyrics.

The Middle: “Saturnalia” is the longest track on the album, but, in a way it feels like it is about the same as the others. The repeated drum pattern works as a way to get you in a sort of trance as you hear the back-masked sounding words in between delivery of vocals. The song also works as a part one to the Ministry cover, even though I highly doubt he planned it that way. This song ends like “WE KNOW WHERE YOU FUCKING LIVE.” “JE$U$ CRI$I$” sounds like either a song from Born Villain or The Golden Age of Grotesque. The song is like two different songs, with the second song being put in the middle of the first. It is almost a breakdown, maybe that is what he wanted the song to be like. “Blood Honey” is the first of the slower more mellow tracks. It sounds like, once again, a song from The High End of Low.

The Ending: “Heaven Upside Down” the title track is the second of the slower tracks and is almost a continuation of the previous track. It has almost the same structure and tempo and lyrical content, but it isn’t quite the same song. “Threats of Romance” is the most traditional rock song on the album. It is just has the Manson mix on it like a distorted vocals and the way the Clavinet in the background. I included “Stigmata” (Ministry Cover) here because it fits the album. I don’t know why it wasn’t included but it brings the beat back up from the previous three tracks. “Kill4Me” (Mystery Skulls Remix) is a Japanese bonus track that I included here because it is another track that is an example of the Mechanical Animals being brought into the “modern” version of electronic music and is a good song to bring you down from “Stigmata” as it (in a way) takes you out of the album.

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This album is an excellent example of Manson showing his ability to reflect on his past but make it new in a way. Like Alice Cooper with Welcome 2 My Nightmare or like David Bowie with The Next Day. In a way Marilyn Manson is a Alice Cooper/David Bowie 2.0 taking his influences and putting his spin on it, even from his early days as a leader of the Spooky Kids. If you are a fan our just like his music but have stayed away since the 90s, this would be a good time to come back.

 Stream the album here.
Download or buy (from Amazon) here.
Buy album and/or merch from Loma Vista Recordings here.

 Additional Links:

https://www.youtube.com/watch?v=CM13xSW3ggo

https://en.wikipedia.org/wiki/Heaven_Upside_Down

http://www.marilynmanson.com/home.php

https://bodega.lomavistarecordings.com/collections/marilyn-manson/products/marilyn-manson-heaven-upside-down-180g-red-vinyl-pale-emperor-box-set-bundle

https://bodega.lomavistarecordings.com/collections/marilyn-manson/products/marilyn-manson-heaven-upside-down-180g-red-vinyl-pale-emperor-white-vinyl-bundle

http://www.spookykids.net/indexxx.html

https://www.discogs.com/artist/229973-Marilyn-Manson-The-Spooky-Kids

https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=6&cad=rja&uact=8&ved=0ahUKEwj35NqGx_vWAhWHr1QKHZzwCDIQFghHMAU&url=https%3A%2F%2Fopen.spotify.com%2Falbum%2F6kbfR3NJmBGlgsTPAYmezz&usg=AOvVaw11zUAq8dEdXU_1CV84psQk

https://www.amazon.com/Heaven-Upside-Explicit-Marilyn-Manson/dp/B0757CYN8Q

https://bodega.lomavistarecordings.com/collections/marilyn-manson


MADLIFE “Precision in the Face of Chaos” Album Review & Music Video…

MADLIFE

Precision In The Face Of Chaos – CD // DD

Bleeding Nose Records – Released May 5th, 2017

Reviewed by Ric “Suisyko” Dorr

 

 

Formed – 2000

Current Lineup Angry Phill -v / Isaiah Stuart -g / Kyle Cunningham -d / DieTrich Thrall -b

Previous Releases “Madlife” EP (2005) / “Music As Harsh As The World We Live In” EP  (2005) / “Angry Sonnets For The Soul” (2007) re-released via Universal /Fontana / RBE (2009) / “21st Century Megalomaniac” (2013)

Quote– “Developed in early 2000, the industrial hard rock band from Los Angeles was contrived between guitarist Isaiah Stuart and Lead Singer Angry Phill. They found common ground in their like and respect for multiple styles of music, largely in hard rock, industrial, electronic and classic pop. During this time, “The expression of emotion,” says Phill, “And the range of musical depth allowed MADLIFE the luxury to explore the human condition.” Enquote.

Pro Band Shot

This is a band that has been touring endlessly, playing festivals all the way from the world-famous Milwaukee Metalfest, the Mayhem Festival and Rock Hard At The Park, to name a few, they have shared the stage with the likes of KORN / SLAYER / PRONG / ALL THAT REMAINS / TRIVIUM and so many more, it is no wonder they have endorsements in place and are ready to unleash a new one on the world and the timing couldn’t be better.

***The band has current endorsements from Ernie Ball, In Tune Guitar Picks, Schecter Guitars, Fryette Amps, Line 6, and Meinl Cymbals.***

Listing their influences as bands ranging from ROB ZOMBIE to COMBICHRIST to MUSHROOMHEAD  to LINKIN PARK, MADLIFE has combined these elements and more into this fifth official release and comes out swinging HARD from the first second to the very end.  This album can very well take this Los Angeles based band to the next level.

Songs with all of the edge and attitude we have come to expect from Phill are in extreme abundance as with ‘Just One Gun’ where we get asked right off “Would you like to sing that angry song with me?” to the pummeling, staggered-beat intro of ‘Nothing Changes’ to straight ahead machine bounce of ‘Pain Of Pleasure’, each taking you in a different direction showing all of the listed influences seasoned with just enough rage-to-taste making it MADLIFE’s blend on your fork even with ‘Love Song’ hammering your ears with that special sauce that we have come to know.

12 songs clocking in at 43 minutes and for me, two standout from the rest, and for completely different reasons. ‘Rockstar’ hits hard with a DOPE meets UNION UNDERGROUND sorta punch and describes all the trappings that drive so many to be in this business and has that MADLIFE sonic-kick intact and full force. Then, there’s ‘All The Angels’ that screams from the first and has that hook that doesn’t let go.

Stellar production values, songs that deliver and leave you wanting more. Sounds like one to get NOW and play until your ears are ringing. Support them live if they come near you and keep it LOUD!!

Thank you to AGAINST PR AGENCY and Bleeding Nose Records for the Promo

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