Nihilosaur “Hymn & Ruin” Album Review + Stream…

NIHILOSAUR

Hymn & Ruin – Digital Download

Independent – Released July 1, 2017

Reviewed by Mike Hackenschmidt

 

Line Up:
Florian Analfox / Voices, Bass
Felix Geniusfix / Guitars, Samples
Tiwo Meiz / Drums

Review:

From the nether regions of Poland, Nihilosaur return with their 3rd full length album entitled “Hymn & Ruin”. Nihilosaur has a unique sound. I don’t feel that music needs to be categorized but it’s a lot easier to describe a band by their genre. Usually when I don’t know how to classify a band I’ll hit the net and check the usual places. Wikipedia is my go to but Wikipedia never heard of Nihilosaur. My next stop is Encyclopedia Metallum who list Nihilosaur as “Death Metal / Hardcore”. Even the shortest of listens leads me to believe that what they actually meant when they said “Death Metal / Hardcore” was “we don’t know”. Off to Nihilosaur’s Facebook page where they list their Genre as “Hymn and Ruin”…. That’s not a fucking genre. That’s the album title. I assume what they mean when they say their genre is “Hymn and Ruin” is “We don’t care”. I don’t think we can lump them into any category.

With that in mind, I think the best way to describe Nihilosaur’s sound is by conjuring up an image in your mind of the Nihilosaur itself. What would that be? First, the Nihilosaur is ancient & long dead but reanimated, presumably by some toxic waste and a few shots of lightning though no one knows for sure. Some of the Nihilosaur’s flesh was preserved in the tar pits from whence it came while some places the flesh is rotten, even decomposed to the bone. Its movements are slow. Despite having emerged from the pits a decade ago, tar is stuck to the Nihilosaur’s exterior. Flowing like molasses off its body with each movement, despite leaving a trail behind there seems to be no end to the muck. Nihilosaur is large, carnivorous and hungry – but not evil. No. Nihilosaur will devour you with indifference; not malevolence. He’s also horny as fuck.

Let’s see if we can complete the metaphor as we tour through the album. Starting with the cover, the analogy breaks down but let’s ignore that for just a minute. We’ve got a comic book style cover with an upright elephant with multiple arms, its trunk rammed into its gut. I guess it’s eating itself? I’m not really sure. The lettering of the band name looks eerily familiar and I’ll kick myself when I figure out where it’s from. Hopefully you’re reading this and yelling it at your screen, maybe I’ll hear you. Anyway, I have no clue on the significance of the elephant. Maybe it’s some sort of Nihilist symbolism though that’s a complete nonsense thought.

The album opens with a track called “No, No, No”. The heavily distorted guitars start the number, giving us a clue as to what comes next. The drums and bass of join the fray filling out a thick doom sound. Slow, melodic, distorted voices start creating eerie, ancient doom. They soon give way to death voices but quickly return to eerie again. Unfortunately none of the voices are discernible so I have no idea what this song is about. I agreed to review this album based on the band name alone (it’s so clever!!) and was hoping to hear what these guys have to say. The incomprehensible voices are a theme throughout the album. In fact the voices are turned down so they don’t stand out but rather blend in with the music. I suppose this is why the band calls them voices as opposed to vocals. It does suit the sound.

Moving on track to track, we have an atmosphere of thick goo. Imagine your lungs filling with tar. How they achieve such density with a 3 piece is beyond me. I would guess it has something to do with the heavy distortion and the blending of the voices which throughout the album go from eerie to death vocals to deep chants to low rumblings to screams.

Bimp Picture

Song titles like “A Kiss is the Beginning of Cannibalism” and “A Bag of Bones” tell me the Nihilosaur is hungry…or perhaps he was. After all, it’s not a bag of drumsticks, it’s “A Bag of Bones”. Song titles like “Night is My Nudity” and “What Are You Doing After the Orgy?” tell me he’s horny… but then again, if “A Kiss is the Beginning of Cannibalism” then he’s probably planning on working up an appetite during the orgy. Don’t go anywhere alone with the Nihilosaur unless you want to be dinner.

The album closes out with a track called “Reptile Parthenogenesis”. If you’re not aware, parthenogenesis is when an animal impregnates itself. Get ready for there to be many little Nihilosaurs running around having orgies and devouring whatever’s in their path. (Edit note: after writing this paragraph and submitting this review, I woke up in the middle of the night and realized what the elephant is doing to itself on the album cover… a little parthenogenesis action!!!).

Seriously though, it’s hard to take a band seriously when their members have names like Analfox and Geniusfix. I have to assume that they don’t take themselves too seriously either. That’s a trait I think is very admirable in music and musicians. It’s supposed to be fun. Grab a copy of Hymn and Ruin, give it a listen and have a good time.

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Murder Love God “The Negative” Album Review + Video + Stream…

MURDER LOVE GOD

The Negative EP – Digital Download

Self Released – July 11, 2017

Reviewed by Ric “Suisyko” Dorr

 

Formed 2007

Location –  Milwaukee, Wisconsin USA

Line-Up
Medavon DeRaj’e – vocals, music, production and creation (Murder Love God / LOCKJAW)
Jeremy Gardipee – modular synth and keys (Insekt)

Previous Releases 

2007 “Sell Me Your soul”

2011 “Killing Time V2.0”

2013  “Alter of Evolution”

 

Review:

The first time I heard Murder Love God, was a few months after we had gone to see Milwaukee’s own LOCKJAW for the fourth or fifth time and Medavon had shared an advance with my wife of an album he was working on. While listening, the first thing we noticed was that the feel was even darker and deeper as Medavon was perfecting the blue print for the style known as “Hell Rock”, a mixture of all parts industrial/rock/electronica with a twist of trip-hop thrown in. When recently asked to describe the ethos behind Murder Love God, Medavon replied,

“Undefined and unexplained pieces of rotting parts floating down the sewer to a destination unknown. Excessive thoughts and complaints portrayed through music from a sometimes twisted perspective. These fragments are broken and often bitter but hopefully a few will find them comforting or entertaining.” Each previous release, including the remix’s have been pretty incredible in their own right and hinted at ‘something more’ looming in the shadows, and with this EP, that ‘more’ is finally revealed for the masses. Five tracks, 22+ minutes and this one was released as ‘parts’ over the course of the beginning of this year, coming together as an EP released on 7-4-17.

Live Band Pic

Opener ‘Bipolar’ comes right out of the gate with that familiar staggered tempo that grabs your attention and refuses to let go as the stark-dark twists around you immediately as you grasp onto the consuming keys that seem to linger just out of reach and still, right there as Medavon’s ethereal vocals seem to come at you from all directions as you grab every letter of every word that flows forth and as the body falls into disarray as the song itself, and everything else winds to… nothing.

‘Can’t Look Away’ opens with a slightly faster tempo and Medavon busts right into a rapid-fire vocal that to my ears is a new twist that rides the cascades of ghostly guitar tones delivered with a  surgical precision that gives the body of this track the added feature of ‘plush’ that has never entered the MLG camp in such a manner and even the harmonics mixed with the pick-slides are an indulgence that fills the air to an even higher level of ‘completeness’ to make this one of the most concise songs to come from Medavon’s hand yet.

And then comes ‘Fire Walker’, the longest song contained on this offering and is the pick for the video teaser. This is the exact song to give a complete smattering of the flavors contained here in and shows the growth and purity that musically demonstrates a confidence earned and a maturity in the arrangements and running order that were there before, but not quite to the level that this release is burning with. ‘Cannibal’ is even more of the progressions that while natural, seem second nature here flavored expertly with the seasonings of the life-blood of…

Band Pic 2

Standout track on this one for ME, is the closer ‘Devil’s Favorite’. Shortest offering included, it has everything I look for and devour greedily from a Medavon composition; a relentless beat, full bodied and driving and that special lyrical twist given as only he can do with flair and rage all given with the roar of the master-purveyor of Hell-Rock, delivering with “To taste it, don’t waste it, just touch the sky and shake it…” and the tone is one of need as you have to run along to savor each drop of this glass of absinthe-stained tears to the very last.  If it doesn’t hit you between the eyes once you have traversed from first note to last, Medavon has a response for that as well…

“That is acceptable….my comfort is failed and my soul has been sacrificed by desire. Please enjoy my testimony.” Listen once, drink deep from his veins as he has poured them once more into his art and feel it flow through you… “A musical acid trip on the industrial tip.” he said.

If this is your first sample of, then by all means GET IT ALL like, YESTERDAY!! If you are already one of the ‘aware’, add this to your library and share it with ALL in your personal realm. Support them live if you are given the chance, and keep it LOUD!!

Links:
http://www.facebook.com/darkdrugrecords

http://www.facebook.com/mlgmusic

http://www.soundcloud.com/murderlovegod

http://www.reverbnation.com/murderlovegod