Ufomammut “8” Album Review + Tour Schedule + Stream…

Ψ Ufomammut

“8” – Vinyl // CD // DD

Neurot Recordings – released September 22, 2017 

Reviewed by Terry “The Ancient One” Cuyler

 

Dalle Pesanti Psichedeliche Rock Wizards

 

Ufomammut is:
Poia – Guitars and FX
Urlo – Bass, vocals, FX and synths
Vita – Drummer

Ciccio – Soundlord
Lu – visuals

Previous Releases:
– Godlike Snake – full length cd/lp – Beard of Stars – 2000
– Snailking – full length cd – The Music Cartel – 2004
– Lucifer Songs – full length cd/dvd lp/dvd – Rocketrecs/Supernatural Cat – 2005
– Idolum – full length cd – 2lp+cd – Supernatutal Cat – 2008
– Snailking – full lenght double vinyl – Supernatural Cat – 2009
– EVE – full lenght cd – LP+cd+dvd – Supernatural Cat – 2010
– ORO – cd – LP+dvd – LP – Neurot Recordings / Supernatural Cat – 2012
– ECATE – full length cd – LP + dvd – Neurot Recordings – Supernatural Cat – 2015

 

 

Review: 

Hey doomsters this is the Ancient One and I’ve just returned from yet another odyssey through the cyberscape traveling the ethereal soundwaves. While traveling I learned through fellow music heads Italian wizards of heavy psych / stoner / doom Ufomammut  have released a new album entitled “8”. Wanting to know more I wasted no time in getting a early preview but I unfortunately failed you. While I wanted to let you know about it before its  September 22nd release date to give you all time to get your pre-orders in I was unable to because personal issues got in my way.

For those who are unfamiliar with them, Ufomammut (pronounced- ufomam’mut) is a heavy psych / stoner / doom band hailing from Italy. Going strong since 1999 “Ufomammut” was formed by  Poia (guitarist, synth, and sound effects), Urlo (bass guitar, synth, sound effects and vocals), and Vito (drums)  With 7 albums to date the bands upcoming album was released on the “Neurot Recordings label on September 22nd and is the bands 8th album, thus its title “8”.

As in past albums “Ufomammut” fearlessly experiments with sound and music. But what makes “8” unique is the method in which it was recorded. Seeking to give the listener the experience of listening to them live Ufomammut recorded the instruments in live studio sessions. And this painstaking process that has resulted in an amazing album.

Ufo by Malleus - web

Opening with “BABEL,” stoner doom Wizards Ufomammut begin weaving their auditory spell using a language all can understand. While I’d like to tell you which songs I liked most I really can’t. Every time I took time to look at the title of the song playing it broke my trance. So instead I will tell you what I enjoyed about “8” as a whole.

Unlike some music in which you feel like a spectator watching or listening to the metal gods on high, “8” envelopes you making you feel like you are part of the music. Listening to the fuzzed out guitar, drums, bass, droning chants, and psychedelic sound effects had me feeling like I was part of some strange musical mystery cult.  “8” is best listened to in full and if you don’t have a decent stereo I recommend listening with headphones.

Helping them launch their latest album on September 22nd  the “Malleus Art Collective” unveiled it’s “A Malleusdelic Art Trip Into Ufomammut exhibition”  at the release party  held at the Santeria Social Club (Milan, Italy) on September 22nd.

AVAILABLE NOW (Here) https://www.malleusdelic.com/store/index.php… – “The Art of Ufomammut” is a graphic journey by Malleus through 18 years of UFOMAMMUT.  We wanted to put together almost all the designs we created during these years for Ufomammut, from the first album covers to the last silkscreen posters, from the Limited Edition vinyls to the t-shirt designs. 96 pages – softcover.

Like many Ufomammut fans, I would have loved to go to the release party or to one of their European dates following it. But since I can’t get to Europe I can console myself with the fact Ufomammut will also be appearing at the Maryland Deathfest in Baltimore, Maryland next year May 24th – 27th, 2018.  Highly Recommend!!

 

Tour Schedule

 


L’IRA DEL BACCANO “PARADOX – HOURGLASS” Album Review & Stream…

L’IRA DEL BACCANO

PARADOX – HOURGLASS – Vinyl // CD // DD

Subsound Records – Released March 2017

Reviewed by Terry “The Ancient One” Cuyler

 

Hello all!! I’m back from one of my many epic quests through cyberspace in search of all that rocks ‘n’ rolls. Recently I’ve been listening to allot of  Greek, Spanish and Italian rock which seems to come in many varieties from a bustling underground rock scene which I will write an article about at some later date. Right now I’d like to tell you about: Alessandro “Drughito” Santori,  Roberto Malerba, Sandro “fred” Salvi, and Ivan Contini Bacchisio – a self described Doomdelic Instrumental Rock Quartet from Rome called L’ira Del Baccano.

 

Live Band Shot

 

Formed in 1998 as LOOSIN’o’FREQUENCIES, the band decided to reform itself as a purely instrumental act in 2007 as L’ira Del Baccano. The change in name and what they chose to play turned out to be a real shot in the arm band. In a conversation with  Alessandro the bands guitarist I learned the band was not even thinking actively touring and had no idea how big of an influence the internet would be for them until they recorded their first gig in 3 years and put it up as a free download and found they had generated a buzz.

 

 

After releasing two albums, and a split album with Watermelon Time, L’ira Del Baccano has released a third album Paradox – Hourglass on Subsound Records. I’ve listened to this album both actively and inactively and what I enjoy most about it is the musics mercurial nature. Opening with “Paradox Hourglass-Part I” the album begins simply enough with a rolling guitar riff that transforms into an 11-minute psychedelic jam then again transforms into something that sounds not like but akin to Carlos Santana jamming with Geezer in ‘Paradox Hourglass-Part II’.

After getting me hooked with the 1st two songs comes a bluesy heavy psych song called ‘Abilene’, followed by my favorite track with it’s Doomaphonic sound ‘Blind Phoenix Rising’. In just four songs Paradox – Hourglass takes you on a journey outside of space and time and into the spirit realm with L’ira Del Baccano’s blend of heavy, psychedelic, and progressive music.  If L’ira Del Baccano continues making albums like Paradox-Hourglass I can easily see them developing a cult following like the Grateful Dead and playing for years.

L’ira Del Baccano is:

Alessandro “Drughito” Santori – guitar/direction and architecture of Baccano
Roberto Malerba – guitar/synth
Sandro “fred” Salvi – drums
Ivan Contini Bacchisio – bass

L’ira Del Baccano Live at the Stoned Hand Of Doom Fest 2009

 

 


Dustrider “Event Horizon” Album Review & Exclusive Album Stream

Dustrider

Event Horizon – CD // DD

Argonauta Records – Release Date: May 19, 2017

Reviewed by Aaron “Red Beard” Wall

 

The next event horizon, from Italy’s mighty Argonauta Records, is Dustrider’s debut full length, titled just that…”Event Horizon.” A very fitting title to this tripped and stoned out fuzz fest into the ether of outer space. An instrumental band formed in Rome in early 2015, Dustrider released the self produced EP entitled, ‘Mother Engine.’ In steps Argonauta Records.  Dustrider and Argonauta both hail from Italy, so its definitely a match made in hell. In my humble opinion,  Gero and the crew at Argonauta have a finger on the pulse of the cutting edge of heavy music…and this release by Dustrider is no different. The band consists of Bruno ‘BrÜno’ Bellisario on guitar, bassist Andrea ‘Keoma’ Romano, and Francesco ‘Krundaal’ Romano on drums.  A few fat spliffs, a couple grams of shrooms, and the baddest dune buggy you’ve ever laid eyes on.  These are the tools you’ll need for “Event Horizon!”

As ‘Warped’ starts the record, you get in your kick ass buggy and turn the key. The song starts with a thunderous rhythm and bass heavy intro as you rev the motor of this beast. Drop it into drive as you feel the “tools” kick in…and you’re off with wheels kicking up the desert sand. Riffs and groove, manifest as you raise a middle finger in the air. As you light the first spliff Dustrider takes off into a heavy psyche wonderland. Weaving and twisting in bliss. As the song ends with feedback of fuzzy distortion,  I cant wait to see where the rest of our spaced out journey goes.

Band Promo Pic

 

Second track ‘Cosmo’ kicks in with a classic rock intro, then boom we’re off again with spliff in hand. Racing across a floor of desert riffage. This band needs no vocals, the music itself tells a story and takes you away into your imagination. It’s a thrilling ride so far.

‘They Live!’ is the fuzziest so far. A straightforward stoner jam with a glorious and colorful psychedelic solo. The double bass lick at the end is sick! Wait for it. The drum sound on the record as a whole is great. It’s raw but refined. Sounds like real drums. Played by a real good drummer. I dig that.

‘Fallout Criminal’ follows and is an exercise in Fu Manchu. ‘Nuff said.

The next three songs, ‘Agartha,’ ‘Stratosphere,’ and the title track ‘Event Horizon’ are standout tracks that take our badass dune buggy up in to space. We’re floating, we’re flying, and we’re not denying that the mushrooms are taking over.

These songs turn and soar, they bring heavy and can destroy. Tracers of shooting stars are so close, almost touchable as they shoot away with the riffs. Then they let us gently down. We breathe as we ready ourselves for the conclusion of our heavily psyched out stoner trip across the universe. From the desert floor to the galaxies.

The closing tracks to the album ‘Ultima IV’ and ‘Dust Devil’ end Event Horizon perfectly. They are exhilarating and celebratory. Dustrider makes you reminisce on the adventure, and make you wanna get on this dune buggy spaceship and do it all over again…and again…and again.

Dustrider have focus yet flexibility on ‘Event Horizon’ they know when to hold on and they also know when to let go. I for one love instrumental bands and this three piece know how to do it to perfection. They make you hear in colors and in dialogue by the notes, and the complete songs they play. They tell a story, but let you write the script. Your mind is the canvas and Dustrider paints it. ‘Event Horizon’ is an amazing record. I don’t know about ya’ll but I’m getting back in the dune buggy to take another trip with Dustrider and you should too!!

Band Pic

 


New Album Review – VOID CRUISER “Wayfarer”

VOID CRUISER

Wayfarer – CD / DD

Argonauta Records – Release Date:  Digital album releases February 27, 2017 /

Physical Album Ships around March 10, 2017

 

Ship: Void Cruiser mod.1.0 (Interstellar heavy metal exploration vessel)

Destination: Unknown

Last known location: The Andromeda galaxy

CREW – T-Hug: Low Frequency Engine, Ambience Generator

V-Salo: Soundscape Systems

T-Bag: Battering Apparatus

S-Salo: Fuzz Machinery, Communications

 

Post: Void Cruiser has always been there. Only now the crew have awakened from their cryogenic sleep and they are on a holy quest. A quest for The Massive Resonance. This is how we begin…

And so is how my introduction to VOID CRUISER began. I discovered that this is the third release, the first being 2013’s EP ‘Motherload’ followed in 2015 with the full length “Overstaying My Welcome” and now in 2017 we are gifted with “Wayfarer,” a seven song collection of pure stoner-metal bliss; fuzzed out bass lines, staggered tempo’s and fills running amok with searing, soaring guitar solos that perpetuate every minute that has no other voice voiced communications. Grab your vaporizer/pipe/bong/etc. as we travel along with this mod 1.0 vessel.

 

Live Band Shot 2

 

‘A Day In Which No Man Was Born’ serves as the lift-off and slowly takes you through the entry of the edge of this sector as the background becomes the majesty that is the interwoven expansive net that is propelling you into the unknown ahead with no apprehension.  Instead anticipation as the power chord driven final section of this track shifts as you can almost feel the turning of this vessel which effortlessly flows to the next track ‘I Didn’t Lie, But Know Now I Should Have.’  The band swings right into a blues-tempo’d, doom-slow and low tale of Salo speaking of the “voice” inside of him, letting us see through his eyes what is transpiring within and why he knows why he should have. As the last note rings out, we suddenly hear footsteps and a quick staccato snare pulls us into ‘As We Speak’ where we are told that we will ‘hear with your eyes and see with your ears’ as if he could reach you. Electronic sputters lead us right into the power chord beginning of ‘Madonnas And whores’ where Salo tells us that when he was all alone, in his own narcissistic way, all he could feel was love for everything. Now that he is willing in his own altruistic way, all he can feel is just jealousy as he further exposes the events of the ‘looking for comfort’ and there is no way it’s gonna fall. At the four minute mark, we begin the turnaround portion of this leg of the journey with the tastiest guitar section this record has offered up so far and filled the void around this spinning vessel perfectly carrying you though the ectoplasmic expansion that surrounds you outside until you are told that the ship has been taken over.

 

Pro Band Shot

 

‘Seven Years Late’ is a tale of Salo speaking of ‘your heart of gold, my heart of steel’ and his careening vocal carries you further long. telling of a dream he had, saw his grave, seven years late. Faster footsteps, a coughing man and ‘All Over Nowhere’ begins that Salo is ‘The man that helped you, he’s the man that stabbed your back…’ and then asked if ‘you’re having a good time baby’ with the same monotone sneer you would expect from somebody that tells you he knows for sure that you ‘go around.’ Perfectly accentuated at the end with the same running footsteps at the beginning before final track ‘Maailmann Kallien Kaupunki’ which per a translator means ‘The most expensive House’ which leads me to imagine some spectral equivalent of The House of Heaven or some such. Speaking no Finnish, I can not be positive, but the music of this 10-minute soliloquy gave me a feeling of bliss that carried to the very end as the very last faded out through a backdrop of white noise that seemed endless until it was no more…

Compared to the previous releases, VOID CRUISER have come a long way with “Wayfarer” and have grown not only as a unit, but as a concept and they have executed the concept quite well here. If given the opportunity, I encourage you, the reader, to find their tour schedule and get out and see how this outstanding studio effort is translated to a live forum.  We can not recommend this album enough…

Words by Ric “Suisyko” Dorr


Album Review – Electric Age “Sleep Of The Silent King”

ELECTRIC AGE

Sleep Of The Silent King – CD / DD

Argonauta Records – releases February 27, 2017

 

From the deep South, southern Louisiana to be exact, the birthplace of sludge-metal, comes this hybrid of all things resonating traditional metal, elements of folk / blues / stoner / doom / progressive, and a pure rock dynamic to morph it all into this, the debut offering from this three piece named ELECTRIC AGE. While this is the first release from this line-up as a unit, I was informed directly that these seasoned players have decided to forgo sharing their collective pedigree to let this album stand on its own merits in the here and now. After taking it in, I believe they have created something amazing that can indeed stand tall as an accomplishment of songwriting, musicianship and something that has been so lacking as of late in American metal; the art of storytelling. Dripping with the archetypal concepts of good, evil and the divine throughout this sojourn, the band states that this is “A conceptual and mythological journey through the threshold of time and consciousness, into the heart of darkness and divinity, through death and redemption, and finally into the inexorable void.” So, not just another “Wankfest” but actually thinking-man’s metal?? The pulse quickens…

 

Band_in a shack

 

From the first notes of ‘The Threshold’ through to the acoustic fade out of ‘The Dreaming’, there is a precision of delivery from each member of this power-trio reminiscent of DEMONS & WIZARDS  in the exacting musicality given with each track. ‘Shepard And The Raven’ comes on with a single snare-drum pop and a full-on power chord assault hits you before you know it, this chapter of the story unfolding with the might of the voice telling the tale of…

‘Robes Of Grey’ comes out of the gate with a gallop and you can’t help but to hold on as the freight train rolls on. Even when the tempo slows for a moment, you draw your breath slower until that next chord hits and you go again. Ultra thick bass serves as the intro to ‘Cold Witch’  before the hammering guitar takes you into the tale one more “Four long winters have past a ray upon the feet of cold offering…” and further into the mind of the king you are drawn as he asks her to carry him away. Soaring deep notes serve as the perfect accent to the vocal flowing forth.  The bass line towards the end reminds you of just HOW deep and dark these guys have shown they can get.

‘Priestess Pt.1’ allows you to catch your breath for a minute through intricate overlaying guitar lines, as the main body of this song, and when ‘Black Galleons’ hits with a thundering drum-line steeped in reverb; it is right on time to keep you glued to this epic journey, time shifts galore that are indeed suiting this diatribe as we hear that “We would die for the Purity and Grace” as the solo lets you traverse onward back into the thunder as the song fades out. ‘Sleep Of Winter’ wastes no time, right back to full-on ‘rock-god’ phrasing on that Les Paul and the pace does not cease to push you along at full-charge. ‘Silent King’ enters with a clean guitar tone and a slower pace again but the majesty and multi-layers of the lush mix is never gone, letting you forget that this is a trio. Our king is in self reflection as the ‘Elders’ and his feelings of being “born of the dark and will leave the same.”  ‘Priestess Pt 2’ shows more of the acoustic/folk side complete with violins in the background as “She spreads her black wings to fly”.

 

Live Band Pic

 

The last two tracks are the ones I kept going back to time and again. ‘Electric Age’ is one of those songs with enough hooks to catch a bushel of fish out of the air with and could definitely be the story behind the name of this power-trio.  The slow doom fade out into ‘The Dreaming’ is the perfect segue into the song that sums up what we have traversed over the last hour plus and offers final insight into the king’s mind in reflection and attempted remembrance. Is he awake or still in a dream or somewhere in between or…  as the ‘pick-birds’ chirp randomly, are we are all dreaming??

I have told my kids as I put them to bed to ‘dream the dreams of royalty’. I now wonder if any of their own nights were filled with tales such as this…

Each of these songs stand tall on their own, just as I was told was the intention and together, they represent a near-masterpiece.  For a first debut album, gotta give it an ’11’ on a 1-10… get it the second you can!!

Words by Ric “Sui-Syko” Dorr

 


Album Review – Rhino “The Law of Purity”

RHINO

The Law Of Purity – CD / DD

Argonauta Records – Release date: Feb 13th, 2017

 

Catania, Italy is home to this five-man doom/stoner metal machine who’s latest release “The Law Of Purity” is set to be unleashed this February worldwide; let me help get you ready for this one…

Starting out in 2012 when Frank The Door (Marco-bass) and Red Frank (Seby-rhythm guitar) shared a passion for stoner-rock citing bands like BLACK SABBATH and KYUSS as favorites and influences. Lord J. Frank (Alfredo-drums) and Frank Sinutre (Francesco-lead guitar/vocals) completed the line up with that familiar recipe of old style whiskey, enough bass-fuzz to pull the hair off of your cat, quick shifting tempos and the aggro-gruff vocals that all lend to their psych-stoner spirited compositions. RHINO did their time playing biker festivals and the club/bar circuits tallying up a fan-base that pushed them along, allowing them to hone their craft to a razor sharp level. When asked to describe themselves, the response was “You in the desert, dust in your eyes and lovely mirages.” You could almost hear the Bongwater bubbling with that answer. Releasing their first 4-track EP in 2013, they kept hammering away and in late 2015 based in what I could glean, they cemented the five piece arrangement with the departure of Frank Sinutre, replacing him with Frank Real Tube (Luca-lead guitar) and Frank The Doc (Niko-lead vocal). The end result is PURE Sicilian stoner/hard rock as this release will demonstrate.

 

Pro band shot

 

Lead-off single and title track ‘Law Of Purity’ begins with a pulsing back noise littered with birdsong that suddenly become the sound of tape running backward, high-speed until the guitar line begins, complete with muted cymbal tapping and then 30 seconds in, the rest of the band kick in as Niko’s voice rips your eardrums open with his growling delivery. Proving their might from the onset, it is obvious that RHINO is ready to dominate as the track rolls through with their signature pounding fuzzed out bass, time-shifts from hell and guitars working in perfect tandem letting the tale of this “New Messiah” unfold. The same guitar tone takes you into ‘Bursting Out’ as seamlessly as sugar folding into coffee, leveling out into a slow gallop as Niko starts out, “Sometimes, I feel…” leading you along this tale of “something hidden”, wondering what lies behind the “sleepless”…

‘Grey’ opens with two measures of measured snare and cymbal before the spaced out guitars take your arm and push you along this faster paced tempo taking you over through the twists and turns of time-shifts and bass runs quick enough to get you dizzy before the psych-solo rips into your brain at the midpoint, cascading through your bloodstream until Niko’s voice comes back, relaying the remainder of this tale to your waiting brain until it fades to silence.

‘Nuclear Space’ starts out with this funky bass line that goes on for about two and a half measures until the rest of the band comes in full-force, distortion boxes screaming all around. Fulfilling the need to give their take on what lies behind our very own atmosphere, this track is like the proverbial train dragging you along until the track just stops cold. Enter immediately ‘Eat My Dust’, a slower romp as unrelenting as ever in all it’s distorted majesty, VERY reminiscent of WARRIOR SOUL in it’s ‘simplistic-complexity’ of spinning guitar lines with a KORY CLARKE like vocal-delivery that has you grabbing to savor each syllable being belted out. ‘Nine Months’/’A & B Brown’ and ‘Cock Of Dog’ could easily be a 15 minute ‘jam piece’ for their live set as all run so smoothly together, one after the other as if they were intended to be a three piece opus.

 

Band live Shot

 

For whatever reason, it seems to be a tendency for the last track of most stoner bands to be the perfect book-end and a precursor of what looms next and RHINO seems to be no exception here. ‘I See Monsters’ has so many elements mixed together saluting their aforementioned influences in power and might with the SABBATH-style window rattling thickness of guitar/bass and that MONOLITH vocal sneer describing the “monsters in your mind.” 48 minutes later, I had to pick my jaw up to close my mouth in my astonishment and appreciation for what I had just took in and if you know what is good for YOU, you will grab this one the second it is released!!

Highly Recommend!!

Words by Ric “Sui-Syko” Dorr


Album Review – OLNEYA “Olneya”

Album Review – OLNEYA

Olneya – Digital Download

Independent – released December 30, 2016

 

Maurizio Morea faced something not that uncommon anymore when he set out to record this EP. He had been working with two other musicians and after facing several issues with the other players, like lack of material, time to rehearse and other commitments, Maurizio decided to ‘mutate into a one-man band’. Beginning in November and going through December of 2016, he did whatever it took to make this “Self-Titled” EP into a reality.  At the time of writing this review, Maurizio is searching for permanent band members to create more material and get to playing LIVE!!

 

Artist Picture

 

‘Mantar’ is the lead off and seems a little long as an intro at just over three minutes, but once ‘Zero Uno’ hits, it makes sense and flows perfectly into ‘Zero Due’ both tracks showing the influences of bands like KARMA TO BURN and KYUSS. ‘Road To Aokigahara’ takes you off across the horizon of lilting floating notes that echo endlessly across your tongue, all the while almost sounding like some spaced-out spaghetti western music slowly fading out to nothing and then, before you know it ‘Zero Tre’ comes in and wraps it all together. The melody and drum line remind you of where this started 20 mins ago and answers all queries your mind may have asked during the flow of this short journey throughout. I completely get the one-man routine as I have done this myself over the years a few times and to me, this seems the perfect vehicle for this man from Italy to make his vision materialize… give it your time and let it envelop you.

Words by Ric “Sui-Syko” Dorr