In Rock We Trust: Y&T / TEMPTATIONS WINGS Play The Grey Eagle In Asheville, North Carolina

The past and the present, the old and the new, the hard and the heavy. A juxtaposition of variances would be embodied on the night of Friday, April 21st as the legendary Y&T, with support from Temptations Wings, came to Asheville, North Carolina. The setting would be The Grey Eagle and the broad spectrum of rock music to be presented would be impressive to say the least. So would merely making it to the show as I, and shotgun rider Tomm Huff, departed our home in Kentucky amid a battering hailstorm and torrential downpours. Three nerve-wracking hours of travel through non-stop inclement weather would not deter us though and eventually we arrived safe if not a little soaked.

My first trip to The Grey Eagle revealed a nice, well maintained older building of good size with a cool music hall, bar and kitchen/dining area. I had been eagerly awaiting this show for months now since learning that the current incarnation of the iconic Y&T were coming to the region. Not just that alone either as regional band Temptations Wings, who are riding high on their recently released album, ‘Skulthor Ebonblade‘, were on the bill as well. In fact, I conducted an A/V interview with those guys prior to the show, in the rain somewhat, that will be coming soon.

TW1
TEMPTATIONS WINGS

When it came time for Temptations Wings, aka Micah Nix (gtr./vox), Jason Gardner (drums) and Chad Barnwell (bass), to take the stage, the venue was quite packed. Guesstimating somewhere near 400 – 450 people had filed in to see these AVL hometowners unleash their heaviness. The trio recently released their critically-acclaimed conceptual album, the aforementioned ‘Skulthor Ebonblade‘, and have been in high demand ever since. The album weaves the tale of a mythical warrior who returns home to find his family slain and and village destroyed by an evil witch. To reap vengeance, he journeys to obtain a mystical sword and once acquired, goes to slay the witch herself. Quite an intriguing storyline, is it not? Truth is, the story is only but a small part of what makes this band so solidly kick-ass though..it is really more about the music.

The music of Temptations Wings can only be described as Appalachian Power Doom for that does suit it rather well. Comprised of chunky, thick riffs, pulsating rhythms and thunderous drumming, the music is heavy and engaging. And it was clear the guys have a large, loyal support base here in their home region. After a taped intro segment, they delivered the barrage of songs that included ‘I, Destroyer‘, ‘Treachery Of The Blind Raven‘, ‘Lair Of The Gorgon Queen‘, ‘Into The Maelstrom‘ and ‘Crush The Weak‘. Each was well received and it was clear that many of those in attendance were already familiar with the tracks. The guys provided a fantastic set that went over really well with such a diversified crowd, one where all ages from the younger to the elder, were well represented.

Y&T
Y&T

An interlude and then the stage was commandeered by the legendary Y&TY&T 2017 sees the only surviving band founder, guitarist/vocalist Dave Meniketti, joined currently by guitarist John Nymann, bassist Aaron Leigh and drummer Mike Vanderhule. Many of the bands that got their start several decades ago, and are still around, exist solely to relive their glory days by rehashing their earlier material. Such is not the case with this band as they continue to record and release new material, like they did with 2010’s Facemelter album. The repertoire of material that Y&T has available in their discography to select from was well plundered on this night too.

The origins of Y&T date back as early as 1974 and the band began officially releasing studio albums in 1976. Some of their albums have achieved both commercial notoriety as well as cult status amid massive reverence. One of their most beloved records, In Rock We Trust (1984), would provide the one-two punch to start their set this night with the fantastic ‘Lipstick And Leather‘ and ‘Don’t Stop Runnin’‘. The place was roaring with excitement as the band followed up with another classic, ‘Hurricane‘, before visiting material from another landmark album, 1981’s Earthshaker. ‘Shine On‘ and clear crowd favorite ‘Dirty Girl‘ had the place erupting with sing-along choruses and crowd enthusiasm. Then Meniketti & Co. unleashed one of their most well known songs, the scorching title cut from 1983’s Mean Streak and the audience went haywire. In case you don’t know it, Dave is one hell of a damn good guitarist too and he himself scorched the frets on the song’s solo while Nymann too delivered his own axe wizardry.

Things would wind down to the lighter side of the band’s music as they delivered a great version of ‘Don’t Be Afraid Of The Dark‘ from 1990’s Ten. What came next was the most touching period of the night as Dave spoke about the now deceased longrunning Y&T members Phil Kennemore, Leonard Haze and Joey Alves. He dedicated the next song, ‘Winds Of Change‘, to them and then delivered a powerfully stirring delivery of the song which clearly moved all present. Before anyone could dwell on the touching significance of that moment the guys launched into the high energy of ‘Blind Patriot‘ from their most recent studio effort, Facemelter. The uptempo track is a hard rocking number that rolls out at a frenetic pace from the start and it sure got everyone’s blood pumping again including Y&T‘s. Not to mention some fiery guitar pyrotechnics from Dave and John both throughout the song.

The next block of cuts would touch upon all the bases, i.e. hit albums, first with the stellar rendition of the melodic rocker ‘I’ll Keep On Believin’ (Do You Know)‘. Then came the lively title track of one of my personal faves, ‘Black Tiger‘, and they toned things down again with ‘Midnight In Tokyo‘. Keeping the formula going of tapping into some of their best, well-known albums, Meniketti and the mob delivered up rousing cuts like ‘Let Me Go‘, ‘Hang’em High‘ and ‘I Believe You‘. Then came the inevitable title track of the band’s 1987 album, one of their most well known records and songs both, ‘Contagious‘. Needless to say, the packed house clearly knew the song by heart, inside and out, upside and down as they involved themselves in some way or another. Women of all ages, makes and models were dancing around the auditorium and before the song was finished, Mike Vanderhule delivered a jaw-dropping drum solo. It was the perfect segue into one of Y&T‘s most upbeat, metallic-tinged tracks ever, ‘Open Fire‘, and that is exactly what the quartet did with the track. Now had come the time that everyone knew was inevitable, the delivery of Y&T‘s most well known, biggest commercial hit song of their legacy, ‘Summertime Girls‘. The beloved MTV / Billboard Hot 100 hit song that hails from the ’85 LP Down For The Count is the sole song that many people know Y&T for. That’s really a shame too because the band truly has such a remarkable body of work built up throughout the years that some people are tragically missing out on. A trip back to 2010’s Facemelter record came in the form of the anthemic set-ending “I’m Coming Home‘, another song that elicited sing along choruses and intensified audience participation.

To be honest, things could have just ended at this point and I would have been more than satisfied with what I had just experienced. Seriously, I had just seen a band truly perform their very heart and souls out for the house attendance and it was utterly incredible to put it mildly. Yet the show was not quite over as the quartet returned and served up two more remarkably rousing renditions of great older songs: ‘Rescue Me‘ and ‘Forever‘. The latter was quite the appropriate finale for the night too because rock ‘n roll is forever and for me, the experience of seeing Y&T will remain with me forever as well. But not just Y&T of course as I got to see my good friends in Temptations Wings open for the legendary act and thus share their own killer music with a wider audience. Between the two bands they had the spectrum well covered, just as I eluded to at the start of this recap. The Grey Eagle in the mountains of Asheville, N.C. served as ground zero for this spectacular night of Rock ‘N Roll where both the Old School and the New were well represented.

– Pat ‘Riot’ Whitaker

*All Photos Courtesy Of Tammy Buckner Photography


Testament/Sepultura/Prong/The Convalescence: Easter Sunday Sunset Service At The Fillmore In Charlotte, N.C.

For many, Easter is all about church services celebrating the New Testament era of the bible and the savior Jesus Christ. However, I was party to a whole other kind of religion with a Testament all its own on this most recent Easter Day, April 16, 2017. Yes indeed, the Brotherhood Of The Snake itself, Bay Area oldschool thrash legends Testament were at The Fillmore in Charlotte, North Carolina and they brought friends. The revival of classic metal would also be preached by Prong, Sepultura and new converts, The Convalescence. Before the night’s electrified sermon would unfold, we had the opportunity to meet Testament for a signing session and brief interaction with the guys which was cool. And for the record, the guys currently in the long running powerhouse are vocalist Chuck Billy, guitarists Alex Skolnick and Eric Peterson, bassist Steve Digiorgio and drummer Gene Hoglan.

THE CONVALESCENCE

The evening’s events would kick off with a band totally unknown to me, the Toledo, Ohio sextet, The Convalescence. I’m not totally certain what genre you’d classify the act as since they incorporate some Metalcore and Death Metal (Deathcore?) into their sound. But oddly, there are keyboards, varied vocalization styles and yes….corpse paint! Now the band received decent crowd support and interaction, I’ll give them that but to be added to support this bill of oldschool acts was an ill-conceived plan on someone’s part I believe. I am sure it was some label employee’s big idea perhaps but a modern metal act like this would be better served on a more accommodating roster like a Van’s Warped Tour or Knotfest (do those still exist?). Being unfamiliar with The Convalescence, I’m clueless to what songs they performed but allow me to add that the band was not bad or terrible or anything…just a tad out of place in my opinion.

PRONG

Next up were a band I have had a long, ongoing love for over many, many years…Prong! My seeing the band, albeit with differing line ups, dates back to their touring cycle for their third release, 1990’s Beg To Differ. Tonight would see band founder and frontman/guitarist Tommy Victor joined by drummer Art Cruz and bassist/bkg. vox Jason Christopher. If you are a fan of Prong‘s then you should be well aware that this band are on a roll and they only get better with each new album, and each new day it seems. Clearly, there was a venue full of Prong fans here too as people were singing right along to classic tracks from the trio. Songs like ‘For Dear Life‘, ‘Beg To Differ‘ and ‘Unconditional‘ elicited energetic sing-alongs during their oh-so catchy choruses. Other, more current songs like ‘Cut And Dry‘ and ‘Sense Of Ease‘ from 2016’s critically acclaimed X – No Absolutes were also well received but the most involved tracks were the one-two-three punch of some really well known selections. Just like how they unfurl on 1994’s landmark Cleansing record, the trio of ‘Another Worldly Device‘, ‘Whose Fist Is This Anyway?‘ and ‘Snap Your Fingers, Snap Your Neck‘ nearly brought down the house.

SEPULTURA

The legendary Brazilian metal band Sepultura would take the stage next and I have a confession to make concerning them. I was an avid fan of the earlier era of the band, seeing them numerous times when Max and Igor Cavalera were still present but I kind of lost touch with the act many years back. No particular reason other than my tastes changed and as most people know, so did the iconic band’s membership. Currently, only longtime guitarist Andreas Kisser and bassist Paulo, Jr. remain from those early days and they’re joined by vocalist Derrick Green and drummer/percussionist Eloy Casagrande. Sepultura has thrived in the years since I saw them last, releasing several albums and furthering the legacy of the beloved band. In fact, 2018 will make twenty years that Derrick has fronted the band so truth is, he’s as much a part of that legacy as anyone else at this point.

Fans in attendance at The Fillmore were more than ready for the Sepultura onslaught too as the band opened with back to back tracks from their recently released fourteenth studio album, Machine Messiah. ‘I Am The Enemy‘ and ‘Phantom Self‘ activated the crowd and they remained involved for a flurry of songs from that same record like ‘Sworn Oath‘, ‘Alethea‘ and ‘Resistant Parasites‘. For me, the most interesting moments came when the band played the earlier era’s material such as ‘Desperate Cry‘, ‘Inner Self‘ and the set closing ‘Roots Bloody Roots‘. Hearing these songs that I knew so well being done by band members I’d never heard them performed by previously was a somewhat surreal experience. Needless to say, for me, Sepultura circa 2017 are just as impressive now as the band was back a few decades ago and clearly able to stand on their own merits.

TESTAMENT

Then the time had come for one of the Bay Area’s most enduring thrash band’s to bring their aural legacy to the stage. Speaking of which, Testament‘s debut album, 1987’s The Legacy, turned 30 years old this past week on April 21st. The current incarnation of the band is 3/5 of the one that recorded 1999’s The Gathering, a much heavier-oriented album and that same heavy vibe comes through in the live line up as well. The guys immediately unleashed a quartet of tracks from their more recent albums with ‘Brotherhood Of The Snake‘, ‘Rise Up‘, ‘The Pale King‘ and ‘Centuries Of Suffering‘. Chuck’s vocals bellowed throughout The Fillmore as the crowd’s excitement went off the register and during the latter track, Peterson performed a scorching guitar solo. That set things up nicely for the catchy, melodic hooks of ‘Electric Crown‘ from the band’s 1992 album, The Ritual. Alas, the melodic moments were soon obliterated by ‘Into The Pit‘, a song proceeded with Chuck sharing a tale of about a night of too much booze in Texas back in the day. That, and them going to check out an up and coming band that night, Pantera. Another flurry of songs ensued including the death metal-ish ‘Low‘, ‘Throne Of Thorns‘ and ‘Stronghold‘. The latter was prefaced with Chuck’s commentary supporting the Standing Rock protesters and went out with yet another intense guitar solo, this time by Alex.

A return to that aforementioned 1999 album came with The Gathering track ‘Eyes Of Wrath‘ and then came a jaw dropping spectacle to behold: A furious drum solo by GeneThe Atomic ClockHoglan! One of the unquestionably best drummers on earth unleashed upon that kit like a man possessed before the band returned to the stage for a volatile delivery of ‘First Strike Is Deadly‘. From there another astounding event to witness, Steve Digiorgio‘s unhinged bass solo! In case you don’t know it, Steve has nearly four decades under his belt playing bass..and playing bass like only he can..and like he does. It cannot merely be described, it must be observed to comprehend and then come another block of fantastic songs: ‘Urotsukidôjí‘, ‘Souls Of Black‘, ‘Seven Seals‘ and the set-ending ‘The New Order‘.

Of course just as soon as Testament exited the stage the thundering chants of “Test-a-ment! Test-a-ment!‘ erupted in the auditorium. The call went forth, building and building until the guys came back out and hit us with staggering one-two of ‘Practice What You Preach‘ and ‘Over The Wall‘. The crowd was in a frenzied state by the time the band wrapped up these two favorites and there was no escaping the feeling that we had been subjected to some of the best oldschool metal on this planet…which we had of course.

Disclaimer: I am not a photographer. Bear that in mind when viewing the pictures included in this show review but then again, one thing I learned at Metal Nexus is that anyone can call themselves a photographer..even if they really aren’t! :)

– Pat ‘Riot’ Whitaker