Atlanta’s swaggering smooth alternative rockers The Buzzards Of Fuzz are preparing to release a new single “You Never Bring Me Any Flowers” b/w “How Could You?” on July 15th. The band’s laid back, heady demeanor is a real blues-infused treat for rock fans as evidenced by the Soundcloud embedded streams of the songs below. They serve as the The Buzzards Of Fuzz first new material since their critically acclaimed debut EP Buzzard Custard was released.
In related news, The Buzzards Of Fuzz were recently named as one of the many bands that will perform at Asheville, North Carolina’s “Only Real Rock N Roll Music Festival”: the 828 Festival 2! The latest round of this event sees it growing to encompass three stages at The Boilerroom, Scandals and Club Eleven. It all happens in AVL on Sunday September 17th, 2017 from 2pm-2am. Find more info and details here.
September 1st, 2017 will see the eagerly awaited release of the third studio album, titled “Join Hate“, from the French rock band Rescue Rangers. The album was produced by none other than Page Hamilton (Helmet) and will be issued via F200 Records. The band is sharing the new song “Khalil” today, a song that firmly unveils the band’s tight, melodically appealing style. Join Hate is sure to be an out-and-out treat for fans of heavy rock and electrifying song writing. Ballsy, voluminous and best of all stacked with promise, for anyone just discovering the band it’s an ear opener, and for those already in the know, a real statement on just how far they have progressed since day one.
– Pat ‘Riot’ Whitaker
1. Join Hate
3. Moped Synch
6. Treading Water
8. Vibe Hotel
9. Keep Smiling
10. Broken Faces
12. Join Hate (Reprise)
Wiesbaden, Germany-based 4-piece, The New Roses, are about to return with their brand new album, One More For The Road, set to be released on August 25th via Napalm Records. The 11 song (14 with the special edition with bonus tracks) album is a bluesy ode to melodic rock, one rife with Eighties overtones and southern rock styling. You can check out that style and sound via the band’s brand new Official Video for the song “Every Wild Heart” below.
The band comments: “One More For The Road is 100% New Roses, straight in your face rock’n’roll, no compromises, based on the experiences of the countless shows we played over the last year, dedicated to our great live audience. We can’t wait to play it live on our upcoming tour, because these songs were written for a hot stage, a loud crowd and a kick ass rock’n’roll band!”
Available on CD, LP Gatefold or as Digital Download, you can pre-order ‘One More For The Road‘ right HERE!
In support of their new album, The New Roses will be of course heavily touring this year again! The “One More For The Road” tour, presented by Rock Hard, Rocks, EMP, Metal.de, Tätowier Magazine and Stormbringer, as well as Radio B.O.B. and Star FM, will kick off on September 29th in Aschaffenburg, Germany. You can find all of the band’s upcoming tour dates at this location.
– Pat ‘Riot’ Whitaker
One More For The Roadtracklist:
1. Quarter To Twelve
2. My Own Worst Enemy
3. Forever Never Comes
4. Dancing On A Razor Blade
5. Consider Me Gone
6. Life Ain’t Easy (For A Boy With Long Hair)
7. Every Wild Heart
8. Fight You Leaving Me
9. The Same Moon
10. Piece By Peace Of Mind
11. One More For The Road
12. Do I Look Scared To You [Bonus Track]
13. The Storm [Bonus Track] 14. Nitro Nights [Bonus Track]
UNCOMMON EVOLUTION Junkyard Jesus EP – All Formats Argonauta Records – Release Date: June 30, 2017 Review By: Pat ‘Riot’ Whitaker
From the high end low country of rural Montana comes the next step in the Darwinism advance of heavy rock, Uncommon Evolutionand their latest 4 song EP, ‘Junkyard Jesus‘. Due for release this Friday, June 30th from Argonauta Records, this granite-hard slab of stupendous stoner rock is a monstrous movement crammed into a short-playing offering. Not unlike the Uncommon Evolution‘aries neighboring state South Dakota’s National Monument Mt. Rushmore, ‘Junkyard Jesus‘ deserves his very own recognition. Perhaps the residents of Montana might see fit to create their own tribute to their imminent favorite sons, Briar Gillund (vocals/guitar), Matt Niles (drums), Rick Bushnell (bass) and River Riotto (lead guitar).
What this fantastic foursome has carved out on this EP is nothing short of powerful and astounding, as well as energetic and enthralling. With mile-wide fuzzened riffs fueling these four cuts, they slither forward with swagger and surety. Gravity-generating grooves so deep they seem bottomless twist and turn without warning, pulling you along for the ride. All of this begins the very instant that the opening title track begins as “Junkyard Jesus” unfolds the tale of the regal one of refuse, the lord and master of scrappin’ himself, J.J. Rife with bluesy overtones and tightly packed rhythms, the song is an anthemic ode that serves to set things up for what may be my favorite song, the second cut, “Highly Modified Son Of A Bitch“. This slowly simmering scorcher is the kind of song only crafted after lengthy influence from the likes of Clutch, Planet Of Zeus or Wasted Theory. Its intertwining music and vocals yields a beefy number that is impossible to ignore.
The super cool infused sonics continue with the semi-doomish blues of “Feather Short Of Flight” as it alternates between slow jam verses and increasingly more uptempo choruses. Fat bottomed guitars churn and chug it out while the gargantuan, gravelly vocals spin yet another intriguing yarn you will refuse to resist. The subtle synths bubbling beneath the surface of the song at certain points is a damn fine touch too. Things end with the fourth and final track “King Of The Heep“, a furiously quickened cut that rips and tears along with some dizzying drums and outright intensity. The much more effect-heavy vocals are more aggressive, muddied with a seeming bloodthirstiness that works well within the confines of the song itself.
Grit, swagger, balls and burly machismo permeate each fiber and every moment of Uncommon Evolution‘s ‘Junkyard Jesus‘ EP. Still a relatively young band, one that formed in 2013 and has released two prior EPs, this latest effort from the irregular mutations is, simply put, remarkable. It is a fiercely unforgiving salvo of heavily southern-imbued stoner rock awesomeness and it will flat out rock you to your very core. Allow it to do so now via the Soundcloud embedded stream below and then go get this sumbitch this Friday, June 30th on Argonauta Records (purchase here).
THE COLD STARES Head Bent – DD//CD//Ltd. Ed. LP Small Stone Records – Release Date: June 16th, 2016 Reviewed By: Pat ‘Riot’ Whitaker
I always dig it when a band I’ve been hip to for awhile, usually when hardly anyone else was aware of them on a large scale, begins to break out of thay pseudo “obscurity”. Nashville, Tennessee’sThe Cold Stares are possibly the next band in my wide spectrum of somewhat secret enjoyments that are poised to experience that revealing spotlight. See, I saw the band back three or four years ago when they were out supporting Rival Sons (I think it was) on a date here in Kentucky. I was immediately sold on the duo of guitarist/vox Chris Tapp and drummer/vox Brian Mullins aka The Cold Stares for a variety of reasons, usual ones like the fact that the guys make flat-out incredible music. It’s almost incomprehensible to believe or even accept that it is just two guys playing this astounding music, getting this amazing sound, wielding this inhuman power.
Now, after a couple of well-received EP releases and the ice-breaking 2014 effort A Cold Wet Night And A Howling Wind, the duo are back with their new full-length, ‘Head Bent‘. The eleven song opus was produced and mixed by the band with Greg Pearce and mastered by Chris Goosman (Acid King, La Chinga, Solace, Lo Pan, Freedom Hawk, etc.). It just dropped this past week on June 16th viaSmall Stone Recordsand I assure you now, with all foregone knowledge and sincerity, this record is going to blow your mind, my friends.
Continuing in the Small Stone tradition of hosting some of the best, heaviest, hard rock hitting the ground rocking and a’ rolling, there comes this. Yes, this is exactly what Rock & Roll in the year of our Lord 2017 sounds like, music rife with testicular fortitude and an undiluted, devil-may-care attitude. Taking heaping piles of blues and Americana-flavored folk rock into their own sound, The Cold Stares emerge victorious masters of electrified emotion here. Songs like ‘John‘, ‘Ball And Twine‘ and ‘Break My Fall‘ are full of soul, each exudes ample amounts of raw emotion and talent. But even they are mere drops in the bucket when you tear into the meat and marrow of this outing.
From the darker doom moments of ‘Neighbor Blues‘ to the blistering ‘Stuck In A Rut‘ or the Led Zeppelin-meets-Aerosmith feel of ‘Kings‘, there’s limitless miles of territory traversed. Just when you think you’ve heard the best the album could possibly offer, the next song queued up obliterates that assumption. Title track ‘Head Bent‘ or the astounding stand-outs ‘Price To Pay‘ and ‘One Way Outta Here‘ will simply blow you away. They simmer, they rock… they groove, they roll…all while you find yourself never wanting the album to end.
Multifaceted avant garde heavy rock unitDead Cross, which features Dave Lombardo (Suicidal Tendencies, Grip INC., ex-Slayer) and Mike Patton (Faith No More, Mr. Bungle, Peeping Tom) in their ranks, have dropped a new Official Video. The clip is for the track ‘Seizure And Desist‘ which hails from the band’s upcoming self-titled debut due from Ipecac Recordings on August 4th. Joining Lombardo and Patton in Dead Cross are Justin Pearson (The Locust, Head Wound City, Retox) and Michael Crain (Retox, Festival Of Dead Deer).
The S/T debut was produced by the famed Ross Robinson (Korn, Sepultura, Red Fang, Deftones) and features a glow-in-the-dark cover (CD/LP) created by Eric Livingston, with vinyl available in a limited edition gold and a clear/red/black swirl. Livingston’s art is also depicted and included throughout this new visualizer. Digital pre-orders include instant downloads of “Grave Slave” and “Seizure And Desist“.
Regarding the “Seizure And Desist” clip, JustinPearson said: “The artist who created our album art, Eric Livingston, came up with this video. As far as I’m concerned, It sums up the current social and political climate of today. For a lot of humanity, this world is a mean motherfucking place. The video captures the severity of the times we live in, as well as a means to communicate beyond basic language using iconic imagery, campy techniques, historical relevance, as well as a glimpse into the future.”
– Pat ‘Riot’ Whitaker
Dead Cross track list 1. “Seizure and Desist”
3. “Obedience School”
4. “Bela Lugosi’s Dead”
5. “Divine Filth”
6. “Grave Slave”
7. “The Future Has Been Cancelled”
8. “Gag Reflex”
9. “Church Of The Motherfuckers”
Incredibly unique Grecian rockers Raw In Sect have premiered a brand new Official Video for their track ‘Therion‘. The song comes off the band’s upcoming third album ‘Kitro‘, set to be out this September. The video can be viewed below while the band shares the following about the song itself: “The video is meant to reflect the transformation into Therion, which is to “find inner power in a primitive way getting in touch with your instincts.“
Continuing to share about their blending of traditional Greek music with rock and roll, Raw In Sect‘s members add: “[We seek to] redefine what aggressive/rock music is through a totally different approach than the one that has been known in the music scene.”
“Really though, it’s about doing something new and artistic instead of repeating the same old patterns of established bands in hopes of securing a career in a declining music industry. Changing the language of the lyrics in Greek, recording live, and not setting on the sound of previous records that was somewhat accepted, are among the risks we took willingly in order to express something new and reach wider audiences.“
Raw In Sect is: Kostas Diamandis – Lead Vocals, Guitar Dimitris Alexiou – Drums, Backing Vocals George Ioakeimidis – Guitar, Backing Vocals Ilias Platanitis – Bass, Backing Vocals
Serbian gothic doom/atmospheric death metallers The Father Of Serpentsare set to release their new full-length album Age Of Damnation in a few days. Inspired by the likes of Paradise Lost, My Dying Bride, Moonspell and more, the sextet have a very textured, organically appealing heaviness. You can hear, and visualize it, for yourself via their new music video for “Viral”.
“’Viral’ was the last song we did before recording the album in the studio, just a few days before,” The Father Of Serpents comment. “It was almost done in 15 minutes and it went pretty natural and straightforward. We didn’t have the time to overthought or analyze the song, so the energy of the moment when we were jamming the song is there. It is both groovy, catchy and dark.”
Raleigh, North Carolina’s amazingly hard rockin’ Demon Eyehave announced their new album, ‘Prophecies And Lies’, will be released August 11th via Soulseller Recordson CD, vinyl, and digital formats. The new album was recorded by Mike Dean of Corrosion Of Conformity/Righteous Fool in the band’s hometown of Raleigh, North Carolina, and displays a strong musical progression with mighty doomened riffs, haunting melodies and head bang-worthy anthems. Demon Eye are bringing vintage heavy darkness for modern times and current day evils. New track “The Waters And The Wild” is streaming below.
– Pat ‘Riot’ Whitaker
“The Waters And The Wild”
“In The Spider’s Eye”
“Dying For It”
“Power Of One”
“Prophecies And Lies”
For fans of heavy rock and doom, there are two words in the lexicon of all their language that has a shared, universal significance. No matter what country you are from, what your native tongue may be, those two words have such massive historical density to them that they instantly evoke reverence upong hearing them: CIRITH UNGOL. Anyone that has been around as long as I have (for the record, I am 47 years old) and has been entrenched within the underground music scene understands the legacy of this longrunning band. Taking on the name of Cirith Ungol in 1972, the four musicians that comprised the band a decade plus later, vocalist Tim Baker, guitarist Jerry Fogle (R.I.P.), drummer Robert Garven and bassist Michael Vujea, made music history in 1984. That was the year that the quartet released their game-changing sophomore album, King Of The Dead, on Enigma Records and simply put, music would never be the same again.
This landmark album went on to inspire and influence untold numbers of musicians, bands and more over the next three-plus decades. It would eventually ascend from the underground and become an iconic, audible bastion in the annals of music history. Cirith Ungol the band would share in this glorious acquisition of reverence and respect as well. They too obtained a state of high honor among those that were enlightened to what greatness this band wielded and so it came as no surprise when Metal Blade Records revealed their plans to pay homage to the band and their King Of The Dead album. Releasing the bonus-laden ‘King Of The Dead – Ultimate Edition‘ mere weeks ago to coincide with the band’s playing their first ever European show at this year’s Keep It True Festival, Metal Blade sparked something in us all. I’d already had an interview with Cirith Ungol in the works but I recognized the opportunity to capitalize on circumstances and thus we at Taste Nation LLC began brainstorming. What we came up with is, what you are in the middle of enjoying right now, the fruits of our labors to properly pay the mighty Cirith Ungol their due.
You’ve seen Matthew Thomas‘ unboxing video and pictorial, you have read Ric ‘Suisyko‘ Dorr‘s review (both here) of Metal Blade Records ‘King Of The Dead – Ultimate Edition‘ and now we present you the coup de grace of today’s event. Without further ado nor hype, no more anxiety from anticipation and want, I and my fellow TNLLC teammates present to you the following: The Taste Nation LLC Interview With CIRITH UNGOL (vocalist Tim Baker, guitarist Greg Lindstrom, guitarist Jim Barraza & drummer Robert Garven)!!!
Pat Riot:The origins of Cirith Ungol date back to at least 1972..what was the inspiration for starting the band? How did it first form at that time and is it true you all began playing as solely instrumental? Fans always debate the correct pronunciation of the band’s name..care to give us the official one?
Tim: As the real historians of the band I will let Rob and Greg answer the first couple of questions. They remember a lot of that stuff better than I can!
Greg: Rob and I met in 7th grade and instantly became friends. He and Jerry Fogle and Pat Galligan (who later joined punk band The Angry Samoans) decided to start a band to play Beatles songs, and I think the only reason they got me involved was that I had an amp. We called ourselves Titanic. Three guitars plugged into one 15 watt amp and Rob with just a snare drum and hi-hat trying to play Beatles and CCR songs. Anyway, Rob and Jerry and I wanted to play heavier stuff like Cream and Mountain, so we quit Titanic, and the three of us formed Cirith Ungol in 1972. Almost immediately we started doing some originals (“Radiation Blues”, “Flesh Dart”) along with our versions of songs by Sabbath, Budgie, Ursa Major, etc. Around 1975, Neil Beattie (aka Terry Dactyl) became our lead singer. He was a little more glam inspired than the rest of us, but he put on a really wild live show, with black widow spider fingertip extensions to go along with our six-foot wide black widow spider for “Shelob’s Lair”. Even though he was a great performer, his voice didn’t quite fit our style, and we parted ways after about a year. We spent the next couple of years writing a lot of songs and playing all the LA clubs as an instrumental power trio, playing along side bands like Quiet Riot, Y & T, and Van Halen, going over amazingly well. We tried out a number of singers, but nobody clicked until 1979, when Tim Baker, our head roadie at the time, tried singing lead on “Hype Performance”. That version is the first song on “Servants Of Chaos”.
Jimmy: In 1972 I was 6 years old living on a farm in Lincoln, Illinois. I thank these guys for starting the band while I was so young, ha-ha. To be part of this reunion at 50 years old is amazing. It is rare, but I have only met a handful of people that I’ve heard pronounce the name correctly and have read the Lord Of The Rings books many times over. I still have not read the books. Maybe one day.
Rob: I was inspired by Greg, because he would always turn me on to new music. I remember him showing me a copy of Mountain’s Climbing, and saying something like, “You have got to hear this!” We incessantly combed the LA area record stores mainly searching for new imported music. There we discovered Thin Lizzy, Scorpions, Lucifer’s Friend, Night Sun and many other heavy bands years before they were even on the radar in the US! There were very few that heard as much early hard rock and metal as us back then. I remember picking up Deep Purple “In Rock” at the local Sears the day they put it on the shelf!
Pat Riot:What took the band almost a decade to get the debut album, ‘Frost And Fire’, recorded and released in 1980?
Greg: Remember, we were only 14 years old when we started, so it took a few years and a lot of jamming to get proficient on our instruments – in my case I’m still working on it! But we wrote songs almost from the beginning, and in 1978 we actually self-released a home-recorded cassette album with a completely different set of songs than F&F. None of the songs on F&F were more than a year old when we recorded it. Some of the songs on KOTD like “Atom Smasher”, “Death Of The Sun”, and “Cirith Ungol” actually pre-date the F&F songs.
Jimmy: In 1980 I was 14 years old. I had taken guitar lessons at a local music store for about a year then. I didn’t hear Frost And Fire until 1987.
Rob: Like Greg mentioned we started pretty young. After the cassette demo we did, commonly known as the “Orange Demo” due to its orange cover, we were ready for something bigger. Since we never received a response from the numerous demo tapes and letters we sent out, we wanted to create a complete album of epic proportions, to show the record companies that we knew what we were doing.
Pat Riot:Speaking of ‘Frost And Fire’, how do you process the fact it is such a hugely monumental, revered album now in 2017? So much there’s even a festival bearing its name, which you all played in 2016. How was that experience?
Tim: For something that was never really suppose to be released as an album, it turns out to have been a great starting point! As far as playing at Frost And Fire II it was a remarkable experience! To actually get on the same stage where we had played our final concert, those long years ago was incredible. Of course the best part was seeing and getting to meet so many people from around the world that came to the Festival – a truly awesome and inspiring thing.
Greg: I think because of Tim’s voice, our quirky playing style, and our inexperience in a real studio, F&F doesn’t really sound like anything else, not even any other CU album. I can hear a bit of Rush and Y&T in there, but for better or worse, it’s pretty unique.
Jimmy: I have to mention that the song “Frost And Fire” is one of my favorites to play live. The experience playing live for the first time in 25 years was so amazing. Although there was a little bit of stressful moments just prior to going on stage due to technical issues (faulty tuner) that could have been unnerving had it not been detected. But, it was promptly remedied. We were 100% ready and played with really minimal issues. It was a success and we also learned a few things in the process.
Rob: We had a great time recording it, and I knew the material was good, and pleased with the result. I love Tim’s voice on that album, it reminds me of a razor blade, thrashing its way through the songs. We had a private tour of the DW drum factory before they built me the greatest sounding custom oak drum set in the world, and I asked the gentleman giving the tour if he had ever heard of our band. I was shocked when he said, “Of course, who didn’t have “Frost & Fire” growing up! As for the Frost & Fire Festival II, it was an awesome experience, playing in our hometown in front of a packed audience from around the world! The next day during the meet and greet there were people who came from as far away as China & Russia just to see the band!
Pat Riot: I understand Cirith Ungol are playing more festivals this year such as Days Of Darkness and Psycho Las Vegas..What is your take-away from seeing the band hold such a spot of reverence with music fans now? Would or will the band undertake any full-on touring plans in the future?
Tim: It’s all about the music – I think the stuff we did holds up well, and with the resurgence of what is now called “classic metal” the timing couldn’t be better! And no – we are not really planning a full on tour, just a bunch of the metal festivals – at least the ones that will have us, hahaha!
Greg: We didn’t have the opportunity to play outside of southern California back in the day, so a lot of folks have been waiting 30+ years to see us live.
Jimmy:I’m very excited for the band and to be part of this journey. The fans are the best, and I am blown away at the ranking position at these festivals. We just gotta stay healthy and motivated.
Rob: We did play a special show in Mexico City after “Frost & Fire” was released and did a radio interview with a pirate radio station that was literally on top of the presidential palace! We are all very excited to be playing so many heavy festivals* this year, some which are still unannounced. You forgot to mention, “Keep it True Festival“, “Up the Hammers“, “Defenders Of The Old“, “Chaos Descends“, & “Hammer Of Doom“, where we are headlining! It is going to be epic an “A Churning Maelstrom Of Metal Chaos Descending!”
*See the Flyers and Promotional Posters for them at the end of this Interview
Pat Riot:Back in the 80s when Cirith Ungol was playing the L.A. circuit, a scene dominated by many lighter fare ‘glam’ type bands, how was CU received at that time?
Tim: We had a fan base back in the day, but really the LA scene for the most part had no idea what to make of us – especially that “singer” lol. We played all the clubs down there and met a lot of great people and bands that are still going strong today!! It was a strange time!
Greg: CU didn’t really fit in with the hair metal scene. As you can imagine, there were people who dug it, and people who didn’t. After I left the band, I saw CU play at the Beverly Theatre with Ratt and Lita Ford. CU commanded the stage, and there were a couple of hundred fans (maybe 25% of the crowd) totally into it, but the other people had come to see Ratt or Lita and weren’t into it.
Jimmy: I had only played a handful of local shows from ’87 – ’89 (LA, Ventura, Santa Barbara). It did seem that the crowds were a bit thin and only the die hards came out and stood in the front to pound their fists and head bang. I remember a mosh pit of punk rockers formed at one home town gig. That was entertaining.
Rob: We did have a loyal fan base in Ventura. Most of our big shows seemed to be on a night when it was raining. We got several hundred people to drive to LA to see us play. We did get some really great reviews from the big LA newspapers such as the Herald Examiner. One writer Marc Shapiro wrote a bunch of great articles on the band after seeing us play with Ratt! He famously wrote about the band, “If hell has a soundtrack then this is it!”
Fan-filmed ‘King Of The Dead‘ preformance from “back in the day”…
Pat Riot: Cirith Ungol released only four official albums in the span of a decade (’81-’91) but the band holds such an iconic place in fans hearts.. why do you believe that is? I have read many things over the years that seemed to indicate a reunion would be unlikely, ever, so what drove the band’s return?
Tim: It’s all about the music I think. Those records hold up pretty well and I think they are good metal albums, and I guess there are a few people out there that feel the same way, hahaha! And yes, for a very long time a reunion was something that was never going to happen, for a lot of well documented reasons. I won’t go into that since that story is pretty well known. The main reasons it did happen is largely due to the efforts of Jarvis, his tales of seeing Ungol stuff all over the world while on tour with Night Demon. The creation of the Frost And Fire Festival, which was the first time in decades the surviving members of the band had all been together, even if it was just for a meet and greet. His support and perseverance to put us back together was something to behold hahaha!! I must also thank Oliver [Weinsheimer] from the great Keep It True Festival. He had been asking us for years just to come over and enjoy his festival, and for years we politely said no. But Rob and I finally went over last year, and to see all the people with Ungol patches, albums to sign, and even people with Cirith Ungol tattoos!! It was a mind-blowing experience and it certainly helped me change my mind about playing again. To see things on the internet and know that there is still a bit of interest in the band is one thing, but to see it in person was amazing!!
Greg: I think Rob needed something to do in his sunset years! And I figured we had better get together and play before: 1) people stop asking, and 2) we get too old to rock and roll!
Jimmy: For years I had hoped for a reunion. Once the opportunity came up, I jumped on it. I am so elated to be playing once again. It’s all good.
Rob: I think our listeners are not unlike our band members and are yearning for something more from their music, something that challenges, and engages them. Even though we wanted to be successful, we did not write the songs to appeal to anyone but ourselves, and I think people get that. I also think they have all succumbed to the “Legions of Chaos! I swore I would never play drums as long as I lived. At the “Frost & Fire I” festival Oliver Weinsheimer came from the “Keep It True Festival” and Jarvis got all the guys together for a meet and greet. They pretty much made us an offer we could not refuse. It was these two guys that will go down in history as the ones that unleashed the Fury of Ungol upon the world!
Pat Riot: How does having Night Demon’s Jarvis Leatherby in the band help things? It looks like his presence would kind of ‘bridge the gap’ between older fans and the current scene’s younger ones or am I off-base with such an idea?
Tim: I hadn’t looked at that way before but I suppose you might be on to something there! His main help was of course getting us back together, with management stuff, and besides being the hardest working man in Metal he is a great musician and a good friend, Night Demon and Cirith Ungol are like a family. Jarvis, Dustin [Squires], and Armand [Anthony] are really great guys and we are proud to know them!
Greg: That’s a good point. I’m sure that Jarvis will bring along some Night Demon fans for the ride!
Jimmy: Filling the slot of bassist was first offered to Flint, but he had other commitments and declined. It was only fitting that Jarvis being a fan of the band, a seasoned musician and has the drive to make Cirith Ungol great again and to take the roll of manager and bassist. It is my pleasure to play alongside Jarvis. His Energy and commitment has proven invaluable and vital to our success.
Rob: When you look up Jarvis Leatherby in the dictionary, it says “All Metal, All The Time”! Actually after traveling to Germany the average age of our new fan base is under 30. I think these new listeners are discovering unique bands such as “Cirith Ungol” for the first time. BTW Jarvis’ band Night Demon I think is going to be a very big act. Their show is outstanding and their new album is killer! I am not just saying this because we are friends; I am saying it because they rock! (Indeed they do! I’ve seen them, have all their released material and I fully agree, Rob. – Pat)
Pat Riot: You all surely get this all the time but will/would/is Cirith Ungol entertaining the idea of recording new music or a new album?
Tim: Yes. We would hope to do a new record sometime in the future and are actively writing new stuff as we speak-along with getting ready to hit the festival scene!
Greg: We are working on new songs and unearthing a few unheard old tunes with that in mind.
Jimmy: Yes, Absolutely.
Rob: Tim has written some great lyrics and we have a few songs in progress. My goal is for the next album to be like “King Of The Dead”, something we will be proud of! Just for the record Metal Blade Records is re-releasing a deluxe edition “King Of The Dead” in vinyl and CD with full color booklets, colored vinyl, and a DVD of a rare show we played at the Roxy, in Hollywood that no one has ever seen before! It also has several live tracks from our appearance at “Frost & Fire II”. They did such a great job on “Paradise Lost”, and we are all looking forward to this re-release. Everyone that is a fan of the band should get this one, as it is our best album to date and they are finally doing it justice!
Pat Riot:David Paul Seymour is one of my absolute favorite artists..are you all excited about ‘The Planet Of DOOM’ cinematic project and the inclusion of Cirith Ungol music in it? Speaking of artists, any specific reason that the works of Michael Whelan have exclusively been used on CU album’s artwork?
Tim: His paintings are the absolute best album covers ever done by anyone-period. We are so honored to have him on our side, he is such a great artist and also such a very nice guy!! Just recently went to a gallery opening of his here in California. It was so special to reconnect with him after many years. And he had the original painting of Stormbringer at the show, the Frost And Fire album cover…to actually see it up close and in person was something I will never forget, just awe inspiring. And the Planet Of Doom project looks like it will be so badass, I cannot wait to see the final results!!
Greg: Back in the day, we had originally envisioned using a painting called “Death Dealer” by Frank Frazetta, who is famous for many Conan illustrations. One day I walked into a record store and there it was on the cover of a Molly Hatchet album! Anyway, Rob and I were both reading Michael Moorcock’s, Elric series at the time, and the U.S. editions all had Michael Whalen’s paintings on the covers. Rob got in contact with Michael, who is one of the nicest guys we’ve ever met, and he agreed to let us use “Stormbringer”. He liked the music and felt that it was an appropriate match for his artwork, and we were totally thrilled and honored to be able to use his artwork on our albums. For sure it has helped us to sell more albums. I even know some people who don’t care much for our music, but buy the albums just for the cover art!
Rob: We are hoping that any new project will feature another of Michael Whelan’s Elric illustrations! I feel very privileged that we were allowed to use 4 of his masterpieces on our albums; they would not have been the same without him! “Planet Of Doom” is going to be an awesome project and we are very excited about this also!!!
Pat Riot:How did Cirith Ungol’s involvement with Metal Blade come about and is it safe to say the band is pleased with the re-issues they’ve provided? Are there any plans to give the ‘Paradise Lost’ record the same treatment?
Tim:The reissues have been great. And of course by the time you read this the Paradise Lost one will already be out!! The KOTD ultimate edition is set for release to coincide with our first ever European appearance at the Keep It True festival in April and it is going to be killer!!
Greg: MB has done a great job with the reissues so far, and the new KOTD reissue is going to be fantastic.
Jimmy: I’m very pleased with the reissue of Paradise Lost in October 2016. It’s also cool to hear some alternate track mixes on the CD. Bart Gabriel did a great job re-mastering, and Metal Blade also gave their all in regards to the vinyl and packaging.
Rob: Brian and everyone at Metal Blade Records have been instrumental in the band’s career over the years. We met Brian when we were first thinking about “Frost & Fire”. He worked at a record store in the LA area and was and still is a good friend. He was launching his record company at the same time, and he hooked us up with the company that would distribute our first 2 albums, Greenworld Distribution. Metal Blade Records in Germany have spearheaded some amazing projects, such as “Servants Of Chaos”, and the deluxe editions recently, and we are proud to be their friends. We were pretty surprised when Brian was asked to name his favorite releases over the history of his label, and he picked “Metal Massacre 1”, which one of our songs, “Death Of The Sun” was on, and “King Of The Dead” as 2 of his top 11 releases of all time!! WOW!
Pat Riot: After nearly 50 years in the musical realm, what is one of your most cherished memories from it i.e. an experience or event, meeting someone, etc. whatever it may be?
Tim: Well for me it is probably making the records we made, and for sure the recent reunion, something that for decades was never going to happen. To be able to finally go out and play around the world is like a dream come true for us.
Greg: Feeling like a proud father, holding a brand new shrink wrapped copy of Frost & Fire fresh from the pressing plant back in 1981. Your first album is always special!
Jimmy: I’ve had the privilege of spending the day with Grace Slick shooting an MTV Video, visited back stage with Carlos Santana (he bogart’s, ha-ha), and even randomly ran into Ozzy Ozbourne here in town (he was 1/2 brain dead, ha-ha). Or I should say that he ran into me. Literally. It was at a Mexican restaurant, he was eating then heading straight to rehab. And of course it has been awesome to play in a band that is finally getting some well-deserved recognition.
Rob: The proudest moment for me was taking the stage as the headlining act at “Frost & Fire II”! Playing on my beautiful Ferrari red DW oak drum set, surrounded by the most amazing set of Paiste cymbals and gong, and beating the drums. Having all that firepower at my command I felt like a metal god for one small moment in time!
Pat Riot:OK, you guys, I have a tradition of closing interviews with an open floor where you have the last word..care to say, share, state whatever you wish about anything..this is all you so have at it:
Tim: I would like to say a huge thank you to all the people that encouraged and supported Ungol all these years – without you the band would be in the dustbin of history, and we certainly would have never gotten back together!! I look forward to telling you all “thank you” in person.
Greg: Huge thanks to everyone who has supported CU over the years. We really appreciate it!
Jimmy: To all the Fans. Your enthusiasm is much appreciated. Thanks for keeping the torch lit and making us feel like Metal Gods. Cheers!
Rob: I would ask anyone that can make it, to come to one of our rare shows. If you like the band, or our music, I promise you will not be disappointed!!! Everything in my life has culminated in this reunion and I want to share it with everyone!
This is Cirith Ungol..what am I going to say after this that’s going to add anything to what has just unfolded here? Nothing. So with that, I want to thank our guests, the magnificent Cirith Ungol circa 2017: Tim Baker, Greg Lindstrom, Jimmy Barraza, Robert Garven and Jarvis Leatherby who was here in spirit. Metal Is Forever!!!