The Ugly Kings “Darkness Is My Home” Review + Stream…

The Ugly Kings

Darkness Is My Home – CD // DD // Vinyl

Kozmik Artifactz – released April 13, 2018

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Russel Clark (Vocals)
Christos Athanasias (Guitar)
Nicolas Dumont (Bass)
Andy Alkemade (Drums)

 

Tracklist:
Promised Land     04:53
Black Widow        03:53
Raging Bull           03:21
Killing Time         04:31
Love Enemy         03:56
You & Me             03:58
Lazarus                 05:43
Little Birdy Told Me 04:10
The Fire                06:24

 

 

Review:

The Ugly Kings are a Rock band from Melbourne, Australia. I’ll let the band explain themselves further; “[we] offer a stripped down but powerful injection of energy and emotion to the modern rock scene [by] formulating what can only be described as ‘Power Blues’ [with] memorable beats, thunderous bass lines and an electrifying barrage of bluesy ‘grit’ riffs tied with raw and emotive vocals.”

Darkness Is My Home is the first full length album by the band. (The previous releases being a E.P. of sorts, Of Sins, and a single, Promised Land, which is the same as the version on this release but has a b-side that is not on this album.)

Overall the band’s sound is a mix of early Classic Rock and are heavily inspired by Blues Rock. The perfect descriptor tag for the album is Doom Blues with Rock flair. In a way this album sounds like you can chop up and mix it up and make different songs each time. At the same time I like that it sounds that it was recorded in one take in a converted garage to studio.

Track-by-track: (Briefly)

Promised Land: I found a quote from the band on the song; “‘Promised Land is about the false promises that are preached to us by the charlatans of our society (politicians, big business, etc…). It’s about the pipe dream they sell us to keep us in servitude to the 1%, to keep us slaves to the dollar and material things. There is nothing at the top of the ladder, except another ladder. The Promised Land isn’t the destination we get sold, it’s inside of us.”

The band also have a beautifully shot video for the track too.

 

 

Black Widow: This is the 2nd hardest rocking track on the album. There is a bunch of back and forth in the tempo. It is also what I imagine the cover art comes from. (That and for Love Enemy)

Raging Bull: This is the hardest rocking track on the album. The riffs on this song sounds so familiar and I can’t think of what it is from.

Killing Time: Watch the music video for this track HERE

Love Enemy: This is a slower and more blues filled track. They sit on the riff while Russell is delivering the vocals. This track also feels like it could be a 2nd part to Black Widow.

You & Me: This is where the title of the album comes from. This is another slow track.

Lazarus: This track is a cover of David Bowie’s Lazarus from his swan song album “Blackstar” and the band manage to make it their own while keeping the original close at hand.

Little Birdy Told Me: Kind of feels like Love Enemy.

The Fire: Is my favourite track from the album.

Pro Band Pic

 

 

 


Bad Monster Black “The Doped Up Devils With Sexual Grooves” Review + Stream…

Bad Monster Black

The Doped Up Devils With Sexual Grooves (Re​-​release) – DD

Self-Release – Released September 13, 2016

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
King Jeremy The Wicked (Jeremy Vibbert)

Previous Releases:

The original 2014 release of The Doped Up Devils With Sexual Grooves
five more 2016 releases
Demos & Collections,
The Question of Sanity EP,
Darkside EP
Acoustic Jams Ep.

Original Tracklist:
Intro 00:32
Down And Outer 03:36
Trip Down Memory Lane 01:11
Drugged Up Dolls 02:19
Sex Devil 05:50
The Doped Up Devil 04:05
Satanola 03:48
Perversion For Profit 03:28
You Are The Prettiest Pill 04:06
Did You Know? 03:11
Low 05:38
Control 03:19
You Had This Coming 03:49
Outro 01:13
Nothing Song (Bonus Track) 03:30

Re-release Tracklist:
Intro 00:33
Down And Outer 03:19
Drugged Up Dolls 04:40
Sex Devil 06:01
Satanola 03:48
Perversion For Profit 03:19
Intermission 01:31
Nothing Song 03:29
You Are The Prettiest Pill 06:53
Low 05:51
Did You Know? 03:08
Devil’s Advocate 03:16
Stoned 05:17

 

The Doped Up Devil’s with Sexual Grooves (Re-Release)

 

Review:

I’ll let his Facebook bio explain: “Bad Monster Black is a project formed by King Jeremy The Wicked (Jeremy Vibbert). “Bad Monster Black: The Doped Up Devils With Sexual Grooves” EP was released late 2014 and did not fit the KJTW catalog, it was something different, it had swing, punch, and an undeniable groove that broke away from the thrash metal criteria. So shortly after releasing the EP, it was re-released under the name Bad Monster Black, and eventually taken off of the KJTW Discography. Thus, making Bad Monster Black the new home of the experimentation with swinging riffs, overloaded guitars, and a tongue in cheek attitude that makes the music even more fun to listen to. This isn’t music you’d take home for your family to listen to, and that’s how it’s intended.”

The sound of Bad Monster Black’s music is very 90’s; it is very reminiscent of the music of Puscifer, Marilyn Manson, White Zombie and even Rob Zombie’s solo work. Even though those influences are very prevalent Jeremy found a way to make it not sound too dated. Both releases have different track-listings and have a couple of different songs on each.

That being said I’ll make a somewhat in depth look on the tracks that are same (and what has changed on the remaster.) On the tracks that are different I’ll say what each of them do to make the release different.

Cool Logo_Girl

Almost all of the tracks stay except; Trip Down Memory Lane, The Doped Up Devil, Control, You Had This Coming, and Outro (on the original release) and on the re-release; Intermission, Devil’s Advocate, and Stoned. These tracks are either new (in the case of the re-release) or taken out (original) the only track is the Intermission which is a shorter version of The Doped Up Devil.

The tracks that stay almost the same; Intro, Drugged Up Dolls, Sex Devil, Satanola, Nothing Song, You Are The Prettiest Pill, Did You Know, Low. What did change was samples and some of the production. Overall there was less use of samples in the remaster and, in a way, that makes sense for the update to fit the Bad Monster Black catalog since the focus changed to more sleazy Rock. Intro, Did You Know and Low did not change at all, or not enough that change the experience.  Satanola is a standout that would fit nicely into any Puscifer album.

There are only two original tracks that are different, Down and Outer and Perversion for Profit. For the remaster the guitar solos were replaced by slower guitar parts and dirtier production.

“The Doped Up Devils with Sexual Grooves” – (Original 2014)

The original release is more of a current sounding album than the remaster and is a heavier/more metal than it as well. As I stated before; the main differences between them is that on the remaster the recording is less clean and more fuzzed out for that dirty 90s feel and the guitar solos that are in the original are changed to fit the dirty sound so the sound isn’t as muddy and has less of a touch of Metal. The sleaze is upgraded for a more solid Sleaze Rock feel. If you like music that is dark, sleazy, has hints of blues, lots of fuzz, Rob Zombie-ish (and at times Tonetta-ish in the remaster) this band and its’ albums are for you.

Bad Monster Black (King Jeremy The Wicked) is a prolific writer and pumps out high quality music on a regular basis.  To use Mr. Wicked’s own words about this album and his process, “This is a re-release from the 2014 version. The reason? This band is all DIY, Which means about 90% of the time it’s all trial and error.”   So Support!!!

Download the original HERE and the Re-release HERE

P.S. to King Jeremy the Wicked, if you would like to do an interview about this album please contact me.

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Lockjaw “Predatory Trails Of The Spirit” Album Review + Stream…

LOCKJAW

Predatory Trails Of The Spirit – Digital Download

Dark Drug Records – Released December 23, 2017

Reviewed by Ric “Suisyko” Dorr

 

Headquarters:
Milwaukee, WI

Previous Releases:
Goliath (2015)
Combat Ready (2014)
The Dirt Road To Inspiration (2013)
White Lies Black Heart (2012)
Dopamine Avenue (2011)
The Soundtrack To The End (2009)
11:11 (2007)
Starving For Salvation (2006)
Hell Inside (2005)
Dirty Minds and Smiling Faces (2004)
Looking Like A Devil (1998)

 

 

Review:

For the unknowing, this record is the 12th release from the dark recesses of HELLROCK HQ and is to date, THE best yet!! Eight tracks and 31+ minutes bringing forth further permeation of “Burnt Offerings” that are ever present in all things Lockjaw.

Featuring quite the pedigree of slots, ranging everywhere from stints with the likes of Mudvayne, Type O Negative, Damageplan, Wednesday 13, Hell Yeah, Prong, KMFDM, Powerman 5000 and Mindless Self Indulgence as well as Lords of Acid and Marilyn Manson. Using their self described weapons that include and are not limited to abrasive vocals, dark chord progressions and machine-gun electronics, Lockjaw is indeed stronger than ever in bringing the HELLROCK revolution into the minds of the masses.

The mind-behind, Medavon De Raj’e, is front and center and ready to take this to another level. The result is this collection of what could easily be listened to, in order, as a tale of ‘trails’ as the title suggests, that are crossed individually, one leading to the next. Coincidental or not, the effect of following along with each as they flow into the next ‘trail’.is that you naturally keep listening until the very end… almost like binge-watching an eight part series and it takes less than an hour to experience it all. And then you push play again, almost as if by an unconscious natural reflex, to take it in again…

Opening with “Blood Suckers”, three hits of a drumhead and we’re off with power chording and searing high notes layered over Medavon‘s signature sneer, saturated in that ‘knowing’ telling that allows easy comprehension, delivered with a clarity of enunciation that is missing from so many. ‘Make your move, and they suck your blood.’ Abso-fucking-lutely…

“Paralyzed” enters in a staggered electro tempo as you are reminded that ‘A picture is worth a thousand words’ as the flow starts, Medavon describes ‘Just like a sting, that hits you so hard… right in the back, I can hear it break… wave goodbye to your hopes and dreams, at least for today…  sacrificed, I’m paralyzed…’ and another ‘trail’ is engaged.

Live Band Pic

“The Scavengers” is the big standout on this one for me with the punch-in-the-face jump to full throttle with churning riffs to push you forward and even as ‘The flies think that I’m already dead, inside of this shell, sometimes, I am…’ and you can feel the breath on your flesh as you are enveloped by the tale of another even darker ‘trail’. And even as this one ends, “They Follow” is truly the next bend we have just gone around in this half-point and is filled with an ominous texture that swirls of shadows and mist as you follow closer to keep pace of the direction heading to reach the next turn.

“Burnt Offerings” greets you with an instrumental morsel that is exactly the kind that delivers with a plushness that lets you hear every word that is never spoken. Quick fade power-chord and “Absolution” enters with a slow progression with those synth loops and clear guitar notes, lightly salted with reverb to give that ghostly haunting lilt underneath those machine-gun, electro-tempo segments that only accent the post-punk grin that lives within ‘this psychosis’ described.

“In The Weeds” is another stand-out from this album for me in that I hear a touch of each previous Lockjaw album as these four minutes flow past with a perfect cadence and gave me a feeling of familiarity with each brushstroke of Medavon’s painting that is his mastery of composition, arrangement and mix that he has honed to razor sharp edges.

Pro Band Pic

Closer “Rescue” could seem like a departure from the rest of the record with it’s soft almost spaghetti western guitar line and slower paced tempo, even as the synths float up from underneath. As soon as that voice delivers the diatribe that is this final ‘trail’, it ties itself to each of the previous seven tracks and is the absolute perfect book-end to what could be described in spots as ‘stripped-down’ and in other spots as ‘thicker than ever’, but is FULL-ON Lockjaw in all it’s glory…

Having witnessed them onstage multiple times, as well as having seen the rotating legion of members that deliver it live, from Jose and his solo’s to Baldii and his rhythm lines to Lowviolet‘s bass assault, all I can tell you is you simply MUST see them for the completion of your immersion into the world of HELLROCK, whether this is your first experience or the most recent of many!! Medavon and his compatriots deliver 200%…  EVERY TIME…

Share this album with every set of ears around you, support them live and as always, keep it LOUD!!

Additional Links:
https://store.cdbaby.com/all/medavon
https://www.facebook.com/darkdrugrecords/

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Cosmic Fall “In Search Of Outer Space” Album Review + Stream…

Cosmic Fall

In Search Of Outer Space – Vinyl // CD // DD

Reviewed by Terry ‘The Ancient’ Cuyler

“Cruisin’ Under The Stars…”

 

Tracklist:
Jabberwocky       (11:36)
Narcotic Vortex  (08:00)
Purification         (04:12)
Lumberjam         (06:56)
Spacejam             (07:44)
Icarus                   (04:50)

Lineup:
Drums: Daniel Sax
Bass & Vocals: Klaus Friedrich
Guitar: Marcin Morawski

 

 

Hello all, today I am feeling nice and mellow a feeling I enjoy, though it often evades me. But that’s okay. Good mellows are often fleeting things and should be enjoyed in the moment without worrying about getting back to the grind. For me the moment came on my morning commute to work as I tuned the world around me out with the music on my iPhone and took a 43 minute interstellar jaunt into the cosmos as I road the city bus with all the bleary eyed early morning commuters.

Playing in my headphones was the music of a trio of Heavy Psyche rockers from Berlin, Germany called Cosmic Fall. Some of you may recall me reviewing their split album with  APHODYL called “Starsplit” last year that left me wanting to hear more of their music. Well seems I got my wish for more Cosmic Fall. On March 30th the Cosmic Fall released its 3rd album ‘In Search Of  Outer Space’ that is currently available as a digital download or CD, and soon to follow is The Vinyl which will be released May 30th and available for Preorder April 30th. Whew, now that I got all that out I can tell you you are in for amazing Heavy Psych music with this new release.

Filled with swinging bass grooves, and jazzy drumming done by bassist Klaus Friedrich and drummer Danial Sax Jabberwocky wows the listener as the new Cosmic Fall guitarist Marcin Morawski  begins lay down the space fuzz while Klaus surprises the listeners with some mellow vocals.

Though I ain’t into Narcotics the album’s 2nd track Narcotic Vortex feels like a good replacement for them. The guitar and bass have a real dirty feel that becomes real mellow before Dan begins his drum solo creating a bridge for Klaus and Martin to bring the music to its peak. Track 3 and 4 Purification and Lumberjam seem to be aptly named and are quite possibly my favorites from this album. Dan’s soft taping on the cymbals while Klaus gently noodles his bass and Martin does some soothing pick work that feels like a refreshing rain storm that cleans the city streets. Next is Lumberjam. Dan and Klaus set a rhythm as Martin saws out the leads like a buzz saw. Feeling like a musical version of the Voyager Satellite traveling through deep space, Dan and Klaus set a nice smooth rollin tempo while Martin picks and uses what I believe are effects peddles and the volume knobs to create the spaced out feeling to this song. Closing “In Search Of Outer Space” is Cosmic Fall’s retelling of the Greek tale of Icarus. Klaus really doesn’t have to sing a word. You can feel the tale with its lofty soaring guitar that finally comes crashing down.

“In Search Of Outer Space” is definitely worth owning on vinyl. Full of mind blowing Heavy Psych rock. The album artwork is by Klaus Friedrich  and layout by Daniel Sax.  The album was Mixed and Produced by Marcin Morawski & Co-produced Sax and Friedrich; making this a self produced gem!!  Highly recommend!

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The Atomic Bitchwax “Force Field” Album Review + Stream…

THE ATOMIC BITCHWAX

Force Field – Vinyl // CD // DD // Merch

TeePee Records: released December 7, 2017

Reviewed by Ric “Suisyko” Dorr

Formed:  1993

Current Members:
Chris Kosnik bass, vocals (currently of Monster Magnet, formerly of Godspeed and Black NASA)
Bob Pantella drums, percussion (formerly of Raging Slab, currently of Monster Magnet, Riotgod, Cycle of Pain)
Finn Ryan guitar, vocals (formerly of Core)

Previous Releases:
The Atomic Bitchwax (1999)
TAB-2 (2000)
Spit Blood EP (2002)
TAB-3 (2005)
Boxriff EP (2006)
TAB-4 (2007)
The Local Fuzz ‘single’ (2011)
Gravitron (2015)

 

 

Review:
Veterans all, referring to the members of this long-running unit, that all started as a side-project in the summer of 1999 and has since evolved into this raging storm comprised of three forces that meld seamlessly into the animal that stands before us, represented by the band’s seventh offering, “Force Field”.

Twelve songs and thirty-four minutes make up this release and is by far the strongest release yet from The Atomic Bitchwax aka TAB, bringing all of the honing, sharpening and precision born of endless touring here in the States and internationally over the last 18 years together to blast you out of your seat as never before. Having been previously described as a band that ‘specializes in high-octane, 70’s based hard rock, space rock and psychedelia’, TAB has taken that base formula from the edge of the century and brought it to the front in ALL of it’s sonic glory.

From the drum intro of “Hippie Speedball” through the histrionics of “Humble Brag“, there is no lack of bravado tinged with sheer brilliance of power chords, psycho-quick time shifts, hyper-rumbling bass lines and all of the lyrical twists and turns we have come to love and expect from TAB and tracks such as “Tits And Bones” fill that order with ease. Closer “Liv A Little” let’s those 70’s root fly high with the keyboard fills and an over-modulated vocal line that brings you to the sound and feel of what is must have been like at a T-Rex crowd with the energy that is necessary for the listeners of this century.

Band Pic

 

Two stand outs to me from this instant classic and MUST-HAVE for the long-time fans and the ones just discovering this trio are “Super Highway” with it’s phase-shifted drum intro into a high-speed jaunt with lyrics to match is one of those songs that begs to be played at full-volume and gets your heart racing alongside, trying to keep pace and would be a great track to feature as the lead off, in MY opinion.  The second is “Fried, Dyed and Laying To The Side“, an instrumental romp that allows each guy to shine in their own mastery of their individual ‘weapon’ which only brightens the genius of this release.

If you were expecting something closer to a Monster Magnet record, hope you weren’t too disappointed. While the interweaving and endless touring with each band has not stopped and will more than likely not change anytime soon, The Atomic Bitchwax have proven time and again that they are their OWN entity and their finest-hour to date is upon them with “Force Field”. See ’em if they come anywhere close and convert the ‘unknowing’ in your circle.

Let it roll endlessly and keep it LOUD!!


Octopussy “Dwarfs and Giants” Album Review + Stream…

OCTOPUSSY

Dwarfs and Giants – CD // Digital Download

Independent: Released – Nov 10th, 2017

Reviewed by Mike Hackenschmidt

 

Line Up:
Jan Babiński – vocals
Konrad Ciesielski – drums
Piotr Danielewicz – guitars
Michał Banasik – guitars
Marcin Bąkowski – bass guitar
Michał Koziorowski – keys

 

 

Review:

Ring ring… Ring ring…

(Man on receiver) – Hi! You’ve reached Octopussy. How can we help you?

(Caller) Hi this is the late 60’s and early 70’s! Who am I speaking with? We want our sound back.

(Octopussy) – Well you certainly called the right people. Where should we start?

(60’s/70’s) – How about some funky, bass driven rock?

(Octopussy) – Can do

(60’s/70’s) – Hendrix inspired guitar work?

(Octopussy) – Check

(60’s/70’s) – Disco vocals?!?

(Octopussy) – uhhhh… let’s keep that to one track…

(60’s/70’s) – I was only kidding on that one.

(Octopussy) – Well too late. You’re getting it. It fits with the funk track anyway. We’ll stick to a more bluesy, psychedelic groove for the rest of the album. Maybe a splash of southern rock but not too much.  Sound okay for ya?

 

Band Pic

 

(60’s/70’s) – So how about the vocals on the remaining tracks?

(Octopussy) – We’re going with a mix of smooth melodic, and raspy blues… plus some heavily distorted screams and speech.

(60’s/70’s) – Uhh.. screams?

(Octopussy) – Don’t worry about it. We’ll make sure it works within the context of the album.

(60’s/70’s) – In that case, we demand a ballad.

(Octopussy) – Sure. But it’s going to be trippy as fuck and really short.

(60’s/70’s) – I feel you don’t much like compromise.

(Octopussy) – Not at all

(60’s/70’s) – Great. I can’t wait to hear it.

(Reader) – Me too.

Uhhhhhhhhhh…. OK then. Links are below:

https://octopussyband.bandcamp.com/

https://www.facebook.com/octopl/


Writer Eric Layhe Top 25 Albums of 2017 + Links…

Eric Layhe Top 25 Albums of 2017

 

1. Caligula’s Horse – In Contact (Inside Out Records)
https://caligulas-horse.backstreetmerch.com/

 

2. Pain Of Salvation – In The Passing Light Of Day (Inside Out Records)
http://painofsalvation.com/

 

3. KXM – Scatterbrain (Rat Pak Records)
https://kxmmusic.bandcamp.com/releases

 

4. In The Presence of Wolves – Of Two Minds – Stages 1 & 2 – The Ape And The Cage (Self-released)
https://inthepresenceofwolves.bandcamp.com/

 

5. The Burden Remains and The Horns Of The Seventh Seal – Touchstone (Self-released)
https://coldsmokerecording.bandcamp.com/album/touchstone

 

6. Icefish – Human Hardware (Self-released)
http://www.icefishband.com/

 

7. Pallbearer – Heartless (Profound Lore Records)
https://profoundlorerecords.bandcamp.com/album/heartless

 

8. Toehider – “GOOD.” (Birds Robe Records)
https://toehider.bandcamp.com/album/good

 

9. Nothing More – The Stories We Tell Ourselves (Eleven Seven)
http://nothingmore.net/

 

10. Mother Mars – On Lunar Highlands (Pepper Shaker Records)
https://mothermars.bandcamp.com/

 

11. Ayreon – The Source (Mascot Label Group)
http://www.arjenlucassen.com/content/

 

12. Sons Of Apollo – Psychotic Symphony (Inside Out Records)
http://www.sonsofapollo.com/

 

13. Others By No One – Book I: Dr. Breacher (Self-released)
https://othersbynoone.bandcamp.com/

 

14. Sons of Texas – Forged By Fortitude (Razor & Tie)
http://www.sonsoftexasmusic.com/

 

15. Ne Obliviscaris – Urn (Season of Mist)
https://neobliviscarissom.bandcamp.com/album/urn

 

16. Starset – Vessels (Razor & Tie)
https://merch.starsetonline.com/

 

17. Subterranean Masquerade – Vagabond (ViciSolum Records)
http://vicisolumrecords.com/album/vagabond

 

18. Leprous – Malina (Inside Out Records)
https://www.omerch.eu/shop/leprous/

 

19. Trivium – The Sin And The Sentence (Roadrunner Records)
http://store.trivium.org/

 

20. Voyager – Ghost Mile (IAV Records)
https://www.discogs.com/artist/2684097-Voyager-30

 

21. Mastodon – Emperor of Sand (Reprise Records)
http://www.mastodonrocks.com/

 

22. Alice Cooper – Paranormal (EarMusic)
http://www.alicecooper.com/shop/

 

23. Steven Wilson – To The Bone (Caroline Records)
http://www.stevenwilsonhq.com/

 

24. Big Wreck – Grace Street (ole)
https://www.bigwreckstore.com/big-wreck/music-295/big-wreck-grace-street-cd.html

 

25. 10 Years – (how to live) AS GHOSTS (Mascot Label Group)
http://10yearsmusic.com/site/


Container “Mountains of Gaia” Album Review + Stream…

 

CONTAINER

Mountains of Gaia – Limited Edition 12” Vinyl // Digital Download 

Independent: Released – March 26, 2017

Reviewed by Mike Hackenschmidt

 

Line Up:
Daan – vocals
Boudewijn – bass
Rutger – guitar
Erwin – drums

Location:
Utrecht, The Netherlands

Review:
One might expect and album that opens with a piano excerpt from “Entry of the Gladiators”, more commonly known as the song they play at the circus as the clowns pile out of their tiny car and climb on their unicycles to juggle bowling pins, or break into a tumbling routine or whatever else clowns do… well you might expect an album that opens with this to be a bit of a joke.

 

 

But you’re not quite right. While Mountains of Gaia does have its fun moments, most are relegated to the opening track which is appropriately named “Circus”. Once the piano fades behind the percussion, the bass takes over, carrying the tune while distorted screams point us in a different direction. Thankfully, the screams give way to more melodic, though still filtered, singing. Really, this is where the lightheartedness goes out the window and we begin a musical adventure.

“Backstabber” takes us to a completely different locale of Container’s sound with a little 70’s Black Sabbath worship and an edge all their own. It’s a bit stoner and a bit “garage”, as they put it. It’s clear listening to the band that this was recorded in a studio, but I still think garage is a very apt term to describe a certain rawness or lack of refinement in Container’s style.

 

Band Pic

 

“Challenger” is an 8 minute, long, slow piece that musically reminds me of the Doors. Maybe Riders on the Storm or LA Woman, but then there’s some spoken word reminiscent of Rage Against the Machine, if you can imagine these two together. That’s only the first couple of minutes. It picks up with more of a Vol. 4 ambiance before slowing again to that Doors-y, wandering-through-the-dessert-on-peyote feeling with one last increase in pace to close it out.

Even though we’re only about halfway through, it’s hard now to look back and remember the silliness Mountains of Gaia opened with. The album leads us down a path of variety with different tracks blending the (aforementioned) base elements, stoner rock & “garage rock”, with a touch of post-rock, punk and hardcore. The result is an eclectic adventure that might seem to stray yet is uniquely Container. It’s almost surreal how after the 8th and final, the title track, another 8 minute opus taking us through the Mountains of Gaia until the music ends. Surreal, I mean if we decide to press play and take the trip again. We realize we’re started back at Circus. Is it a metaphor?

 

Live Band Pic

 


Spacelord “Spacelord” Album Review + Stream…

Spacelord

Spacelord – Digital Download

Self released:  October 10, 2017

Reviewed by Eric Layhe

 

Lineup:
Bass: Chris Cappiello
Drums: Kevin Flynn
Vocals: Ed Grabianowski
Guitar: Richard Root

 Tracklist:
Five Days in a Hole (5:34)
That Witch Rises (6:56)
Livewire (4:11)
Warlike Prelude (1:16)
Warlike (6:15)
Hollow Moon (4:11)
The Old Road (3:09)
Black Sword (4:28)

 

 

Review:
Monster Magnet is a band whose far-reaching influence on the world of Rock music is not always properly appreciated. Without them, such Hard Rock giants such as Queens of the Stone Age and Eagles of Death Metal may have never seen the light of day, and yet Monster Magnet has never become the household name that they probably should be. After all, the school of Monster Magnet is a deceptively large one, and an excellent recent graduate of that school has recently surfaced with the name of Spacelord.

There are Monster Magnet followers of two basic varieties: Desert Rockers a la Queens of the Stone Age, Brant Bjork and Kyuss; and Stoner/Sludge Metallers a la Soundgarden and Red Fang. Spacelord straddles this line a bit, but tends to adhere a bit more to the Stoner Metal side of things. As a matter of fact, Spacelord’s self-titled debut is quite reminiscent of the early days, sounding like they’d be right at home among the track-list of Louder than Love, especially tracks like the 6-minute sludgey atom bomb “Warlike”, which opens with lots of reverb and closes with sinewy guitar lines that Soundgarden’s Kim Thayil would be proud of.

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Spacelord is first and foremost a very genuine affair. There’s nothing absolutely perfect here. It is perfect in its imperfection. That’s not to say the music is bad – in fact, it’s very much the opposite – But a huge amount of personality is found in those little moments where a backing vocal is a little flat, or a guitar comes in the tiniest bit late. This is not a tightly-composed Progressive Rock opus, and it shouldn’t be. This is an intentionally organic album. The performance here is not done by robots programmed to hit every note with surgical precision, it is done by humans – real living humans, and the interplay and charm associated with such a work breaths through this album impeccably.

Spacelord is the album that it needs to be and not an iota less. With their very first record, Spacelord has asserted a very real identity for themselves.  It is one that regales you with the feeling of the early 90’s, when Stoner Metal was at its absolute finest.  It gives you hope for another golden era that Monster Magnet and Kyuss would likely welcome with open arms.

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