First Band From Outer Space “We’re Only In It For The Spacerock” Album Review + Stream…

First Band From Outer Space

We’re Only In It For The Spacerock – CD // DD

TRANSUBSTANS Records – Originally Released In 2005 (with a bonus video)

Re-released: digital Download February 14, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
– JohanFromSpace / Vocals, Acoustic and Electric Guitars
– SpaceAce Frippe / Bass, Acoustic Guitar, Synths, Bells and Voice
– Starfighter Carl / Drums, Percussion and Voice
– Moon Beam Josue / Silver Flute

Previous Releases:
This was the band’s first full length album. The two previous releases were two demo CDr’s; the first “Further Magic” and “Aboard The Mothership Of Cosmic Sound Creation” both released in 2003 and none of the tracks have been re-released. Their second full length release “Impressionable Sounds Of The Subsonic” was released in 2006. The most recent release, from 2009, is “The Guitar Is Mightier Than The Gun”… Two bonus tracks that were on their MySpace: “Mellow Yellow” and “You Will Be Freed”…

Tracklist:

  1. Begin to Float (Intro) (4:44)
    2. Sannraijz (9:58)
    3. Sometimes Going Too Far is the Only Way To Go (7:13)
    4. Sannraijz 2 (4:43)
    5. We’re Only In it for the Spacerock (20:28)
    6. Make Yourself Heard for the Sake of the World (10:47)

Review:

The Band:

First Band From Outer Space are a Aleatoric/Psychedelic/Space Rock band from Gotenborg, Sweden. Their label describes them as  being “Swedish intergalactical starfighters on their eternal quest for infiltrating the human race with their alien psychic powers of enslaving the neanderthals by brainwashing [them] with the finest space rock ever done in Sweden!”

Album Art:

There are two variations of this cover. The one for the original release give you a better idea of what you are getting into once you get into the music. (Meaning it is more atmospheric) There is a person in a spacesuit on the right and there is a light coming from over their shoulder. The second cover is the one for the digital release it is black with a starfield and two light spots similar to CD, but instead of a astronaut there is a small module with the band’s name filling up most of the screen with the album title smaller on the bottom. (Both in the NASA font)

Original Artwork of “We Are Only In It For The Spacerock in 2005Only in it for the Spacerock_Original Cover

Track-by-track Breakdown:

  1. Begin to Float (Intro) – This track whirls in with a slow strumming of the guitar leading us into the First Band From Outer Space version of space. It is similar to “Set the Controls for the Heart of the Sun” (Pink Floyd) in the way it builds and builds on itself. More bloops and bleeps are added and the music starts to pick up in the 2 minute area. Here we get our first clip; “All of my most sensitive areas were inflamed. My extremities pulsing and tingling sensation. …Floating higher and higher. A wonderful feeling! I began to float. Up, away from my body… My brain seemed to be held in a giant vice. Swaying back and forth. A beautiful thing taking me away. My head is spinning. It was a bell… a bell…” now we get fast beat of the drum. Building the tension. The guitar strumming along calmly.. and then
  1. Sannraijz – Now we are in a slightly different area. We are speeding through their space. The track slows at four minutes and then speeds back to it’s normal pace. At five minutes we get vocals. At the end of a comparatively quick singing passage we are told, by Johan that; “The end is always the start of something new” as we continue on our way through the rest of the track. Until it starts to slow in the last 20 or so seconds and our next clip; “No one had a bad trip. It was all very good.” as the next track cuts it off.   I could not find a translation of what the title means.
  1. Sometimes Going Too Far is the Only Way To Go – Here is where (more of) the 70’s rock comes in. A cowbell is counting in our next jam. Six minutes in we get our 90’s influence. A layered vocal not quite shouting at us. This is another short bit of lyrics. We are counted out by the cowbell as well.

      4. Sannraijz II – Here is an almost Mike Oldfield type of track, there are birds chirping. We have now landed on a strange desert planet.           This is the most radio friendly song; it is acoustic and has lyrics throughout. It serves as an intro to the next track.

      5. We’re Only In It for the Spacerock – This track is an experience. It is a slow jam calling back to the first track. It is similar to a                 song by Acid Mothers Temple and the Cosmic Inferno called “Anthem of the Space.” Just a very spacey sounding with heavier guitar. There is another sound clip at the end but I cannot quite make it out.   The title is likely in reference to the Frank Zappa and the Mothers of Invention album We’re Only In It for the Money.

6. Make Yourself Heard for the Sake of the World – This track has a Jethro Tull flute part in it. We get our space or eastern                      sounding intro then we get a rocking riff and MoonBeamJosue is bringing us home with his flute. Two minutes in we get our 80’s/90’s            sounding vocal style again. The track ends how it begins. The tracks are all faded into another so it is a continuous piece.

Band Pic

The synth parts of the music are like a 50’s or 60’s look at what music from aliens, (meaning the bloops and bleeps) that was depicted in the old sci-fi movies/shows with guitar and rhythms from 70’s (and at some points the late 90’s) Rock. This album is a mix of Budgie and Acid Mothers Temple and the Cosmic Inferno that I didn’t know that I needed until now. The band show their influences well while making their own brand of Spacerock.

If you like 70’s style Rock with some space synths added in you should definitely pick this release up.

Stream and download the album here.   “No one had a bad trip. It was all very good.

Extra links:

http://www.progarchives.com/album.asp?id=9483

https://www.discogs.com/First-Band-From-Outer-Space-Were-Only-In-It-For-The-Spacerock/release/1166182

https://transubstansrecords.bandcamp.com/album/were-only-in-it-for-the-spacerock

http://www.transubstans.com/

https://myspace.com/firstbandfromouterspace

https://www.discogs.com/First-Band-From-Outer-Space-Further-Magic/release/5373943

https://myspace.com/firstbandfromouterspace/music/song/mellow-yellow-37764068-39871988

https://www.discogs.com/First-Band-From-Outer-Space-Further-Magic/release/5373943

https://www.discogs.com/First-Band-From-Outer-Space-Aboard-The-Mothership-Of-Cosmic-Sound-Creation/release/5373935

https://www.discogs.com/First-Band-From-Outer-Space-Impressionable-Sounds-Of-The-Subsonic/release/1759512

https://www.discogs.com/First-Band-From-Outer-Space-The-Guitar-Is-Mightier-Than-The-Gun/master/377219

https://www.facebook.com/firstbandfromouterspace/?ref=br_rs


Kal-El “Astrodoomeda” Album Review + Music Video + Stream…

Kal-El

ASTRODOOMEDA – CD // DD

Argonauta Records – Released August 25th, 2017

Reviewed by Terry “The Ancient One” Cuyler

Lineup:
Cpt Ulven – Vocals
Roffe – Guitars
Liz – Bass
Bjudas – Drums

Prepare to Rock ‘N’ Roll Earthling

Review:
Hey Tasters this is your old friend “The Ancient One” and today’s flavor is psychedelic space rock from Kal-El, the fuzzed-out step children of hard rock and heavy metal. Founded in Norway in 2012 by members of Theatre of Tragedy, Six Eyes Lost and Desspo, the band Kal-El quickly got to work rehearsing for its debut and formed a sort of family / domestic following doing gigs throughout their native country Norway’s many venues. On November, 28th, 2012  Kal-El self-released it’s 1st single called “Dark Moon Voyage”, quickly followed by their debut full length album “Pakel” released May 26th, 2014 on Wyrmhole of Death Records which was followed by “Ecosphere,” released on Setalite Records on August, 22nd, 2015.  And now after two years of hard work Kal-El is preparing to release it’s 3rd album “Astrodoomeda” on Aug 25th, 2017 Argonauta records.

Promo Image

As a lover of heavy metal, hard rock, doom, psychedelia, and space rock I refuse to review stuff if I am not feeling it. So rather than saying oh what a great album I researched Kal-El’s past music before I even listened to the advanced copy of “Astrodoomeda.” What I discovered through their music videos and overall band concept is they put on one hell of a show.

Listening to the album “Astrodoomeda” was like smoking a bowl and watching the old black and white episodes of Buck Rogers, Flash Gordan, or the animated movie Heavy Metal. Musically this band is tight!! Liz lays down some gnarly bass grooves that blend with drummer  Bjudas’s beats that create smooth rolling rhythms, and other times rolling thunder as Roffe plays fuzzed out psychedelic leads that Cpt. Ulver uses to give his vocals an even more spaced out sound.

Besides the title track, ‘Astrodoomeda’, some of my favorite tracks ‘MOTHERSHIP’ in which you see the sonic blast coming from Bjudas’s drums in the band’s video. I also enjoyed ‘LUNA’, ‘STARLIGHT SHADE’ and the band’s cover of the Kyuss song ‘GREEN MACHINE’. While I think lovers of Black Sabbath, Monster Magnet, Nebula, and Kyuss are naturally going to love this album, fans of Greenleaf and Horisont might want to check this out too .

Additional Links:

http://www.kal-el.no

http://www.argonautarecords.com/shop/music-/214-kal-el-astrodoomeda-cd.html

                                                         

 

                                                                                                                                     


Frozen Planet…1969 “From The Center Of A Parallel Universe” Album Review + Stream…

FROZEN PLANET…1969

From The Centre Of A Parallel Universe – Limited Vinyl // CD // DD

Pepper Shaker Records – released August 30, 2017

Reviewed by Ric “Suisyko” Dorr

 

Formed:
Early 2012

Location:
Sydney / Canberra, Australia

Personnel:
Guitars – Paul Attard

Bass – Lachlan Paine

Drums – Frank Attard

Previous Releases:
“Frozen Planet….1969” (2012)

“Lost Traveller Chronicles, Volume 1” (2014)

“Lost Traveller Chronicles, Volume 2” (2015)

“Electric Smokehouse” EP (2017)

 

 

First, a bit of background:

When asked to describe how this band came to be, they collectively answered, quote “We are a band called Frozen Planet…1969. The emphasis is on improvisation. No vocals, just straight-out instrumental jamming.” Enquote.  It was basically a side-project for the three individuals as Paul and Frank had been playing in the stoner-doom band, Mother Mars while Lachlan was playing in the Canberra, Aussie heavy rock trio, Looking Glass. Having played their first show in February of 2014, the band has only played a handful of shows, each consisting of a 30-40 minute jam session. Each individual show is unique, no rehearsals needed. According to Frozen Planet…1969′s Facebook presence, quote “Every time the band gets together in the studio there will be two or three separate jams, with each jam usually clocking in at anywhere between 60 and 90 minutes. The editing and mixing process (done by drummer / producer Frank Attard) is very important for the band in order to capture the most effective and cohesive moments from the jam sessions.” Enquote. Certainly explains how they are seeming so prolific and that is NEVER a bad thing, especially with the caliber of music offered up here.

Band Shot

Five songs clocking in at just over 43 minutes, combined to give you the present needed to further melt your brain, opening with ‘Signals (Channeling….)’ and flowing into hyper-fuzzed, hyper tempoed, bass screaming in the thickest rumble heard as ‘Celestial Gambler’ races in front of you as you sprint to keep close, psychedelic ramblings encasing you in all of the Timothy Leary glory possible without the electric-Kool-Aid, jazz fills in tow and that lumbering bass line that commands you to follow during this 11 minute romp across that astral horizon looming ahead. Complete with an ending that sums up the tale of no words with an exclamation point that is absolute perfection and fades to a slow black.

‘Through Hell’s Kaleidoscope, Parts I & II’ is a quick fade in with a jangly, bouncy bass line and what can only be described as the ultra-spaced out panache of synchronicity divine as these three weave complete visual tapestries with not a word uttered, only mood and atmosphere to give your mind the things necessary to see what they are saying with each note and flick of the wrist. As the warbling chords of ‘The Lady And The Archer’ come forth with a more even handed pace than previous. That presence of emotional purity is still flowing right from the fingertips directly into the sub-conscious as you can’t help but ride the ripples in the air that circles you as you take this all in.

Vinyl Shot

Closer, ‘Ancient Wings Taking Flight’ brings back the frenetic tempos blended with the spaced-out string bending that leads to the perfect summation of not only this record, but of the precision musicality delivered under the guise of a jam-band that delivers EVERY time.

Get this record NOW, grab everything else you can find by these guys and play it to the Heavens and beyond!! Support them live if they come anywhere close and keep it LOUD!!

Promo Image


Cosmic Fall // Aphodyl “Starsplit” Album Review + Stream…

Cosmic Fall and Aphodyl

Starsplit – Vinyl // CD // DD

PsyKA Records – released July 27, 2017

Reviewed by Terry “The Ancient One” Cuyler

 

The Starsplit Enterprise

 

 

Star date: 8/30/17 – Space, time, … as everyone even somewhat familiar with Albert Einstein theory of relativity knows  one’s perception of them changes when traveling at the speed of light. Music strangely enough has a similar effect which I was reminded of while listening to the “Starsplit” album last night. An endeavor by two stoner rock bands from Berlin who decided to share some vinyl Cosmic Fall and Aphodyl released a split aptly named “Starsplit” on PsyKA Records, a small underground label from Karlsruhe, Germany. This epic journey has a total run time of 6 tracks lasting 1 hour and 17 minutes on their CD release and 4 tracks lasting about 47 minutes on their Vinyl Release. I found I really didn’t care about time and just enjoyed the moment on each song, which is what good psychedelic/stoner rock is about. Normally I don’t talk about each song on an album but I feel I would be doing these guys an injustice if I didn’t explain why I liked each of their songs.

 

Cosmic Fall Logo

On the A-Side of “Starsplit” is Cosmic Fall. Founded in June 2016 by Bassist Klaus Friedrich, and drummer Daniel Sax.  With 2 impressive self produced Heavy Psyche albums “Cosmic Fall” has returned from the  stars to lay down some more of their otherworldly instrumental space rock with an urban feel to it for us.

Galactic desert rock is what I like to call the albums 1st track ‘Overhead Intelligence.’ It begins with a slow bluesy guitar jam  done by Mathias Rosmann accompanied by Klaus Friedrich’s mellow bass notes emphasis by a few well timed drum beats. Then drummer Daniel Sax helps to kick the song into warp drive allowing Mathias and Klaus to amaze the listener with a stellar guitar performance. ‘Blues at CME’ is pure  ZZ Top instrumental worship that feels like a late night cruise on the back roads of Texas in my cheap sun glasses where a UFO lands and some hot space chicks abduct me to take me on a cruise through the stars. Closing out the Cosmic Fall side of the album is the Bonus Track  ‘Sleeping Pandora.’ Beginning with a Bass and Drum lead by Klaus and Daniel while Mathias plays a far away psychedelic guitar that seems to ebb and flow like the ocean tides. A superb track to close out Cosmic Fall’s 39+ minutes of Cosmic Traveling!!  Up next on Side B…..

APHODYL
Aphodyl_Album Cover

On the B-Side APHODYL!! – No matter the medium I have found Germans have always seemed to have a big Avante Garde art scene that challenges people’s perceptions. Biene, Holli, André & Arno are no exception. Playing music that comes from their minds with much influence from the psychedelic and Krautrock realms, (Pink Floyd, UFO, Hawkwind, Jane etc.) APHODYL fearlessly experiments with sound. On the  APHODYL side of “Starsplit” is what I consider to be 1 long song that has been separated into  3 movements simply titled  ‘Part I, II and III(bonus).’

‘Part I’ begins  with what sounds like a bluesy heavy psych guitar lead by André with some jazz style percussion and bass by Hollie and Arno. As the band starts getting into the song they start working in the strange psychedelic sounds. In the second movement  you feel like you are under a desert sky riding along on a caravan under the stars watching flying saucers through the combination of  instrumental sound effects by Biene, Middle Eastern style guitar playing and that chugging bass. Then at the mid point the lead starts taking off all the while the band is adding sounds from their synth and the bass by Arno begins to feel like its speaking a strange mantra. Then the third bonus movement begins with sounds of a sultry night with a cool bass and drum lead in then the electric blues guitar starts playing music you can actually feel. I’d love to hear more by APHODYL and will be scouring the internet to see what they have available.

While you can still buy Merchandise this album is no longer available for purchase on Bandcamp but fear not you can still get CD’s and Vinyl direct from the band, Cosmic Fall.  Simply drop them a line at their email cosmicfallband@gmail.com.

Additional Links:
http://www.clostridiumrecords.com/

https://cosmicfallband.tumblr.com/

http://www.aphodyl.com/

http://www.allthatisheavy.com/Cosmic_Fall_Aphodyl_Star_Split_Marble_IMPORT_LP_p/ath-12273.htm

https://www.youtube.com/watch?v=BJkOD9CM6U0


Howling Giant “Black Hole Space Wizard” (Parts I & II) Review + Stream…

HOWLING GIANT

Black Hole Space Wizard (Parts 1 & 2) – CD // DD

Self Released – August 25th, 2017 

Reviewed by Ric “Suisyko” Dorr

 

Location:  Nashville, Tennessee USA

Line-Up:
Tom Polzine – Guitar and Vocals
Roger Marks – Bass and Vocals
Zach Wheeler – Drums and Vocals

Drew Harakal – ‘Guest’ Organ/Synths
Additional vocals on ‘Mothership’ provided by Kim Auch and Kevin Dempsey

 

Previous Releases:

“Howling Giant-s/t” EP (January 2015)

 



 

Review:
It didn’t make sense to review these as separate releases as you have to hear the opus in it’s ENTIRETY to get the full impact of the complete tale of the “Black Hole Space Wizard” and seeing as ‘Part 2’ has just been unleashed, following ‘Part 1’ that was launched August 16th, 2016.

After hearing Howling Giant’s first EP, I was floored and hoped for more that would be as heavy, if not even MORE so as the last notes of ‘Camel Crusher’ had hinted at. As I am before you, this pair of releases deliver even more than previously hoped for, heaped in macro-bass, slamming riffs, splitting cymbals and strong, clear vocals that will guide you throughout this journey, into the deepest outreach of the infinite cosmos of “Part 1” and back into the forgotten realms of the Earth Goddess of “Part 2”. We are advised by Howling Giant that “For greater riff-sensation, listen to these songs at maximum volume.” Smoke ’em if ya got ’em, crank it up and hit ‘play’…

“Part 1”

Black Hole Space Wizard_Part 1_Album Cover

 

‘Mothership’ opens with a strong riff amid cymbal washed before the full body hits 20 seconds in and already the power is palpable before we hear “She’s our Mother…” and we are truly off and running as we hear that “The life we’ve built has come undone” and are beckoned to open up our mind… this is not the end. Loopy and soaring to the last staggered, fading note that leads directly into ‘Exodus:Earth’ with it’s slower tempo intro as “We rise into the black skies…” in this tale of traversing the atmosphere and beyond. Breathe deep and hold it in as riding the crescendo of true stoner/doom/sludge filled measures of headrush inducing guitar outbursts that take you even further into the expanses before your mind’s eye, even as the ghost of War Of The Worlds echoes in your mind, soaring further and further into the blackness and the when the needle sharp frenetic notes of ‘Dirtmouth’ hit, it is the perfect wake-up from. Hyper-speed and crushing in weight is the only way to describe this four-minute plus outburst, complete with time-shifts galore to make even the strongest necks snap along in tempo, and when you hear the scream that “The Wizard Lives!!”, you know it’s true, and then, sudden dead stop.

The silence seemed immense until the sound of a screaming wind fades in as if to mirror the return of consciousness as whispered breathing gives way to a footstep close as the power chords permeate the air as ‘clouds Of Smoke’ rumbles in, “Stranded here in this ocean of sin…” and the desolation seems to loom beyond the horizon before you, languishing in the fact that you would “Rather be anywhere but here…” as the solo rips your heart from your chest before your eyes, even as “Up in clouds of smoke, let it go, just let it go…” and as you take all of this in, even as the notes climb beyond sight as the keys fade slow as your eyes close once more.

 

“Part 2”
Black Hole Space Wizard_Part II_Album Cover

 

‘Henry Tate’ comes on full gallop, complete with the spoken meanderings of Kublai Khan wafting in and out through the plethora of musical might being flexed here as the mix is even MORE lush and thick through what is an insane instrumental stroll. ‘The Pioneer’ opens with the plush bass line suiting a tome of this strength, as “My mind begins to melt, my soul strives to break free…” and another soft fade out greets you. ‘Visions’ opens, slow and blues-filled in tone and progression,  and when the opening solo progression rises up, it is as haunting as ever as the body of the song gels over “Besides the embers of my fire…” and we are cast into another dream of “whipping winds that fortel a storm” that can be smelled in the air.

The acoustic track ‘The Forest Speaks’, is a soothing composition complete with soft horn sounds that permeate the air in a ‘softness’ not present before this is the ultimate precursor into ‘Circle Of Druids’ where we are told we have gone too far before the power chords hit again, giving even more of the lush heaviness I have come to expect over the course of these songs that have lead me here knowing “You must ascend…” and rise indeed on the hooks and time shifts.

 

Band Pic

 

‘Earth Wizard’ is the absolute culmination of all points traversed up to this moment and serves as the bookend to tie it all together and does it incredibly well. Over seven minutes long, Polzine, Marks, Wheeler and ‘guest’ Harakal put 200% into this song, as they have seemingly done with every other song included in this opus and does not disappoint in any manner.

Switching studios between Part I and Part II helped Howling Giant bring the process closer to home for these guys but the continuity between is flawless and if I have to say this record has done one thing for sure… left me wanting, no, scratch that, NEEDING more!! Grab these two, listen to them as a single release and climb aboard for a journey you have not experienced before. Share it with every mind you encounter and support them live if you get the opportunity… keep it LOUD!!

 

Tour Schedule

Frozen Planet…1969 – Featured Video Teaser + 1st Single – New Album…

Frozen Planet…1969

From The Centre of a Parallel Universe – Limited Vinyl // CD // DD

Headspin Records // Pepper Shaker Records – August 30th, 2017

 

From the Centre of a Parallel Universe_Album Cover

 

Frozen Planet…1969 have a new album being released on The 30th of August. “From The Centre Of A Parallel Universe” will be available on 12 inch vinyl through Headspin Records.  Available in Black and Orange Splatter Vinyl and black vinyl at Shiny Beast Music Mail-Order in Europe. The digital, compact disc and vinyl will also be available through the band’s own Pepper Shaker Records Bandcamp Page.

Frozen Planet…1969 has returned from their Space travels of an unknown universe somewhere between Saturn and Mars.  They have returned and reported back their findings through their new release “From The Centre of a Parallel Universe.  Their findings are nothing less than than stellar.   Enjoy the first of their Chronicles……

 


The Ultra Electric Mega Galactic “Through The Dark Matter” Album Review + Stream…

In Case You Missed It Series – Episode 6

THE ULTRA ELECTRIC MEGA GALACTIC 

Through The Dark Matter – CD // DD

Orbit Unlimited Records – released April 21, 2014

Reviewed by Ric “Suisyko” Dorr

 

FormedJanuary 1, 2006

LocationLos Angeles, California USA

Line up:
ED MUNDELL / Guitar (MONSTER MAGNET / THE ATOMIC BITCHWAX)
COLLYN MCCOY / Bass (TRASH TITAN / OTEP)
RICK FERRANTE /Drums (SASQUATCH)

 

Band Pic

 

Previous Releases:

“UEMG-s/t” (2013)

Pending release 2017

To call this a super group is to over-simplify. When Ed’s main focus with Monster Magnet went on hiatus, he needed something to do and in their own words, created and morphed into “a no nonsense, psychedelic, space rock orgy built on riffs and classic 70’s guitar rock. Not having to cater to the masses and with absolute disregard to mainstream commercial music industry dictate, The Ultra Electric Mega Galactic came forth like an acid-trip super nova.” And having tripped out, jangly guitar heroes like Tomy Bolin listed with the likes of Captain Beyond and the trippiness of Hawkwind referenced, the end result is even MORE than you could have expected.

 

Five tracks clocking at just over 25 minutes, from the first notes of ‘Small Magnetic cloud’ all the way to the ending of ‘Large Magnetic Cloud’, each possible facet and cloud has been explored, from the headiness of title track ‘Through The Dark Matter’ to the expanses of ‘Day Of The Comet’, the enormity of each player here is in full-force. It shines in the purity of expression the freedom allotted has given them the power to wield in all it’s mushroom tinged might and the suns and moons change trajectory to glimpse a piece of this vortex that swirls effortlessly. Even with the one song to have lyrics ‘Spoonful’ as the intro drumline delivers with the panache of a legend as easily as casting a glance.

If you haven’t bought this one yet, do yourself the favor and get them both if you can. Then share it out to anybody you think would appreciate it.  “Through The Dark Matter,” hell both Albums, are perfect for headphones turned to 11 to capture each note you may have missed from the last listen. There is talk directly on their website of a 2017 release and I know I will be keeping my eyes peeled for that as I recommend should you, support these guys in a live format if the come to your area and keep it LOUD!!

‘Rockets Aren’t Cheap Enough’ Live at Desert Fest in 2014 off their “S/T” Debut Album


Monster Magnet Monday “Mastermind” Limited Edition + Videos + Review…

Monster Magnet

Mastermind Limited Edition + 2 Bonus Tracks – Released October 25th, 2010

Napalm Records – Vinyl // CD // DD

Reviewed by Terry “The Ancient One” Cuyler

 

Space Rock Voodoo

In the years leading up to “Mastermind” “Monster Magnet” had transformed into a 5 member outfit with the addition of Phil Caivano on guitar to give the band a more dynamic range in sound. They also went from  Atpeek Music to A&M Records where they went Gold in the US with their 1998 album “Powertrip”,  moved to “SPV” then in 2009 signed with “Napalm Records” then released “Mastermind”  in 2010.  Lead guitarist Ed Mundell parted ways after 18 years with the band “to collaborate with other musicians and Producers”, forming The Ultra Electric Mega Galactic. Following their European tour replacing him was Garrett Sweeny.

monstermagnet band pic_Mastermind

For some a review of  Monster Magnets 8th album “Mastermind” might be kinda old hat. But for me and anyone else who has never listened to it, “Mastermind” is brand new. Having never heard it I chose to do this review just so I could have an excuse to listen to it when we came up with our nifty Monster Magnetic Monday Idea.

What came to my mind when I first listened to this is when it had been made Monster Magnet had been together for 20 years when most bands are lucky if they manage two albums. Like many bands that last that long they have managed to keep their core sound that makes them the band they are but change with the times. Unlike Superjudge and earlier albums “Mastermind” has a bluesy feel to it musically and lyrically with more mature subject matter. All in all a solid album. Some the songs I like most are ‘Bored with Sorcery’, ‘Gods and Punks,’ ‘Mastermind,’ ‘100 Million Miles,’ ‘Time Machine’ and ‘Ghost Story.’

Limited Edition Track Listing:

  1. “Hallucination Bomb” – 5:27
  2. “Bored with Sorcery” – 4:02
  3. “Dig That Hole” (Wyndorf, Phil Caivano) – 5:34
  4. “Gods and Punks” – 5:32
  5. “The Titan Who Cried Like a Baby” – 3:36
  6. “Mastermind” – 5:08
  7. “100 Million Miles” – 5:01
  8. “Perish in Fire” – 4:42
  9. “Time Machine” – 5:30
  10. “When the Planes Fall from the Sky” – 5:46
  11. “Ghost Story” – 5:20
  12. “All Outta Nothin'” – 4:29
  13. “Watch Me Fade” (Bonus Track) – 3:05
  14. “Fuzz Pig” (Bonus Track) – 3:13

Line Up for Mastermind:
Dave Wyndorf- Guitar, Vocals
Philip Caivano – Guitar
Ed Mundell-Guitar
Bob Pantella – Drums
Jim Baglino – Bass

For Fans of:  Fu Manchu, White Zombie, Masters of Reality, VAST, Queens of the Stone Age, Rob Zombie, Biohazard, Trouble, Danzig, Burning Brides


Monster Magnet – Superjudge Review + Videos + More…

Monster Magnet Monday – Part 2

Superjudge – Vinyl // CD // DD

Originally Released on A&M Records – April 6th, 1993

Re-Released (Import Deluxe Edition) – February 19, 2016

Reviewed by Terry “The Ancient One” Cuyler

Superjudge Line Up:
Dave Wyndorf – vocals, rhythm guitar (1989–present)
Ed Mundell – lead guitar (1992–2010)
Jon Kleiman – drums (1991–2001)
Joe Calandra – bass guitar (1991–2001)

Deluxe Edition – Import

Disc: 1

  1. Cyclops Revolution
  2. Twin Earth
  3. Superjudge
  4. Cage Around the Sun
  5. Elephant Bell
  6. Dinosaur Vacume
  7. Evil (Is Going on)
  8. Stadium
  9. Face Down
  10. Brainstorm
  11. Black Balloon

Disc: 2

  1. Unsolid
  2. Medicine
  3. Nod Scene
  4. Superjudge
  5. Dinosaur
  6. Superjudge
  7. Freak Shop
  8. Murder
  9. Intro
  10. Snake Dance
  11. Twin Earth
  12. Nod Scene
  13. Evil

 

“Back from Venus For The Cyclops Revolution”

 

Formed in Red Bank New Jersey Monster Magnet has gone through several line up changes since it was founded by Dave Wyndorf Vox//guitar, John McBain guitar and Tim Cronin Vox // drums. Rather than write several pages about the bands history I am going leave learning the bands full history up to you, the fan.  It is out there and not hard to find. In 1992 when the band Monster Magnet (named after a Wham-O toy Dave Wyndorf loved playing with as a child) released its second album Superjudge, Monster Magnet was:  Dave Wyndorf -Vox//rhythm guitar,  Ed Mundell- lead guitar, Jon Kleiman – drums, and Joe Calandra – bass guitar.

Band Pic_1992_SuperjudgeCirca 1992 from  left to right Jon Kleiman, Dave Wyndorf, Ed Mundell, Joe Calandra

 

Eons ago or that’s how it feels sometime when I was a soldier and, though the Army had shaved my head and put me in a uniform, they didn’t really change me. I just let them think they did. I was still me and still a metal-head. Joining the military and being stationed in Germany put some cash in my pocket and got me exposed to stuff I had never heard before.
At the time metal seemed to be on the down turn as MTV claimed Generation X was going bat shit crazy for grunge. Thankfully Germany had a roaring metal scene and the metal fans that packed the clubs to hear their favorite underground bands and didn’t care what MTV had to say. Which is why Monster Magnet blew up in Germany more they did in the United States.  It also helped their the band’s first full length, cult classic, “Spine of God” on longstanding German label Glitterhouse Records.

 

 

Unfamiliar with Monster Magnet at the time I recall finding their album Superjudge in my local PX (Post Exchange) and thinking with a cover and name like that this has potential to rock and it did just that. When I returned to my Barracks and put the CD into my stereo I was blown away by something that sounded like 60’s Psychedelic rock gone metal. While I’d heard some far out stuff, Monster Magnet was unlike any metal band I had heard before. Listening was like swimming in a sonic ocean as the band fearlessly used sound rather than stick to the tried trued and tested metal riffs. Among the songs that most impressed me were ‘Cyclops Revolution,’  ‘Superjudge,’ ‘Cage Around The Sun,’ ‘Dinosaur Vacume’ and the band’s covers of Hawkwind’s ‘Brainstorm.’

 

 

Current Line Up:
Dave Wyndorf – vocals, rhythm guitar (1989–present)
Phil Caivano – rhythm guitar, lead guitar (1998–present)
Bob Pantella – drums (2004–present)
Garrett Sweeny – lead guitar (2010–present)
Chris Kosnik – bass guitar (2013-present)


Monster Magnet – Powertrip Album Review + Videos…

Monster Magnet Monday – Part 1

Powertrip – Vinyl // CD // DD

A&M Records – Released June 16th, 1998

**Currently Available on Napalm Records**

Reviewed by Santiago “Chags” Gutierrez

 

Line Up for Powertrip:
Dave Wyndorf – vocals, guitar
Ed Mundell – guitar
Philip Caivano – guitar
Joe Calandra – bass
Jon Kleiman – drums

 

Tracklist:
“Crop Circle” – 5:32
“Powertrip” – 3:31
“Space Lord” – 5:55
“Temple of Your Dreams” – 4:35
“Bummer” – 7:35
“Baby Götterdämmerung” – 3:09
“19 Witches” – 4:02
“3rd Eye Landslide” – 5:10
“See You in Hell” – 4:05
“Tractor” – 3:26
“Atomic Clock” – 5:06
“Goliath and the Vampires” – 4:13
“Your Lies Become You” – 4:18

 

By the time 1998 came along, Monster Magnet had steadily been producing and improving upon their brand of stoner/space/psych/hard rock for eight years. After two EP’s and three full length releases, Monster Magnet had solidified themselves as a top act in the hard rock scene. Following the momentum gathered from their amazing Dopes to Infinity album, Powertrip, their fourth full length, saw Monster Magnet firing on all cylinders and at the top of their game. Songs suddenly started appearing throughout pop culture. Talladega Nights using “Spacelord” on their soundtrack, for example.

Written mostly in Las Vegas, in a relatively short amount of time, Powertrip benefited with a more consistent feel despite bridging the diversity of the stoner heaviness found on Spine of God, the psychedelic flow of Superjudge, and the more metal sounding Dopes to Infinity. The track list flows smoothly from one style to another. The first four tracks: ‘Crop Circles,’ ‘Powertrip,’ ‘Spacelord’ and ‘Temple of Your Dreams’ blast out of the gate with their trademark heavy riffs. Dave Wyndorf’s rhythms fitting in perfectly with Ed Mundell’s leads, which here, solidified his role as a premier guitarist in the genre. ‘Bummer’ transitions the album into the more hypnotic, psychedelic tunes of ‘Baby Gotterdammerung,’ ’19 Witches’ and ‘3rd Eye Landslide.’ The importance of Joe Calandra (bass) and Jon Kleiman (drums) cannot be understated, as they provide a solid rhythmic backbone throughout the whole ride.

 

‘See You in Hell’ was inspired by a bus ride Wyndorf took from New York City to New Jersey when some fellow passengers told him that they killed their baby and buried it somewhere in the New Jersey Meadowlands.  Shocked, Wyndorf got out of the bus. One can’t help but wonder what kind of other horror stories are out there among us.  ‘Tractor’ and ‘Atomic Clock’ continue the return of the heavier tunes before the album closes out with the subdued tones of ‘Goliath and the Vampires’ and ‘Your Lies Become You.’  All throughout, Wyndorf’s quirky lyrics are open to interpretation. His writing style being a staple throughout their entire lyrical output. On the surface seemingly having no cohesion or focus, but once you delve deeper into his prose, you start to realize that some grey matter is required to take in the full effect of what he is attempting to convey. Powertrip mostly deals with what Wyndorf observed while in Las Vegas, yet it is written in ways that could apply to everyday life in general.

 


At the time Powertrip was released in 1998, most bands were producing albums that had more than 12 tracks on them. Quantity seemed to rule over quality. Monster Magnet was no exception to the quantity, yet their quality here never suffered. They managed to incorporate the many facets explored on previous albums to produce a truly engaging listening experience, a particularly unique journey that is curious, raving, yet most of all amusing to listen to. As mentioned on the opening track, “I got an itch in my cosmic pocket and it won’t go away.” And personally, I’m not sure I would ever want it to.

Links:
Facebook – https://www.facebook.com/monstermagnet
Napalm Records – https://shop.napalmrecords.com/monster-magnet-powertrip-cd.html (Album Available here and other outlets)