Octopussy “Dwarfs and Giants” Album Review + Stream…

OCTOPUSSY

Dwarfs and Giants – CD // Digital Download

Independent: Released – Nov 10th, 2017

Reviewed by Mike Hackenschmidt

 

Line Up:
Jan Babiński – vocals
Konrad Ciesielski – drums
Piotr Danielewicz – guitars
Michał Banasik – guitars
Marcin Bąkowski – bass guitar
Michał Koziorowski – keys

 

 

Review:

Ring ring… Ring ring…

(Man on receiver) – Hi! You’ve reached Octopussy. How can we help you?

(Caller) Hi this is the late 60’s and early 70’s! Who am I speaking with? We want our sound back.

(Octopussy) – Well you certainly called the right people. Where should we start?

(60’s/70’s) – How about some funky, bass driven rock?

(Octopussy) – Can do

(60’s/70’s) – Hendrix inspired guitar work?

(Octopussy) – Check

(60’s/70’s) – Disco vocals?!?

(Octopussy) – uhhhh… let’s keep that to one track…

(60’s/70’s) – I was only kidding on that one.

(Octopussy) – Well too late. You’re getting it. It fits with the funk track anyway. We’ll stick to a more bluesy, psychedelic groove for the rest of the album. Maybe a splash of southern rock but not too much.  Sound okay for ya?

 

Band Pic

 

(60’s/70’s) – So how about the vocals on the remaining tracks?

(Octopussy) – We’re going with a mix of smooth melodic, and raspy blues… plus some heavily distorted screams and speech.

(60’s/70’s) – Uhh.. screams?

(Octopussy) – Don’t worry about it. We’ll make sure it works within the context of the album.

(60’s/70’s) – In that case, we demand a ballad.

(Octopussy) – Sure. But it’s going to be trippy as fuck and really short.

(60’s/70’s) – I feel you don’t much like compromise.

(Octopussy) – Not at all

(60’s/70’s) – Great. I can’t wait to hear it.

(Reader) – Me too.

Uhhhhhhhhhh…. OK then. Links are below:

https://octopussyband.bandcamp.com/

https://www.facebook.com/octopl/


Music Video Premier!! Electric Age’s “Silent King” Lyric Video…

Music Video World Premier!!

Taste Nation is Honored to Premier Louisiana’s Electric Age’s New Lyric Video “Silent King” from their Acclaimed Debut Album “Sleep of the Silent King” on Italy’s Argonauta Records. 

The Video was edited & mixed by Gryphus Visual!!  

 

Sleep of the Silent King_album cover

 

Additional Information and Links:
Electric Age – “Silent King” From Album “Sleep of the Silent King”

Electric Age:
https://www.facebook.com/electricagela/
https://electricagela.bandcamp.com/

 

Argonauta Records:
http://www.argonautarecords.com/
https://www.facebook.com/ArgonautaRec…


Container “Mountains of Gaia” Album Review + Stream…

 

CONTAINER

Mountains of Gaia – Limited Edition 12” Vinyl // Digital Download 

Independent: Released – March 26, 2017

Reviewed by Mike Hackenschmidt

 

Line Up:
Daan – vocals
Boudewijn – bass
Rutger – guitar
Erwin – drums

Location:
Utrecht, The Netherlands

Review:
One might expect and album that opens with a piano excerpt from “Entry of the Gladiators”, more commonly known as the song they play at the circus as the clowns pile out of their tiny car and climb on their unicycles to juggle bowling pins, or break into a tumbling routine or whatever else clowns do… well you might expect an album that opens with this to be a bit of a joke.

 

 

But you’re not quite right. While Mountains of Gaia does have its fun moments, most are relegated to the opening track which is appropriately named “Circus”. Once the piano fades behind the percussion, the bass takes over, carrying the tune while distorted screams point us in a different direction. Thankfully, the screams give way to more melodic, though still filtered, singing. Really, this is where the lightheartedness goes out the window and we begin a musical adventure.

“Backstabber” takes us to a completely different locale of Container’s sound with a little 70’s Black Sabbath worship and an edge all their own. It’s a bit stoner and a bit “garage”, as they put it. It’s clear listening to the band that this was recorded in a studio, but I still think garage is a very apt term to describe a certain rawness or lack of refinement in Container’s style.

 

Band Pic

 

“Challenger” is an 8 minute, long, slow piece that musically reminds me of the Doors. Maybe Riders on the Storm or LA Woman, but then there’s some spoken word reminiscent of Rage Against the Machine, if you can imagine these two together. That’s only the first couple of minutes. It picks up with more of a Vol. 4 ambiance before slowing again to that Doors-y, wandering-through-the-dessert-on-peyote feeling with one last increase in pace to close it out.

Even though we’re only about halfway through, it’s hard now to look back and remember the silliness Mountains of Gaia opened with. The album leads us down a path of variety with different tracks blending the (aforementioned) base elements, stoner rock & “garage rock”, with a touch of post-rock, punk and hardcore. The result is an eclectic adventure that might seem to stray yet is uniquely Container. It’s almost surreal how after the 8th and final, the title track, another 8 minute opus taking us through the Mountains of Gaia until the music ends. Surreal, I mean if we decide to press play and take the trip again. We realize we’re started back at Circus. Is it a metaphor?

 

Live Band Pic

 


Hobo Magic “The World Today” Album Review + Stream…

Hobo Magic

The World Today – Limited Vinyl // CD // DD

Desert Highways – Released: September 14, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Connor Mitchell – Guitar/Vocals
Jake ‘Greasy’ Bennett – Bass Guitar
Carter Veltmeyer – Drums / Percussion

Previous Releases:
2013:  Single –  Tides of the Astral Sea
2014: full length Self-Titled album Hobo Magic.

Tracklist:
Follow The Holy Riff 06:44
Hobo Magic 06:48
The Poet 04:32
The World Today 06:28
Frostbite 07:40
Lady Of The Groove 09:27

 

 

Review:

Hobo Magic are Stoner Rock band from Noosa, Australia.

But classifying them as just stoner wouldn’t give you a true description of what you are going to hear.  The band use their influences of Black Sabbath, Blues, some Jazz rhythms and at some points even Metal.

Track-By-Track Breakdown:

This whole album is very similar and in the sonic universe of Sabbath’s Paranoid and Master of Reality era. As you listen along you will hear it too. They stay very much in the time period and sounds that can be produced in that time.

Pro Band Pic

Follow The Holy Riff
Which should be subtitled “Children of the Groove”, is a groovy tune. Most of the song is spent on keeping an almost sludgy repeating riff (which might be the holy riff) with breaks in between of a melodic reverbed guitar and great slow solo. The time scale shifts continually but they never sound like they are interrupting the flow of the jam.

Hobo Magic
This song is less “intense” than the last. It starts of sludgy but slowly picks up pace and becomes faster. It isn’t a heavy but still has a repeating riff and it revs up and up until the ending much like the guitar began at the start of the song. After 1:50 the jamming starts now that the almost warm up sounding beginning.

The Poet
The Poet starts off very strangely in contrast to the previous two songs; there is no distortion. This song is more of a melancholy tune, there is just a slow revered riff with slow and vocals that are a little distorted making the song feel cold.

 

Limited Wax

 

The World Today
The title track is a shift from the previous and is back to the norm that the first two tracks set us up for. It is also the most Sabbath sounding sound, the shouted high(er) pitched vocals, more of a jam song with little bits of vocals. Ask a simple question… About the world today. This track straight rips!!

Frostbite
This song is more like the first one; the tempo/timescale change quite a bit, and is a repeated bit with subtle changes. It even has moments that sound close to The Poet. The vocals are processed in a similar way. The song is almost eight minutes and feels like it. Kind of slow, like frostbite.

Lady Of The Groove (Favorite)
This song is a LOT like “Children of the Grave” (I’m pretty sure they meant it to as well.) The song also works as a way to remind and wrap up all the previous motifs that were in the past few songs. This is a great way to wrap up the album for just that reason.

———————————————————————————————————————————————————————

In a way they are like a band named Magma. Hobo Magic are sticking to the mythos that they have created; all about the groove, the story of the lady finding and jamming to the groove, even their Facebook is curated in a way to complement the mythos just look at their About Us page.

Like I mentioned before, Hobo Magic are descendants from that 1970-1 period of Black Sabbath and they work really well in changing it into their own thing, different riffs, story, and singing. If you are a fan of Sabbath‘s 2nd and 3rd albums then you will definitely DIG this album.

Funny Band Pic

Stream the album on Spotify or Bandcamp.

Buy and download from Bandcamp HERE.

Extra Links:
https://open.spotify.com/album/6EbXoNDAnLI7GYepgfUNqn

https://hobomagic.bandcamp.com/album/the-world-today

https://www.facebook.com/pg/hobomagicband/about/?ref=page_internal

www.deserthighways.com

https://hobomagic.bandcamp.com/track/tides-of-the-astral-sea

https://hobomagic.bandcamp.com/album/hobo-magic


Spacelord “Spacelord” Album Review + Stream…

Spacelord

Spacelord – Digital Download

Self released:  October 10, 2017

Reviewed by Eric Layhe

 

Lineup:
Bass: Chris Cappiello
Drums: Kevin Flynn
Vocals: Ed Grabianowski
Guitar: Richard Root

 Tracklist:
Five Days in a Hole (5:34)
That Witch Rises (6:56)
Livewire (4:11)
Warlike Prelude (1:16)
Warlike (6:15)
Hollow Moon (4:11)
The Old Road (3:09)
Black Sword (4:28)

 

 

Review:
Monster Magnet is a band whose far-reaching influence on the world of Rock music is not always properly appreciated. Without them, such Hard Rock giants such as Queens of the Stone Age and Eagles of Death Metal may have never seen the light of day, and yet Monster Magnet has never become the household name that they probably should be. After all, the school of Monster Magnet is a deceptively large one, and an excellent recent graduate of that school has recently surfaced with the name of Spacelord.

There are Monster Magnet followers of two basic varieties: Desert Rockers a la Queens of the Stone Age, Brant Bjork and Kyuss; and Stoner/Sludge Metallers a la Soundgarden and Red Fang. Spacelord straddles this line a bit, but tends to adhere a bit more to the Stoner Metal side of things. As a matter of fact, Spacelord’s self-titled debut is quite reminiscent of the early days, sounding like they’d be right at home among the track-list of Louder than Love, especially tracks like the 6-minute sludgey atom bomb “Warlike”, which opens with lots of reverb and closes with sinewy guitar lines that Soundgarden’s Kim Thayil would be proud of.

Logo

Spacelord is first and foremost a very genuine affair. There’s nothing absolutely perfect here. It is perfect in its imperfection. That’s not to say the music is bad – in fact, it’s very much the opposite – But a huge amount of personality is found in those little moments where a backing vocal is a little flat, or a guitar comes in the tiniest bit late. This is not a tightly-composed Progressive Rock opus, and it shouldn’t be. This is an intentionally organic album. The performance here is not done by robots programmed to hit every note with surgical precision, it is done by humans – real living humans, and the interplay and charm associated with such a work breaths through this album impeccably.

Spacelord is the album that it needs to be and not an iota less. With their very first record, Spacelord has asserted a very real identity for themselves.  It is one that regales you with the feeling of the early 90’s, when Stoner Metal was at its absolute finest.  It gives you hope for another golden era that Monster Magnet and Kyuss would likely welcome with open arms.

Band Pic


Deaf Radio “Alarm” Album Review + Stream…

Deaf Radio

Alarm  – Vinyl // CD // DD

Self-released:  January 9, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Panos Gklinos (Vocals & Guitars)
Dimitris Sakellariou (Guitars & Vocals)
Antonis Mantakas (Bass & Backing Vocals)
George Diathesopoulos (Drums & Backings Vocals)
Honorary Member : Vassilis Petris

Previous Releases:
A two track E.P. from 2015 “Deaf Radio”, containing; “Down On Her Knees” & “No Hay Banda”

Tracklist:
Aggravation                                       03:25
Backseats                                           05:06
Vultures & Killers                            04:11
Anytime                                             05:03
Flowerhead                                       04:32
Revolving Doors                              04:32
Trapped                                             03:01
Oceanic Feeling                               04:23
…And We Just Pressed The Alarm Button 06:05

 

 

Review:

Deaf Radio are a Post-Punk/Alternative/Hard Rock band from Athens, Greece. On their Bandcamp they describe themselves as “a rock quartet inspired by the independent rock music scene.”

Track-by-track Breakdown:

Aggravation – This track launches us into what we will hear on and off for the rest of this of this album. Rockin’ riffs and lyrics that sound like they are from the late 90’s revival of Punk music.

Backseats – This song starts of slow with a repetitive strumming and builds up with quick little riffs interspersed between the delivery of lyrics. In the final two minutes it introduces some screaming in the background making the song harsh. It reminds me of a We Are Harlot song that I cannot remember the name of.

Vultures & Killers – Here we get another change where their Post-Punk influences come out again and we hear a mid tempo beat with some almost falsetto vocals.

Anytime – (Don’t get too mad at this analogy but) this is their Lana Del Rey song minus the orchestra. It is a slow drug filled atmospheric falsetto vocals (like the last track) until the last minute and the music picks up speed and returns back to the Hard Rock that we have heard so far.

Shot by Evan MaragkoudakisPro Shot

Flowerhead – This song is a lot like Vultures & Killers, almost like it is a continuation or sequel to it. They are structure similar and the vocals are sung in the same way. The exception is this one is heavier on the bass and heart monitor beeping in between bass notes.

Revolving Doors – Here we return to a style close to Aggravation, which reminds me of some of Rise Against’s music. A repeating structure with it being changed in the last minute or two.

Trapped – This song reminds me of a mix of Bush and Muse types of playing and singing. The guitar almost sounds surf like with it’s reverb. The tempo and rhythm change a bunch in this song the music goes back and forth between the types we have heard in the songs before it but it isn’t disorienting.

Oceanic Feeling – This song begins with a simple drum pattern that changes to signal the reverb guitar and bass to kick in. We return to backseats but a slower version of it.

…And We Just Pressed The Alarm Button (Favorite track) – Here we return to the Bush/Muse mix.

Photo: A Memory of Live of September 22nd, 2017
Live Band Pic

The band reminds me stylistically of early Rise Against and Queens of the Stone Age with a good mix of 90’s Hard Rock with Punk influences. Panos reminds me of a mix of the two singers as well. The main guitar reminds me of music that I used to listen to a lot but I cannot pinpoint from what. The bass is one of my favorite parts of the music, especially when it is alone, Antonis just goes at it without it going on too long, making me want more.

This album is good for playing in your car (on the verge of too loud) on your way to work or wherever (which is how I’ve listened to it). It is heavy but not too heavy to add to road rage and is chill enough to kind of zone out and relax to.  In essence, Deaf Radio have given us a 1-Stop-Shop with “Alarm”.  This band has a very bright future!!  Highly Recommend!!

 Download, stream; buy the CD, DD, and Vinyl here.

Additional Links:
https://deafradio.bandcamp.com/

https://www.discogs.com/artist/4863064-Deaf-Radio

https://www.discogs.com/Deaf-Radio-Deaf-Radio/master/1175259

https://www.youtube.com/user/12gafs

https://www.discogs.com/Deaf-Radio-Alarm/release/9690126

https://www.facebook.com/deafradioband/

 


First Band From Outer Space “We’re Only In It For The Spacerock” Album Review + Stream…

First Band From Outer Space

We’re Only In It For The Spacerock – CD // DD

TRANSUBSTANS Records – Originally Released In 2005 (with a bonus video)

Re-released: digital Download February 14, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
– JohanFromSpace / Vocals, Acoustic and Electric Guitars
– SpaceAce Frippe / Bass, Acoustic Guitar, Synths, Bells and Voice
– Starfighter Carl / Drums, Percussion and Voice
– Moon Beam Josue / Silver Flute

Previous Releases:
This was the band’s first full length album. The two previous releases were two demo CDr’s; the first “Further Magic” and “Aboard The Mothership Of Cosmic Sound Creation” both released in 2003 and none of the tracks have been re-released. Their second full length release “Impressionable Sounds Of The Subsonic” was released in 2006. The most recent release, from 2009, is “The Guitar Is Mightier Than The Gun”… Two bonus tracks that were on their MySpace: “Mellow Yellow” and “You Will Be Freed”…

Tracklist:

  1. Begin to Float (Intro) (4:44)
    2. Sannraijz (9:58)
    3. Sometimes Going Too Far is the Only Way To Go (7:13)
    4. Sannraijz 2 (4:43)
    5. We’re Only In it for the Spacerock (20:28)
    6. Make Yourself Heard for the Sake of the World (10:47)

Review:

The Band:

First Band From Outer Space are a Aleatoric/Psychedelic/Space Rock band from Gotenborg, Sweden. Their label describes them as  being “Swedish intergalactical starfighters on their eternal quest for infiltrating the human race with their alien psychic powers of enslaving the neanderthals by brainwashing [them] with the finest space rock ever done in Sweden!”

Album Art:

There are two variations of this cover. The one for the original release give you a better idea of what you are getting into once you get into the music. (Meaning it is more atmospheric) There is a person in a spacesuit on the right and there is a light coming from over their shoulder. The second cover is the one for the digital release it is black with a starfield and two light spots similar to CD, but instead of a astronaut there is a small module with the band’s name filling up most of the screen with the album title smaller on the bottom. (Both in the NASA font)

Original Artwork of “We Are Only In It For The Spacerock in 2005Only in it for the Spacerock_Original Cover

Track-by-track Breakdown:

  1. Begin to Float (Intro) – This track whirls in with a slow strumming of the guitar leading us into the First Band From Outer Space version of space. It is similar to “Set the Controls for the Heart of the Sun” (Pink Floyd) in the way it builds and builds on itself. More bloops and bleeps are added and the music starts to pick up in the 2 minute area. Here we get our first clip; “All of my most sensitive areas were inflamed. My extremities pulsing and tingling sensation. …Floating higher and higher. A wonderful feeling! I began to float. Up, away from my body… My brain seemed to be held in a giant vice. Swaying back and forth. A beautiful thing taking me away. My head is spinning. It was a bell… a bell…” now we get fast beat of the drum. Building the tension. The guitar strumming along calmly.. and then
  1. Sannraijz – Now we are in a slightly different area. We are speeding through their space. The track slows at four minutes and then speeds back to it’s normal pace. At five minutes we get vocals. At the end of a comparatively quick singing passage we are told, by Johan that; “The end is always the start of something new” as we continue on our way through the rest of the track. Until it starts to slow in the last 20 or so seconds and our next clip; “No one had a bad trip. It was all very good.” as the next track cuts it off.   I could not find a translation of what the title means.
  1. Sometimes Going Too Far is the Only Way To Go – Here is where (more of) the 70’s rock comes in. A cowbell is counting in our next jam. Six minutes in we get our 90’s influence. A layered vocal not quite shouting at us. This is another short bit of lyrics. We are counted out by the cowbell as well.

      4. Sannraijz II – Here is an almost Mike Oldfield type of track, there are birds chirping. We have now landed on a strange desert planet.           This is the most radio friendly song; it is acoustic and has lyrics throughout. It serves as an intro to the next track.

      5. We’re Only In It for the Spacerock – This track is an experience. It is a slow jam calling back to the first track. It is similar to a                 song by Acid Mothers Temple and the Cosmic Inferno called “Anthem of the Space.” Just a very spacey sounding with heavier guitar. There is another sound clip at the end but I cannot quite make it out.   The title is likely in reference to the Frank Zappa and the Mothers of Invention album We’re Only In It for the Money.

6. Make Yourself Heard for the Sake of the World – This track has a Jethro Tull flute part in it. We get our space or eastern                      sounding intro then we get a rocking riff and MoonBeamJosue is bringing us home with his flute. Two minutes in we get our 80’s/90’s            sounding vocal style again. The track ends how it begins. The tracks are all faded into another so it is a continuous piece.

Band Pic

The synth parts of the music are like a 50’s or 60’s look at what music from aliens, (meaning the bloops and bleeps) that was depicted in the old sci-fi movies/shows with guitar and rhythms from 70’s (and at some points the late 90’s) Rock. This album is a mix of Budgie and Acid Mothers Temple and the Cosmic Inferno that I didn’t know that I needed until now. The band show their influences well while making their own brand of Spacerock.

If you like 70’s style Rock with some space synths added in you should definitely pick this release up.

Stream and download the album here.   “No one had a bad trip. It was all very good.

Extra links:

http://www.progarchives.com/album.asp?id=9483

https://www.discogs.com/First-Band-From-Outer-Space-Were-Only-In-It-For-The-Spacerock/release/1166182

https://transubstansrecords.bandcamp.com/album/were-only-in-it-for-the-spacerock

http://www.transubstans.com/

https://myspace.com/firstbandfromouterspace

https://www.discogs.com/First-Band-From-Outer-Space-Further-Magic/release/5373943

https://myspace.com/firstbandfromouterspace/music/song/mellow-yellow-37764068-39871988

https://www.discogs.com/First-Band-From-Outer-Space-Further-Magic/release/5373943

https://www.discogs.com/First-Band-From-Outer-Space-Aboard-The-Mothership-Of-Cosmic-Sound-Creation/release/5373935

https://www.discogs.com/First-Band-From-Outer-Space-Impressionable-Sounds-Of-The-Subsonic/release/1759512

https://www.discogs.com/First-Band-From-Outer-Space-The-Guitar-Is-Mightier-Than-The-Gun/master/377219

https://www.facebook.com/firstbandfromouterspace/?ref=br_rs


Clouds Taste Satanic “The Glitter of Infinite Hell” Album Review + Stream…

Clouds Taste Satanic

The Glitter of Infinite Hell – CD // DD

Self Released – October 31st, 2017 on Helloween!!

Terry “The Ancient One” Cuyler

 

Yum…May I have a second helping?”

                  

Hey everyone this is Terry the Ancient One and I got some more kickin’ Doomaphonica for your Rocktober by  Clouds Taste Satanic. Formed in 2013,  Brooklyn’s instrumental Doom Quartet is made up of bassist Sean Bay, drummer Christy Davis, guitarist Steven Scavuzzo, and guitarist David Weintraub. While pretty close mouthed about themselves on their Facebook Page and just as mysterious in Encyclopedia Metallum, They have managed to amass a small army of followers which I think is due to the fact Clouds Taste Satanic is promoted mainly by their loyal and deeply devoted fans through word of mouth and social media outlets.

While “DOOMED & STONED”  has been quoted as saying “one of the most remarkable and tragically unknown metal bands of our time continues to reach new creative heights.” in their review of latest album by Clouds Taste Satanic.  I must say I disagree on the part about them being tragically unknown. If they are then tell me why I am seeing them all over Facebook’s various metal and doom pages and communities and in the big underground Webazines: Decibel Magazine , CVLT Nation, DOOMED & STONED, Outlaws of the Sun, The Sludgelord , Metal Bandcamp, Sleeping Shaman  and these are just the big ones. DOOMED & STONED, as cool as I think you are I think you’ve smoked a bit much.

Band Logo

Now that I have probably pissed off the Rolling Stone of doom music I will tell you a little about Clouds Taste Satanic latest musical offering  “The Glitter of Infinite Hell.”  Scheduled to be released October 31st, 2017, this 4 song, 74 minute demonic masterpiece of doom backs one hell of a punch. It’s songs fell like an opium dream turned into nightmare. Quite possibly inspired by Old Scratch himself “The Glitter of Infinite Hell” seems to tell the story of Lucifer’s rebellion and fall with the songs Greed, Treachery, Violence, and Wrath.

Opening Track off “The Glitter of Infinite Hell”

The songs feel like an opium dream turned into nightmare. What’s really cool about this album is the songs sound like the titles they are given. Through a brilliant combination of Doom, Sludge, Psychedelic Rock and Stoner riffs; “The Glitter of Infinite Hell’s” tracks manage to convey the meaning of the songs titles. For instance, the opening track ‘Greed’ sounds like a hulking beast lumbering across the land it laid waste filling its maw in a vain attempt to satiate its endless hunger. I could continue about every track but I think you are going to have to listen for yourselves to fully understand.  You now have your soundtrack for Halloween this Year compliments of CTS!!

Break out your headphones for this one boys and ghouls  Clouds Taste Satanic has some amazing ear candy ready for you. In “The Glitter of Infinite Hell.”  If you can’t afford this one, beg your  mom, dad, wife, husband or don’t buy that $6.00 Cup of Coffee for One Day… and spend the $5.00 to get the digital download, or $7.00 for the CD. If that doesn’t work, sell blood, volunteer for an experiment, sell sperm/eggs or you could try to sell your soul to Satan. In the mean time here are some of their past videos and a Bandcamp link to the new album.

Band Pic

Additional Links:
https://www.facebook.com/CloudsTasteSatanic/videos/970541083038312/

https://www.facebook.com/CloudsTasteSatanic/videos/1106859459406473/

https://cloudstastesatanic.bandcamp.com/album/the-glitter-of-infinite-hell

https://www.facebook.com/CloudsTasteSatanic/


Bat Chain Puller “The Anatomy of Thera Macula” Album Review + Stream…

Bat Chain Puller

The Anatomy of Thera Macula – CD // DD

Mesolithic Records – released July 1st, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
Bill Wyant – Guitar, Vocals
Jed Guthrie – Bass
Dennis Flynn – Drums

Tracklist:

  1. Perversions of the Anti-Ego 03:59
  2. On Pilot Wave 05:07
  3. Ostrich 06:38
  4. Nothing Is, But What is Not? 10:27
  5. The Anatomy of Thera Macula 11:04
  6. Absinthe Makes the Heart Grow Fonder 06:31
  7. Neon Spiral Hydra 10:57
  8. Glory Whole 05:46

 

 

Review:
Bat Chain Puller are fuzzy Stoner Rock group from Bloomington, Illinois. I use the adjective fuzzy because; as they explain it themselves, [We are] “Specializing in fine handcrafted metal that is fuzzy […] even before you bake…” (From their Facebook page). Their name is likely in reference to the album(s) by Captain Beefheart. The band have two previous releases; the first being a studio album from 2012, “One Million Tomorrows” and the second being a single (that is the first track off of this album with an altered time from 2016,) “Perversions of the Anti-Ego

I could not find any direct pictures that the cover is made of. I am guessing that it takes place in either World War II or after some nuclear fallout. I say WWII because of the gas mask the model is wearing and because the background looks European. (Which leads into…)

Track-by-track Breakdown:

Track 1. “Perversions of the Anti-Ego” – This is the single that was released a year before the album came out. It is Black Label Society-ish sounding; slow, it keeps the same tempo for most of the song until the last few seconds where they pick it up barely and once they hit the last note it fades out.

Track 2. “On Pilot Wave” (Favorite track) – I will elaborate more below but I feel that this should have been the single they chose from the album. It is Bush-ish sounding; abstract sounding lyrics, changing tempos, pseudo-Grunge aggression and a good rhythm.

Track 3. “Ostrich” – This is the song where you hear the bass guitar the most and it is what makes me enjoy it. This track is more of a Black Sabbath/Bush hybrid; strange lyrics, the bass keeps the track moving (along with the drums of course)

Track 4. “Nothing Is, But What is Not?”/Track 5. “The Anatomy of Thera Macula”(Best tracks) – These tracks go back and forth between all of their influences. There are brief points of Metal throughout both with points of Progressive Rock and Stoner Rock.  Thera Macula most likely refers to one of the dark spots on Jupiter’s moon Europa. Which just happens to relate back to the cover, because; “Thera Macula is a region of likely active chaos” and that is what the cover and even points of these songs include.

Band Logo

Track 6. “Absinthe Makes the Heart Grow Fonder” (Heaviest song) – This is a close second favorite song. It goes between Bush style lyrics and modern (1990’s-2000’s) radio metal music. The repeating riff and how the guitar is the fade out at the end.

Track 7. “Neon Spiral Hydra” – This is a close relative of tracks 4 and 5 but different enough to where it doesn’t fit into the one song scheme. The song is very close to newer Alice in Chains.

Track 8. “Glory Whole” – Very Alice in Chains with hints of Layne Staley vocals. The way the vocals are layered is reminiscent of how AIC do theirs.

Bill Wyant’s vocals remind me of a strange mix between Zakk Wylde (Black Label Society and Ozzy Osbourne) and Gavin Rossdale (Bush). The music itself is a strange mix of newer Black Sabbath, the William DuVall lead Alice in Chains, Black Label Society and Bush and often the music styles come together and move apart song to song.

The drumming is the highlight of the album to me. Strangely enough; this album reminds me of Bless the Martyr Kiss the Child by Norma Jean, but a softer Rock version. Even though I feel the album has more of a Metal feel than a Rock feel. Tracks 4 and 5 serve best as one track. In these two the band creates a world that showcases their influences and shows the talent that they have as composers. Other than the 10 minute plus tracks this is a good biker album. Tracks 4, 5, 6, and 8 are the highlights.

If there is anything to complain about it is that it’s not heavy enough! At some points when they are building the soundscapes, I kept expecting some rapid fire drums or a speedy guitar solo, they teased it a little bit. Also “On a Pilot Wave” should have been the single, even if it would have to be shortened for radio play. (But these are personal gripes, not a musical one.)

Overall, Bat Chain Puller puts on a stellar performance with “The Anatomy of Thera Macula.”  Definitely get a copy of it!  Take a listen here and buy the DD or CD

Additional Links:

https://batchainpuller.bandcamp.com/releases

https://store.cdbaby.com/cd/batchainpuller

https://store.cdbaby.com/cd/batchainpuller2

https://store.cdbaby.com/cd/batchainpuller3

https://www.facebook.com/pg/BCPMusic/about/?ref=page_internal

http://www.nature.com/nature/journal/v479/n7374/fig_tab/nature10608_F2.html?foxtrotcallback=true

https://www.nasa.gov/topics/solarsystem/features/europa_20111116.html