First Band From Outer Space “We’re Only In It For The Spacerock” Album Review + Stream…

First Band From Outer Space

We’re Only In It For The Spacerock – CD // DD

TRANSUBSTANS Records – Originally Released In 2005 (with a bonus video)

Re-released: digital Download February 14, 2017

Reviewed by Zachary “+Norway+” Turner

 

Lineup:
– JohanFromSpace / Vocals, Acoustic and Electric Guitars
– SpaceAce Frippe / Bass, Acoustic Guitar, Synths, Bells and Voice
– Starfighter Carl / Drums, Percussion and Voice
– Moon Beam Josue / Silver Flute

Previous Releases:
This was the band’s first full length album. The two previous releases were two demo CDr’s; the first “Further Magic” and “Aboard The Mothership Of Cosmic Sound Creation” both released in 2003 and none of the tracks have been re-released. Their second full length release “Impressionable Sounds Of The Subsonic” was released in 2006. The most recent release, from 2009, is “The Guitar Is Mightier Than The Gun”… Two bonus tracks that were on their MySpace: “Mellow Yellow” and “You Will Be Freed”…

Tracklist:

  1. Begin to Float (Intro) (4:44)
    2. Sannraijz (9:58)
    3. Sometimes Going Too Far is the Only Way To Go (7:13)
    4. Sannraijz 2 (4:43)
    5. We’re Only In it for the Spacerock (20:28)
    6. Make Yourself Heard for the Sake of the World (10:47)

Review:

The Band:

First Band From Outer Space are a Aleatoric/Psychedelic/Space Rock band from Gotenborg, Sweden. Their label describes them as  being “Swedish intergalactical starfighters on their eternal quest for infiltrating the human race with their alien psychic powers of enslaving the neanderthals by brainwashing [them] with the finest space rock ever done in Sweden!”

Album Art:

There are two variations of this cover. The one for the original release give you a better idea of what you are getting into once you get into the music. (Meaning it is more atmospheric) There is a person in a spacesuit on the right and there is a light coming from over their shoulder. The second cover is the one for the digital release it is black with a starfield and two light spots similar to CD, but instead of a astronaut there is a small module with the band’s name filling up most of the screen with the album title smaller on the bottom. (Both in the NASA font)

Original Artwork of “We Are Only In It For The Spacerock in 2005Only in it for the Spacerock_Original Cover

Track-by-track Breakdown:

  1. Begin to Float (Intro) – This track whirls in with a slow strumming of the guitar leading us into the First Band From Outer Space version of space. It is similar to “Set the Controls for the Heart of the Sun” (Pink Floyd) in the way it builds and builds on itself. More bloops and bleeps are added and the music starts to pick up in the 2 minute area. Here we get our first clip; “All of my most sensitive areas were inflamed. My extremities pulsing and tingling sensation. …Floating higher and higher. A wonderful feeling! I began to float. Up, away from my body… My brain seemed to be held in a giant vice. Swaying back and forth. A beautiful thing taking me away. My head is spinning. It was a bell… a bell…” now we get fast beat of the drum. Building the tension. The guitar strumming along calmly.. and then
  1. Sannraijz – Now we are in a slightly different area. We are speeding through their space. The track slows at four minutes and then speeds back to it’s normal pace. At five minutes we get vocals. At the end of a comparatively quick singing passage we are told, by Johan that; “The end is always the start of something new” as we continue on our way through the rest of the track. Until it starts to slow in the last 20 or so seconds and our next clip; “No one had a bad trip. It was all very good.” as the next track cuts it off.   I could not find a translation of what the title means.
  1. Sometimes Going Too Far is the Only Way To Go – Here is where (more of) the 70’s rock comes in. A cowbell is counting in our next jam. Six minutes in we get our 90’s influence. A layered vocal not quite shouting at us. This is another short bit of lyrics. We are counted out by the cowbell as well.

      4. Sannraijz II – Here is an almost Mike Oldfield type of track, there are birds chirping. We have now landed on a strange desert planet.           This is the most radio friendly song; it is acoustic and has lyrics throughout. It serves as an intro to the next track.

      5. We’re Only In It for the Spacerock – This track is an experience. It is a slow jam calling back to the first track. It is similar to a                 song by Acid Mothers Temple and the Cosmic Inferno called “Anthem of the Space.” Just a very spacey sounding with heavier guitar. There is another sound clip at the end but I cannot quite make it out.   The title is likely in reference to the Frank Zappa and the Mothers of Invention album We’re Only In It for the Money.

6. Make Yourself Heard for the Sake of the World – This track has a Jethro Tull flute part in it. We get our space or eastern                      sounding intro then we get a rocking riff and MoonBeamJosue is bringing us home with his flute. Two minutes in we get our 80’s/90’s            sounding vocal style again. The track ends how it begins. The tracks are all faded into another so it is a continuous piece.

Band Pic

The synth parts of the music are like a 50’s or 60’s look at what music from aliens, (meaning the bloops and bleeps) that was depicted in the old sci-fi movies/shows with guitar and rhythms from 70’s (and at some points the late 90’s) Rock. This album is a mix of Budgie and Acid Mothers Temple and the Cosmic Inferno that I didn’t know that I needed until now. The band show their influences well while making their own brand of Spacerock.

If you like 70’s style Rock with some space synths added in you should definitely pick this release up.

Stream and download the album here.   “No one had a bad trip. It was all very good.

Extra links:

http://www.progarchives.com/album.asp?id=9483

https://www.discogs.com/First-Band-From-Outer-Space-Were-Only-In-It-For-The-Spacerock/release/1166182

https://transubstansrecords.bandcamp.com/album/were-only-in-it-for-the-spacerock

http://www.transubstans.com/

https://myspace.com/firstbandfromouterspace

https://www.discogs.com/First-Band-From-Outer-Space-Further-Magic/release/5373943

https://myspace.com/firstbandfromouterspace/music/song/mellow-yellow-37764068-39871988

https://www.discogs.com/First-Band-From-Outer-Space-Further-Magic/release/5373943

https://www.discogs.com/First-Band-From-Outer-Space-Aboard-The-Mothership-Of-Cosmic-Sound-Creation/release/5373935

https://www.discogs.com/First-Band-From-Outer-Space-Impressionable-Sounds-Of-The-Subsonic/release/1759512

https://www.discogs.com/First-Band-From-Outer-Space-The-Guitar-Is-Mightier-Than-The-Gun/master/377219

https://www.facebook.com/firstbandfromouterspace/?ref=br_rs


Nekromant “Snakes And Liars” Album Review + Stream…

NEKROMANT

Snakes And Liars – Limited Vinyl // CD // DD

Transubstans Records – released June 16, 2017

Reviewed by Ric “Suisyko” Dorr

 

Established – 2011

Location – Vänersborg, Sweden

Band Members:
Adam Lundqvist– Guitars
Mattias Ottosson – Bass/Vocals
Joakim Olsson – Drums

 

Previous Releases:

As SERPENT – ‘Master Of Ceremony’ single (Oct 2015)

“Nekromant” (Dec 2015)

As NEKROMANT – ‘Stoned To Death, Doomed To Die single (May 2017)

‘Ashes & Rain’ single (June 2017)

 

Review:

Quote – “Fans of Black Sabbath, Pentagram, och and so on will not be disappointed!” Enquote. The first words I saw used to describe this three piece from the land of the often refereed ‘NWOSHM’ movement of the last several years, with bands rising to the forefront that are letting the rest know that they are just bloody sick of nu-metal and the glut of ‘pretentious hipsters’ that think they know what good old blues-based HEAVY is about with their auto-tuned machine based garbage and hyper-polished turds being passed off as the best-yet…

Back to basics, balls out and cranked to the top, these guys show that they are here to represent with some of the best progressions and time shifts held high on thick bass runs that hit you in the chest with each note. No splintering of genres here, but higher, CLEAR vocals that are easily understood, unlike so many that permeate anymore and the fit is tighter than a glove with the precision-playing that slices cleaner than the sharpest blade.

Coming together in 2011, Adam and Mattias spent the better part of the next two years consumed in a series of jamming/drinking sessions in the metropolis Mjölby, located in the eastern part of Sweden, playing hard rock, which did result in an EP and an LP.  It was in 2013 that  they joined forces with Jocke, a hard-hitting drummer with roots in both heavy metal and other types of music, that everything coalesced into what is now presented to us as NEKROMANT.

 

Band Pic

 

Thirty-five minutes totaling from 9 tracks that stand out on their own as individuals as well as are the perfect summation as a whole. From the immediately head-banging inducing opener ‘Stoned To Death, Doomed To Die’ with it’s quick-gallop paced tempo and screaming squeals of harmonic bending strings over that soaring vocal, the stage is set and even the seemingly effortless time shift halfway through, you are hooked for what will prove to be exactly what you have been waiting for to show; that true rock-and-fucking-roll still exists. This is proof positive that it is indeed alive, well and flourishing in all the riff-laden, relentlessly paced ecstasy you could ask for. And when ‘Funeral Worship’ hits, slow and rolling low, it is the precise gear-shift needed, fully owning a doom-laden structure with Mattias’ voice ringing clear and true, never wavering in delivery all the way to the sudden-stop ending.

‘Black Velvet’ comes out in full 80’s metal glory, wringing of a sound that made me think of a mixture of Italian masters BULLDOZER meets WITCHFINDER GENERAL in a salute to the essence of that heavy duty blues-rooted guitar onslaught so thick in tone that you almost forget there are only three guys in the room here, where ‘Ashes & Rain’ is from the start all loopy and heavily, dare I say it, ‘progressive’ in structure and pace in the arrangement that transcends any labeling with the various soft-touches scattered throughout this song.  Again, further showing a versatility you may not have expected after the last full length, yet sounds honest and natural here, and in my opinion is what makes for legendary music. It can really be heard if you mean it when you play it.  When it is from the core of your being as these songs each show these three are doing, then they become timeless and relevant as would seem to follow their original statement in intent.

From the soft fade-in wash cymbal of ‘Inside Yourself’ with another crop of time-shifts from hell, perfectly stirred into this brew, to the instrumental indulgence of ‘Mardröm’ through to the even-slower measures of ‘Never Saved’, there is no room for dissapointment here as you have been consumed along the path you have been walking with this album to get to the title track ‘Snakes & Liars’ that gives its ALL with its staccato opening that is close to being the fastest beat on this album and you are pulled right along this almost two minute run through the “Fortune and Fire” described.

Closer ‘Spelmannen’, which translates to English as ‘Player’ is sung in Dutch, has an almost traditional-folk song feel to it before the power chords hit, and even then, still maintains an anthemic feel that made even my black-heart feel a little less dark in the soaring solo sections and chorus alike. Excellent choice to wrap this package together and there is not one song on here I would not want them to play in a live setting!!

Keep this one as an option on your best-of lists for 2017, make SURE it is part of your library, AND your best buddy’s too and catch them live if the chance comes to you… keep it LOUD!!

Band Logo