Van Records Ván Records (world excl. N-America) | Profound Lore Records (N-America)
Band Members – Milena Eva – vocals / Thomas Sciarone – guitar / Kamiel Top – guitar /
Jaka Bolic – guitar / Tim Meijer – bass / Igor Wouters – drums
Rotterdam, The Netherlands
The first minute and a half is nothing but guitar chords setting a tone of dissonance before Milena’s voice enters with her signature clarity and grabs your attention beckoning “Remember…” and the journey of this, the third full length release from GOLD, is underway. ‘You Too Must Die’ establishes the pace and as lead off, it is plush in the mix and makes you thirsty for more. ‘Summer Thunder’ uses the same extended intro of a minute before Milena states “There is nothing I would rather do…” and the galloping drumline pulling the rest of the band forward into this composition that perfectly suits the title conveying that very thunder through your veins until the sudden end. ‘White Noise’ enters with a cacophony of twisting notes and the body comes in with a more even pace, yet one that still compels you to keep up to the end. ‘Teenage Lust’ fades in slow and mysterious sounding, much like the subject does for the entire 5 minutes plus, no drum line is needed for the tale there in, while ‘No Shadow’ hits with a driving beat, quickly joined by thick base before the guitars join with punch that beckons you to keep chasing along with them.
‘I Do My Own Stunts’ begins with a fury and there is nothing holding back here with the masterful fills and the edges of three guitars chugging on in sonic syncopation. ‘Be Good’ hits with Milena’s command “Stick to your guns…” and we’re off for what is, to this point, the fastest song on this record and is as lush as can be until the sudden stop-ending. ‘Come With Me’ is as quick-paced with the noodling guitars intersecting with a fury of quick-picking that accents the solo perfectly, the rest never missing a beat.
Final track ‘Tear’ begins with a melancholy dirge of notes that summon the dark clouds to return to bring the cover to consume the tears that flow from Milena’s lips into our ears and is the one that stands out as the go-back-to track to take it in again.
Front to back, a stronger album than the previous two and shows that with maturation comes growth both lyrically and musically and each song delivers with a different flavor than the one previous. This could be the one that breaks GOLD out into the rest of the world and is well worth checking out. NOT metal by any stretch and they refuse to classify their own music… no need for all of the micro-genre’s so prevalent these days and that is indeed refreshing. Something NEW & DIFFERENT, as it is supposed to be. For the masses…
From the dark catacombs of Ireland and what could seemingly be the ashes of the doom/ black metal legends PRIMORDIAL,
A.A. Nemtheanga//Bones//Johnny King have come together delivering the self-described ‘born-dead brainchild’ of Nemtheanga, named DREAD SOVEREIGN. Using his years of slaying & slashing on guitar, the blueprint presented is old-school doom/black metal, much in the vein of pioneers VENOM and BULLDOZER, loaded with everything we expect from a band with the time spent honing and perfecting this latest configuration is what keeps us coming back for more.
Opener and title track ‘For Doom The Bell Tolls’ is the perfect set-up for the rest of the record complete with the vortex of white noise and tolling bells as well as an undefined ominous presence that lurks just out of reach. Until you hear the pick-slide at the beginning of ‘Twelve Bells Toll In Salem’ you are just waiting for some sign of what lurks in the shadows from a distance. Nemtheana’s vocal piercing tells of the DREAD SOVEREIGN’s entrance to our world as commanded to embrace the UnderLord. All the elements of evil rising and the swirling mists of darkness permeate here and take you to the edge of the brimstone glowing from below the surface of this world. Clocking in at 13 minutes, this is the longest track but gives the listener ALL you need to know to grasp the story offered.
‘This World Is Doomed’ follows immediately after as the last of the twelve bells has faded off into the fog. Three measures of crunching chords are broken only by the call “Let’s GO” as the rhythm section belies the real intent to call out the disbelievers to ‘rack up another lie’ and ‘take another pill’ denying the impending as described by Nemtheana’s lyrical tale.
‘Draped In A Sepulchral Fog’ revisits the swirling, menacing white noise and tolling bells of the opener, leading you into ‘The Spines Of Saturn,’ a track that is reminiscent of 70’s space-rock with enough phase-shift used to make you think there is an orchestra of guitar pushing you directly into the halo of rings that surround this ominous planet. In MY opinion, this song could stand alone and is even stronger as surrounded by the rest of this album.
Closing track ‘Live Like An Angel, Die Like A Devil’ is the perfect tribute to the band many say brought us TRUE Black Metal back when, VENOM. They don’t miss a note in a cover that would make Cronos proud!! While this may not signal the end of PRIMORDIAL, they did just release a live album in 2016, it is something welcomed and NEEDED in this market. DREAD SOVEREIGN have done exactly what they set out to do in their own words; “We have not intended to re-invent the wheel just to give it a good kicking in the true old evil metal fashion.” Mission accomplished boys…