Ric “Suisyko” Dorr’s Top 25 Albums of 2017 + Links…

Ric “Suisyko” Dorr’s TOP 25 Albums of 2017

In NO particular order…

 

Matthew James & The Rust Belt Union – Impromptu Musicals For The Skeptic

https://sumppumprecords.bandcamp.com/album/impromptu-musicals-for-the-skeptic

 

Rex Brown – Smoke On This

http://rexbrown.net/

 

Egypt – Cracks And Lines

https://egypt1.bandcamp.com/

 

Electric Age – Sleep Of The Silent King

https://electricagela.bandcamp.com/album/sleep-of-the-silent-king

 

All Them Witches – Sleeping Through The War

https://allthemwitches.bandcamp.com/album/sleeping-through-the-war

 

Bask – Ramble

https://basknc.bandcamp.com/

 

Bronze – Self Titled

No link…
Dool – Here Now, There Then

https://dool-nl.bandcamp.com/album/here-now-there-then

 

Dopelord – Children Of The Haze

https://dopelord.bandcamp.com/

 

Collide – Color Of Nothing

https://collide1.bandcamp.com/

 

Fairtrade Floyd – In Money We Trust

https://fairtradefloyd.bandcamp.com/album/in-money-we-trust

 

Freedom Hawk – Sunlight (Remastered)

https://freedomhawk.bandcamp.com/album/sunlight

 

Lo-Pan – In Tensions

https://lo-pan-rock.bandcamp.com/album/in-tensions

 

Helmer – Self Titled

https://stevilhelmer.bandcamp.com/

 

Mothersloth – Moon Omen

https://mothersloth.bandcamp.com/

 

Otus – 7-38Hz

https://otus783.bandcamp.com/

 

Plainride – Return Of The Jackalope (Re-issue)

https://plainride.bandcamp.com/album/return-of-the-jackalope

 

Poste 942 – Long Play

https://poste942.bandcamp.com/album/long-play

 

Sautrus – Anthony Hill

https://sautrus.bandcamp.com/

 

Void Cruiser – Wayfarer

https://voidcruiser.bandcamp.com/album/wayfarer

 

El Colosso – Pathways

https://elcolosso.bandcamp.com/album/pathways

 

Fire Down Below – Viper, Vixen, Goddess, Saint (Re-issue)

https://firedownbelow.bandcamp.com/album/viper-vixen-goddess-saint

 

Murder Love God – The Negative (EP)

https://murderlovegod.bandcamp.com/releases

 

Savanah – The Healer

https://savanah1.bandcamp.com/

 

The Sky Is – Telepathie

https://theskyis.bandcamp.com/album/t-l-pathie

__ __ __ __ __ __ ___ __ __ ___ __ __ __ __ __ __ __ __ ___ __ __ ___ ___ __ __

HONORABLE MENTION Dimebag Darrell The Hits

https://www.amazon.com/Dimebag-Darrell-RSD-Record-Store-Day-Hitz-Limited/dp/B076CVWQXM/ref=sr_1_1?s=music&ie=UTF8&qid=1514655474&sr=1-1&keywords=dimebag+darrell+the+hitz

 


New Album Review – VOID CRUISER “Wayfarer”

VOID CRUISER

Wayfarer – CD / DD

Argonauta Records – Release Date:  Digital album releases February 27, 2017 /

Physical Album Ships around March 10, 2017

 

Ship: Void Cruiser mod.1.0 (Interstellar heavy metal exploration vessel)

Destination: Unknown

Last known location: The Andromeda galaxy

CREW – T-Hug: Low Frequency Engine, Ambience Generator

V-Salo: Soundscape Systems

T-Bag: Battering Apparatus

S-Salo: Fuzz Machinery, Communications

 

Post: Void Cruiser has always been there. Only now the crew have awakened from their cryogenic sleep and they are on a holy quest. A quest for The Massive Resonance. This is how we begin…

And so is how my introduction to VOID CRUISER began. I discovered that this is the third release, the first being 2013’s EP ‘Motherload’ followed in 2015 with the full length “Overstaying My Welcome” and now in 2017 we are gifted with “Wayfarer,” a seven song collection of pure stoner-metal bliss; fuzzed out bass lines, staggered tempo’s and fills running amok with searing, soaring guitar solos that perpetuate every minute that has no other voice voiced communications. Grab your vaporizer/pipe/bong/etc. as we travel along with this mod 1.0 vessel.

 

Live Band Shot 2

 

‘A Day In Which No Man Was Born’ serves as the lift-off and slowly takes you through the entry of the edge of this sector as the background becomes the majesty that is the interwoven expansive net that is propelling you into the unknown ahead with no apprehension.  Instead anticipation as the power chord driven final section of this track shifts as you can almost feel the turning of this vessel which effortlessly flows to the next track ‘I Didn’t Lie, But Know Now I Should Have.’  The band swings right into a blues-tempo’d, doom-slow and low tale of Salo speaking of the “voice” inside of him, letting us see through his eyes what is transpiring within and why he knows why he should have. As the last note rings out, we suddenly hear footsteps and a quick staccato snare pulls us into ‘As We Speak’ where we are told that we will ‘hear with your eyes and see with your ears’ as if he could reach you. Electronic sputters lead us right into the power chord beginning of ‘Madonnas And whores’ where Salo tells us that when he was all alone, in his own narcissistic way, all he could feel was love for everything. Now that he is willing in his own altruistic way, all he can feel is just jealousy as he further exposes the events of the ‘looking for comfort’ and there is no way it’s gonna fall. At the four minute mark, we begin the turnaround portion of this leg of the journey with the tastiest guitar section this record has offered up so far and filled the void around this spinning vessel perfectly carrying you though the ectoplasmic expansion that surrounds you outside until you are told that the ship has been taken over.

 

Pro Band Shot

 

‘Seven Years Late’ is a tale of Salo speaking of ‘your heart of gold, my heart of steel’ and his careening vocal carries you further long. telling of a dream he had, saw his grave, seven years late. Faster footsteps, a coughing man and ‘All Over Nowhere’ begins that Salo is ‘The man that helped you, he’s the man that stabbed your back…’ and then asked if ‘you’re having a good time baby’ with the same monotone sneer you would expect from somebody that tells you he knows for sure that you ‘go around.’ Perfectly accentuated at the end with the same running footsteps at the beginning before final track ‘Maailmann Kallien Kaupunki’ which per a translator means ‘The most expensive House’ which leads me to imagine some spectral equivalent of The House of Heaven or some such. Speaking no Finnish, I can not be positive, but the music of this 10-minute soliloquy gave me a feeling of bliss that carried to the very end as the very last faded out through a backdrop of white noise that seemed endless until it was no more…

Compared to the previous releases, VOID CRUISER have come a long way with “Wayfarer” and have grown not only as a unit, but as a concept and they have executed the concept quite well here. If given the opportunity, I encourage you, the reader, to find their tour schedule and get out and see how this outstanding studio effort is translated to a live forum.  We can not recommend this album enough…

Words by Ric “Suisyko” Dorr